This week, Chris and special guest (and film critic) Dan Murrell get to the choppa! with a deep dive of 1987's Predator. They'll be braving snakes (venomous and Hollywood), fire ants, scorpions and traveler's diarrhea as they explore this unlikely sci-fi action classic's arduous production. Learn how Arnold hooked the crew on cigars, bested Jesse Ventura's biceps, and why Shane Black was killed first. Plus, why you may not want to attempt heat vision in 100-degree weather...

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Chris and Lizzie speak with the incredible, Emmy-winning Casting Director, Wendy O'Brien (Abbott Elementary, Dave, It's Always Sunny, Wyrm). Enjoy a conversation about how this role is different from what you might think, how it has changed in a post-Covid world, what it's like to work with Chris, and much more.

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Marilyn Monroe can’t remember her lines, Jack Lemmon can’t walk in heels, and Billy Wilder is slipping sleeping pills up his tuchus. ‘Some Like It Hot’ is a groundbreaking comedy that nearly broke writer/director Billy Wilder. Join Chris and Lizzie as they break down Billy Wilder’s struggles with Marilyn, and Marilyn’s relationships with her overbearing husband and acting coach, and find out why Tony Curtis allegedly called her Hitler.

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Three decades of development hell, a dozen drafts and one very embattled director. This week, Chris and Lizzie explore the tumultuous journey of Malcolm X, Spike Lee’s unusual path to the directing chair, and how the public battle over the civil rights leader’s story nearly eclipsed the story itself.

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This week it’s Francis Ford Coppola vs Bob Evans vs everyone. Join Chris and Lizzie for part 2 as they break down the truly insane rivalries behind 1972’s The Godfather. Find out why Coppola’s team briefly turned against him, how James Caan might have beaten up a costar on screen, and why this movie has one of the most dangerous stunts we’ve ever covered.

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It’s a movie about the mafia… but they couldn’t say the word mafia… because the actual mafia threatened the entire production if they didn’t remove it. This week Chris and Lizzie dive into Francis Ford Coppola’s groundbreaking 1972 film, The Godfather. Find out why Coppola and Al Pacino both almost got fired, how Robert DeNiro almost made it into part 1, and why Paramount didn’t even want to make the movie.

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For over a decade, Tom Cruise was Hollywood's most bankable star, ruling Tinseltown with a million-dollar grin and a carefully crafted image. But when ditching his publicist led to couch-jumping antics, Scientology scandals, and box office bombs, La La Land’s Top Gun found himself in a tailspin that even Ethan Hunt couldn't escape.

On each episode of Wondery’s podcast The Big Flop, comedians join host Misha Brown to chronicle one of the biggest pop-culture fails of all time and try to answer the age-old question: who thought THIS was a good idea? Lizzie Bassett and Chris Winterbauer from What Went Wrong recently joined Misha to jump off the couch and into the lowest point of Tom Cruise’s career.

This is just a preview of The Big Flop. To hear the full episode, listen to The Big Flop wherever you get your podcasts, or at wondery.fm/thebigflop_whatwentwrong.

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What happens when Tom Cruise’s unstoppable force meets Stanley Kubrick’s immovable object? Tune in as Lizzie & Chris uncover the secrets of the reclusive auteur’s thirteenth and final film, a production so difficult it (likely) ended a marriage, dispatched its director and may have sent not one, but two Kubrick collaborators deeper into the embrace of a truly secretive society.

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Storyboard artist Warren Drummond (Shaft, A Beautiful Mind, Nightcrawler, Rise of the Planet of the Apes) has worked with some of the greatest filmmakers of our time, from John Singleton to Denzel Washington and Ron Howard. In this Below the Line interview, Warren illuminates the world of storyboarding, his journey into film, the transition from analog to digital, and more.

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How did a tennis pro, a theater nerd, and a TV actor redefine the action genre? Because they had nothing left to lose. This week, Chris and Lizzie dive deep into 1988’s quintessential Christmas film: from Bruce’s receding hairline and an unfinished script to Rickman’s inability to hold a gun and Joel Silver’s desire to just blow shit up, this production had more problems than a McClane marriage.

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