This week, David, Rebecca, Richard reflect on a range of cursed theatrical releases from this month—including ‘Snow White’ and ‘The Alto Knights’—to examine the larger problems plaguing the box office. Then, the hosts discuss the highs and lows of Apple TV+’s The Studio, which satirizes the current state of Hollywood, as well as a few other shows picking up steam with audiences.

David and Rebecca are joined by Vanity Fair television correspondent Joy Press to dish about the bloody and heart-wrenching Severance finale, which aired on Thursday. They chat about the episode's most surprising turns and the stand-out performances of the cast before looking at the show's Emmy chances. Then, David speaks with Severance star Britt Lower about her dual roles as Helena and Helly R and how she felt when she first read the script for the finale.

Happy beginning of Emmy season! Vanity Fair staff writer Chris Murphy joins David and Rebecca to highlight the best new shows to have aired this Emmy cycle so far—from Max’s The Pitt to Hulu’s Say Nothing—before asking the biggest outstanding questions across the drama, comedy, and limited series fields: Is this Severance’s year? Can anything beat Hacks? And is the year‘s great limited series officially here?

As one Oscar season ends, another one begins. Today, David, Richard, and Rebecca game out the awards season to come with some ridiculously, joyously premature predictions in major categories. They discuss the new Avatar and Wicked films, the return of Paul Thomas Anderson and Kathyyn Bigelow, and potential first-time nominees in Idris Elba, Adam Sandler, Zendaya, and more.

David, Richard, and Rebecca gather to recap and analyze Sunday night’s Oscars, from the biggest surprises—Mikey Madison, first and foremost—to the inevitable ultimate Anora triumph. Plus, David and Rebecca take you inside the show, as well as the starry VF after party that followed.

Can Conclave stop Anora’s ascent? Will Adrien Brody beat Timothée Chalamet? And can Fernanda Torres pull off one of the greatest best-actress upsets in Oscar history? It's time for David, Richard, and Rebecca to make their final predictions for all 23 Oscar categories, ahead of the big show on Sunday.

Join our Oscar pool here!

To catch the Vanity Fair Oscar Party livestream, tune in at vanityfair.com or on VF's YouTube channel from 9 pm PT to 11 pm PT on March 2.

The LGM team is joined Variety chief correspondent Daniel D'Addario this week to talk about his new book, The Talent, which centers on a fictionalized best actress Oscar race. The novel, which is available now, has lots of juicy insider details that D'Addario has gathered in his years of covering entertainment. David, Richard, and Rebecca discuss with him why the best actress race is often the most dramatic, and what he thinks about this year's cut-throat race. Plus, D'Addario sticks around to answer some listener questions like why don't voters watch all the movies?

Join our Oscar pool here.

David, Rebecca, and Richard are joined by last year's winner of the Little Gold Men Oscar pool to learn how she pulled off a near-perfect predictions list, and what wisdom she has to keep in mind for this year. The hosts also analyze how the BAFTA Awards may have impacted the race, and break down the Oscar-nominated short films, from the best of the bunch to the likeliest winners (not the same thing).

This week, director Walter Salles joins the show for an in-depth conversation about I’m Still Here—his Brazilian drama that came out of nowhere to nab three Oscar nominations including best picture. He reflects on the film’s political prescience, impassioned fanbase, and more

Richard, David, and Rebecca unpack a wild weekend in the Oscar race, taking you inside the rooms of the Critics Choice Awards, the DGA Awards, and the PGA Awards—and what it means that Anora swept all three of them. Then they discuss which movies still might be able to come from behind to compete for the best-picture Oscar, before taking a vacation to Thailand for a conversation about The White Lotus's third season, and whether it lives up to past installments.