The Oscar and Emmy winning actress and Goop founder and CEO reflects on breaking into the business in the 1990s and becoming "the First Lady of Miramax"; working with a generation of great filmmakers early in their careers, including David Fincher, PTA and Wes Anderson; why she grew disillusioned with Hollywood and focused primarily on business for the last 17 years; and what lured her back in front of the camera to play, well, an actress coming out of retirement, opposite Timothée Chalamet in Josh Safdie's latest film.

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In front of an audience at the Miami Film Festival's GEMS event, the trailblazing filmmaker reflects on helping to usher in New Queer Cinema with 'Mala Noche' and 'My Own Private Idaho'; subsequently jumping between mainstream films, like 'Good Will Hunting' and 'Milk,' and experimental works, like 'Elephant'; why he came close to directing, but did not direct, 'Brokeback Mountain,' 'Call Me by Your Name' and '50 Shades of Grey'; and returning to feature filmmaking, after seven years away, with a film that is set in the '70s but is eerily timely today.

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The writer/director best known for dramedies like 'The Squid and the Whale,' 'Frances Ha' and 'Marriage Story' reflects on the people and films that shaped him, the evolution of his collaboration with Greta Gerwig spanning 'Greenberg' through 'Barbie,' and his new Netflix film, which centers on a movie star (George Clooney) in the midst of an existential crisis.

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The singer/songwriter and actress, who shot to fame as Hannah Montana and then became a real pop star, reflects on navigating child stardom; the origins of her biggest hits, from "See You Again" to "We Can't Stop" and "Wrecking Ball" to her Grammy-winning "Flowers"; and how she wound up co-writing and perfomring "Dream As One," an original song for the third installment of James Cameron's blockbuster film series.

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The English singer/songwriter, who is arguably the most successful male pop star in the world and has been described by Taylor Swift as "the James Taylor to my Carole King," reflects on his path from busking on the streets of London to superstardom; the origin stories of hits like 'The A Team' 'Sing' and 'Thinking Out Loud'; and why he agreed to co-write and perform "Drive" and "Zoo," original songs for two of 2025's biggest blockbusters.

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In front of an audience at Chapman University, the two-time Emmy nominee reflected on her breakthrough roles on TV's 'Euphoria' and 'The White Lotus' and in the film 'Reality,' getting into producing with 'Anyone But You,' and challenging herself as never before by producing and starring in a new biopic about boxer Christy Martin, for which she is currently garnering Oscar buzz. She also teases her upcoming film 'The Housemaid,' the return of 'Euphoria,' and her Kim Novak project 'Scandalous.'

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In front of an audience at Chapman University, the winner of multiple Emmys, Golden Globes and SAG awards reflects on why he walked away from dancing and towards acting in his teens, what he learned from his 11-season run on 'Shameless,' how he landed his star-making role as chef Carmy Berzatto on 'The Bear' and how, subsequently, his own conflicted feelings about fame helped him to play Bruce Springsteen during the darkest period of the music legend's life.

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In front of an audience at the Virginia Film Festival, and a piano, one of the leading film composers of his generation reflects on how he was shaped by both classical and hip-hop music, how his best known scores for TV (the main title theme for 'Succession') and film (Barry Jenkins' 'Moonlight' and 'If Beale Street Could Talk') came to be, and how his score for Noah Baumbach's new film was composed and employed differently than any of his others.

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In front of an audience at the Newport Beach Film Festival, the writer/director describes his experiences progressing from low-budget ('Brick') to mid-budget ('The Brothers Bloom' and 'Looper') to big-budget ('The Last Jedi') films, directing some of the most celebrated episodes of TV ever ('Breaking Bad') and the origins and appeal of his Benoit Blanc series of murder mysteries, the third and most recent of which will open in theaters on Nov. 26 and then begin streaming on Netflix on Dec. 12.

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The veteran actress, who was Oscar-nominated 40 years ago for 'Twice in a Lifetime,' reflects on how her music ambitions gave way to acting, how she met — and her many collaborations with — her husband Ed Harris, her memories of working on classics like 'The Day After,' 'Field of Dreams' and 'Uncle Buck,' and how she wound up giving one of the performances of her career as Gladys, a crazy aunt, in Zach Cregger's acclaimed blockbuster horror film.

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