The thrice Oscar-nominated actor, who is widely regarded as among the best of his generation, reflects on the explosive start to his screen career, collaborations with his era's greatest auteurs and why he was so impressed with his latest film's helmer, James Mangold, and star, Timothée Chalamet.

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The enigmatic Scottish Oscar winner, who doesn't consider herself an actress, reflects on her formative collaborations with Derek Jarman, how she wound up juggling the artiest of art house films with the biggest of big studio films and why she was so drawn to working with Pedro Almodóvar.

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The legendary English filmmaker reflects on the origins and specifics of his mysterious method of writing and directing; why he was forced to spend 17 years between his first and second theatrical features working in television, and the pros and cons of that; and how it feels to see his latest film, which was rejected by the Cannes, Venice and Telluride film fests, being so well received.

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In a conversation that was both epic and emotional, like his best films, the 51-year-old American actor — who at 29 became, and remains to this day, the youngest-ever best actor Oscar winner, for 'The Pianist,' and who on Sunday won a best drama actor Golden Globe for his latest film — looks back on an odds-defying, rollercoaster of a life and career.

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The master of family-friendly fare — he wrote 'Gremlins' and 'The Goonies' and directed two 'Home Alone' and two 'Harry Potter' films — reflects on working with Steven Spielberg in his twenties, how Chevy Chase driving him to quit 'National Lampoon's Christmas Vacation' proved to be one of the best things that ever happened to him and why, in recent years, he and his daughter, Eleanor, began producing films by rising directors including Robert Eggers, whose latest opens on Christmas Day.

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The iconic actress reflects on growing up the daughter of Oscar-winning actor Joel Grey, the making of 'Ferris Bueller's Day Off' and 'Dirty Dancing,' challenges that followed, and now, at 64, getting to be a part of a third instant-classic, Jesse Eisenberg's new dramedy about a group touring Holocaust sites in Poland.

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The Englishman, who has been one of our finest screen actors for some 30 years — he was twice Oscar-nominated before he was even 30 — reflects on his special relationship with director Anthony Minghella, the sorts of roles that he deliberately avoided and why he has done some of his best work in recent years, including as an FBI agent pursuing white nationalists in Justin Kurzel's new film.

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The legendary singer/songwriter reflects on his path from small-town Alabama to the biggest stages in the world, first with the Commodores and then as a solo artist; the hits on which he worked along the way, and why so many of them center on love; and why “We are the World,” in particular — the subject of an Emmy- and Grammy-nominated and Oscar-eligible Netflix documentary — means so much to him.

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One of the great leading men of the last 50 years — think about his work in 'Days of Heaven,' 'American Gigolo,' 'An Officer and a Gentleman,' 'Pretty Woman' and 'Chicago' — reflects on how gymnastics and music helped to make him a better actor; how, over the decades, the sort of projects to which he's been drawn hasn't changed, but the industry's desire for them has; and what it was like reuniting with Paul Schrader, 44 years after their first collaboration, on his latest film.

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The iconic Playboy model and 'Baywatch' babe, who is now a Golden Globe-nominated actress thanks to her performance in Gia Coppola's new film, reflects on the odds-defying way in which she was discovered, how the infamous sex tape derailed her career for decades and what sparked the 'Pamaissance' of the last two years.

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