1965’s The Sound of Music would eventually become known as “The Sound of Money” but initially no one wanted to be a part of the film - especially Christopher Plummer. Join Lizzie and Chris as they discover why everyone was embarrassed to be a part of this enduring classic, how a helicopter kept knocking Julie Andrews over, and why the boat scene turned dangerous for one of the children.

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This is a preview of Chris and Lizzie's conversation on "28 Years Later". For their full discussion of fan theories, a few easter eggs and critical reactions to the film, support us at the $5 tier or greater at Patreon.com/whatwentwrongpodcast.

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How did a scrappy production out of the UK with little more than a dozen DV camcorders revive a decidedly dead genre and spark a renaissance with the recently departed? Join Chris and Lizzie as they explore Danny Boyle's lo-fi technically-not-a-zombie-movie-zombie-movie and learn why 100 buckets is never enough, the terror of Kiwi test screenings and why Danny Boyle couldn't wait to get Cillian Murphy shirtless.

*CORRECTIONS: The most violent news footage shown in the film's opening (executions, violence, etc.) was staged by Boyle and co., however, some early news footage of civil unrest is archival.

Naomie Harris was nominated for an Academy Award (Best Supporting Actress) for for her performance in "Moonlight", but she did not win.

The pilot at the end of the film is speaking Finnish, not American, and (faintly) says "Lähetätkö helikopterin?" which translates to "Will you send a helicopter?".

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Join Chris as he explores the evolution of zombies, from their birth in the Caribbean amidst the horrors of the Atlantic slave trade to their high-speed, globalized, modern incarnations. Endlessly adaptable and mutable to represent our evolving societal fears, zombies continue to be the monster that never dies.

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A very real fear of nuclear war drove Stanley Kubrick to create one of the greatest satirical films ever made - but it wasn’t always a comedy. Find out where the idea for 1964’s ‘Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb’ came from, how a rival film almost ruined its chances of success, and which major role Peter Sellers had to drop out of mid-production.  

*CORRECTIONS: Merkins were originally worn by prostitutes to hide the effects of lice, disease, or to conceal shaved genitalia.

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This week, join Chris and Lizzie as they learn how the two Midwestern mavens of the Matrix (facing diminishing box office returns), an unassuming Aussie assistant director, and mogul of mayhem Joel Silver spin Alan Moore’s decidedly English anarchist manifesto (starring a bomb-happy, building-blasting, Guy Fawkes fanatic) into a post-9/11 American studio spectacle. Plus, Natalie Portman's shaved head, practical dominoes, and James Purefoy's desperate desire for eyes.

*CORRECTIONS: Natalie Portman was nominated for Best Supporting Actress, not Best Actress, for her role in "Closer".

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Terrible timing, lack of creative direction, and straight up sabotage plagued Mariah Carey’s infamous big time flopper: 2001’s ‘Glitter’. Find out why the movie was doomed from the start, how Max Beesley’s sexy marimba playing still couldn’t save it, and why Jennifer Lopez may be partially to blame!

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How did a studio on the brink, a Jewish director, and a second-rate star turn a pulpy, near-blasphemous mass market Christian book into a blockbuster for the ages? Join Chris and Lizzie as they travel back in time to a tinsel town in painful transition to learn why MGM bet it all on a remake of the costliest film of the silent era, examine Gore Vidal's controversial contributions to the script, and test Mussolini's assertion that film is the ultimate weapon.

*CORRECTIONS: Chris mispronounces both Cinecitta Studios (should be "chin-eh-cheetah") and Quo Vadis ("Vah-dis").

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Cinematographer Steven Poster and camera operator, Dave Chameides join the conversation to put us on the set of Richard Kelly's iconic film, Donnie Darko. Learn about the collaborative efforts required to understand Kelly's vision, and the technical gymnastics necessary to bring it to life.

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Wonder Woman took 75 years to make it to the big screen. Her journey was full of rewrites, reboots, and lots and lots of men. Find out how director Patty Jenkins got the job, why Superman helped Gal Gadot get the part, and who Zack Snyder turned to for help when nothing was working.

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