Storyboard artist Warren Drummond (Shaft, A Beautiful Mind, Nightcrawler, Rise of the Planet of the Apes) has worked with some of the greatest filmmakers of our time, from John Singleton to Denzel Washington and Ron Howard. In this Below the Line interview, Warren illuminates the world of storyboarding, his journey into film, the transition from analog to digital, and more.

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How did a tennis pro, a theater nerd, and a TV actor redefine the action genre? Because they had nothing left to lose. This week, Chris and Lizzie dive deep into 1988’s quintessential Christmas film: from Bruce’s receding hairline and an unfinished script to Rickman’s inability to hold a gun and Joel Silver’s desire to just blow shit up, this production had more problems than a McClane marriage.

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More Gremlins, more problems! But that didn’t stop Joe Dante and Steven Spielberg from adding an endless stream of critters to the deranged 1984 Christmas classic. Busted puppets caused massive delays and pushed creature master Chris Walas to his limits, but it could’ve been worse - they could’ve used… live monkeys?! Find out why parents were furious about the film, how it helped change the MPAA rating system forever, and why Tom Hanks isn’t in it.

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Blue screens! Tennis balls! Directions from George Lucas! What are three things that make an actor’s job harder? Chris and Lizzie conclude their Menace coverage with a crunch at ILM, the public shaming of Jar Jar Binks and why George may have lost a lot more than $50 million in his divorce. Plus, how no one saw it coming… except for Weird Al.

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Jedi! Lightsabers! Taxes? This week, Chris tests Lizzie’s midi-chlorians (and patience) with George Lucas’ polarizing return to Star Wars. Was Lucas a victim of his own success, or were we all victims of his divorce? Plus, how Michael Jackson and Denzel Washington were nearly canon, and more!

CORRECTIONS:

*Doctor Dolittle was release in 1967, not 1976, as Chris mistakenly stated.

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How did the 4th (or maybe 5th) version of ‘A Star is Born’ take almost 20 years to make… and why did it almost star Russell Crowe and Beyoncé?! This week Lizzie and Chris break down Bradley Cooper’s 2018 directorial debut, and discover why Lady Gaga was initially a tough sell. Find out how everyone from Jamie Foxx to Metallica had a hand in this Oscar nominated film’s journey to the screen. 

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The only thing worse than being a character in a Sam Raimi movie? Acting in one. This week, Chris and Lizzie unearth the grueling, injury-laden production of The Evil Dead. Discover the importance of such amenities as running water, toilets, and electricity; and the pain of removing fake blood with hot coffee. Plus, how Raimi couldn’t have done it without a veritable village, including a couple of Coens, a King of horror, and a septuagenarian sales agent.

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Paul Rudd was almost murdered, The Mighty Mighty Bosstones were wasted, and El Niño threatened to rain out production - that’s just the beginning of what went wrong on Clueless (1995). Find out how Alicia Silverstone and Brittany Murphy got cast, and why one studio almost changed it to be more about… the guys? As if! It took writer/director Amy Heckerling years to get her vision to the screen, but it was like, totally worth it.

CORRECTIONS: Chris mistakenly refers to having watched the Criterion Blu-Ray release of "Clueless" - there is no Criterion release! He actually watched the 25th Anniversary Blu-Ray which had been gifted to his wife in a flawlessly photoshopped Criterion package. He apologizes for the confusion but can confirm the transfer looks great.

This episode is sponsored by/brought to you by BetterHelp. Give online therapy a try at betterhelp.com/CINEPHILE and get on your way to being your best self.

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Tombstone' shot first and 'Wyatt Earp' died. In Part 2 of our coverage, Chris & Lizzie endure the explosive arrival of replacement director George P. Cosmatos, revisit Kurt Russell's last-minute rewrites, and try to answer the impossible question: does a better version of this movie exist?

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Saddle up and skin that smokewagon, because Kevin Costner's about to shut your movie down. In Part 1 of our coverage on 'Tombstone', Chris & Lizzie dissect the film's Hollywood duel with rival 'Wyatt Earp', Kurt Russell's hardball, and how writer/director Kevin Jarre assembled one of the greatest cast and crews of all time, only to listen to none of them.

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*CORRECTIONS: George P. Cosmatos's last name is pronounced Cos-MAH-tos, Chris botched that pretty badly.

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