The English singer/songwriter, who is arguably the most successful male pop star in the world and has been described by Taylor Swift as "the James Taylor to my Carole King," reflects on his path from busking on the streets of London to superstardom; the origin stories of hits like 'The A Team' 'Sing' and 'Thinking Out Loud'; and why he agreed to co-write and perform "Drive" and "Zoo," original songs for two of 2025's biggest blockbusters.

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In front of an audience at Chapman University, the two-time Emmy nominee reflected on her breakthrough roles on TV's 'Euphoria' and 'The White Lotus' and in the film 'Reality,' getting into producing with 'Anyone But You,' and challenging herself as never before by producing and starring in a new biopic about boxer Christy Martin, for which she is currently garnering Oscar buzz. She also teases her upcoming film 'The Housemaid,' the return of 'Euphoria,' and her Kim Novak project 'Scandalous.'

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In front of an audience at Chapman University, the winner of multiple Emmys, Golden Globes and SAG awards reflects on why he walked away from dancing and towards acting in his teens, what he learned from his 11-season run on 'Shameless,' how he landed his star-making role as chef Carmy Berzatto on 'The Bear' and how, subsequently, his own conflicted feelings about fame helped him to play Bruce Springsteen during the darkest period of the music legend's life.

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In front of an audience at the Virginia Film Festival, and a piano, one of the leading film composers of his generation reflects on how he was shaped by both classical and hip-hop music, how his best known scores for TV (the main title theme for 'Succession') and film (Barry Jenkins' 'Moonlight' and 'If Beale Street Could Talk') came to be, and how his score for Noah Baumbach's new film was composed and employed differently than any of his others.

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In front of an audience at the Newport Beach Film Festival, the writer/director describes his experiences progressing from low-budget ('Brick') to mid-budget ('The Brothers Bloom' and 'Looper') to big-budget ('The Last Jedi') films, directing some of the most celebrated episodes of TV ever ('Breaking Bad') and the origins and appeal of his Benoit Blanc series of murder mysteries, the third and most recent of which will open in theaters on Nov. 26 and then begin streaming on Netflix on Dec. 12.

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The veteran actress, who was Oscar-nominated 40 years ago for 'Twice in a Lifetime,' reflects on how her music ambitions gave way to acting, how she met — and her many collaborations with — her husband Ed Harris, her memories of working on classics like 'The Day After,' 'Field of Dreams' and 'Uncle Buck,' and how she wound up giving one of the performances of her career as Gladys, a crazy aunt, in Zach Cregger's acclaimed blockbuster horror film.

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In front of an audience at the Newport Beach Film Festival, the Australian actor and heartthrob reflects on almost missing out on his breakout roles in 'The Kissing Booth' and 'Euphoria,' working with female auteurs on 'Saltburn' and 'Priscilla' and venturing into unfamiliar but exciting territory as The Creature in Guillermo del Toro's new adaptation of Mary Shelley's horror novel, which is now the most-watched film on Netflix.

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In front of an audience at Chapman University, one of most bankable movie stars of all time reflects on what his experiences as a pro wrestler taught him about being an entertainer, why and how he transitioned to acting, and why, after decades of picking projects with the aim of satisfying others, he decided to challenge himself as never before by taking on the role of Mark Kerr, an early MMA fighter who got hooked on painkillers, in Benny Safdie's new A24 film.

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The A-lister returns to the podcast (his last visit was for ep. 278) and reflects on his post-COVID career — highlighted by his portrayal of a movie star experiencing an existential crisis in Noah Baumbach's new Netflix dramedy — as well as stardom, Instagram ("get the fuck off of it"), A.I. and which of today’s young stars most impress him.

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In front of an audience at Chapman University, the iconic New York filmmaker reflects on his 35-year collaboration with Denzel Washington, the role of music in his films and how Akira Kurosawa has influenced his work from his first narrative feature through his 24th and most recent.

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