Terrible timing, lack of creative direction, and straight up sabotage plagued Mariah Carey’s infamous big time flopper: 2001’s ‘Glitter’. Find out why the movie was doomed from the start, how Max Beesley’s sexy marimba playing still couldn’t save it, and why Jennifer Lopez may be partially to blame!

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How did a studio on the brink, a Jewish director, and a second-rate star turn a pulpy, near-blasphemous mass market Christian book into a blockbuster for the ages? Join Chris and Lizzie as they travel back in time to a tinsel town in painful transition to learn why MGM bet it all on a remake of the costliest film of the silent era, examine Gore Vidal's controversial contributions to the script, and test Mussolini's assertion that film is the ultimate weapon.

*CORRECTIONS: Chris mispronounces both Cinecitta Studios (should be "chin-eh-cheetah") and Quo Vadis ("Vah-dis").

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Cinematographer Steven Poster and camera operator, Dave Chameides join the conversation to put us on the set of Richard Kelly's iconic film, Donnie Darko. Learn about the collaborative efforts required to understand Kelly's vision, and the technical gymnastics necessary to bring it to life.

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Wonder Woman took 75 years to make it to the big screen. Her journey was full of rewrites, reboots, and lots and lots of men. Find out how director Patty Jenkins got the job, why Superman helped Gal Gadot get the part, and who Zack Snyder turned to for help when nothing was working.

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Some movies are so bad, they become iconic. Think Cats, Joker: Folie à Deux, Madame Web, and The Flash—massive flops that cost studios millions and spark endless debate.

Sam breaks down why these high-profile films failed – and whether Hollywood is learning anything from its most embarrassing box office bombs. Lizzie Bassett and Chris Winterbauer of the What Went Wrong podcast join him to explore VFX disasters, star power misfires, and the curse of franchise fatigue. Why do these flops keep happening – can Hollywood learn anything from these box office disasters?

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Was the fall of the Iron Curtain Bond's curtain call? Tasked with saving the super spy were a pair of nepo babies, a television actor and a Kiwi director fresh off a flop. Join Chris and Lizzie as they dive headfirst off an alpine dam into the Herculean effort to bring Bond into the 90s.

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Join Chris as he explores 007's origins, birthed from the mind of a 44 year old dilettante debut writer, the result of a bet with his nay-saying brother, at a vacation home in Jamaica affectionately named… GoldenEye.

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A decade of development hell, enough writers to take down a gorilla (maybe even a Hulk), and a director dealing with daddy issues. This week, Chris and Lizzie smash into the origins of Ang Lee's Hulk, a brooding mid-aughts Marvel misfire that's just a bit misunderstood. They'll discover the Hulks that almost were (animatronic!), the Hulks that we deserved (Steve Buscemi!) and the Hulks that came to be (Ang Lee gettin' that rage out).

*CORRECTIONS:

Hulk #1 was released in March of 1962 (not May, as stated), but carried a cover date of May.

In the comics, Bruce Banner was helping the military develop a Gamma Bomb, not Gamma Rays.

The 1994 production of "Fantastic Four" (Roger Corman), which Chris references, was created solely to prevent the rights of the characters from being reverted to Marvel.

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A plane crash puts a premature end to a precocious protagonist… on screen and off. This week Chris and David explore Richard Kelly’s cult classic debut film, Donnie Darko. Learn how a fateful meeting with Francis Ford Coppola, the undying support of Drew Barrymore, and a high school band’s cover of a Tears for Fears track secured Darko a place in cult-film history.

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Jennifer Grey knew the part of Frances “Baby” Houseman was perfect for her. There was just one problem: Patrick Swayze. The stars of 1987’s ‘Dirty Dancing’ had history, and it wasn’t good. In this episode Chris and Lizzie dive into the low budget film that became a smash success despite production woes, a brand new studio backing it, and two stars who just couldn’t see eye to eye.

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