In front of an audience at Chapman University, the Korean-American singer/songwriter reflects on her pursuit of a career as a K-pop idol, her pivot to songwriting and how she came to be involved with the animated film that became the most -watched original title in Netflix history — and to create for it the song "Golden," for which she won the first Grammy ever awarded to K-pop and is now nominated for an Oscar.

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Perhaps the greatest of all living film craftsmen, a production designer who literally built the worlds at the center of many of the most admired films since the '70s — including 'Badlands,' 'Carrie,' 'Days of Heaven,' 'Mulholland Drive,' 'There Will Be Blood,' 'The Revenant' and 'Killers of the Flower Moon' — reflects on coming to Hollywood with David Lynch, his decades-long collaboration with Terrence Malick, how he researches and designs sets, and what it was like recreating '50s New York for the new Josh Safdie/Timothée Chalamet film.

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The Chinese two-time Oscar-winning filmmaker reflects on her path to America and film, jumping from indie 'Nomadland' to Marvel's 'Eternals' and how her subsequent four-year "mid-life crisis" prepared her for her latest film, for which she is again double Oscar-nominated.

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In front of an audience at the SAG-AFTRA Foundation, the Australian actor/writer/director reflects on how he wound up in George Lucas' second 'Star Wars' trilogy, his memorable turns in art house standouts like 'Warrior' and Loving,' and the challenges and rewards of giving a largely dialogue-free performance in Clint Bentley's adaptation of Denis Johnson's 2011 novella about a laborer in the early 20th-century American West.

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In front of an audience at Chapman University, the Grammy-winning singer/songwriter and Oscar-nominated actress returns to the podcast and candidly discusses how she found her pop sound, how she approaches music vs. acting, what she looks for in collaborators, why 'Wicked' means so much to her, how singing as herself and as Glinda are completely different, and what's next for her.

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The massively influential filmmaker and blockbuster machine behind 'The Terminator,' 'Aliens,' 'Titanic' and three 'Avatar' films, among others, reflects on his unusual path to the business, why his films tend to blend science/sci-fi and love stories, what has enchanted him about Pandora and the Na'vi for more than 30 years, and which question he hopes never to be asked again.

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In front of an audience at Chapman University, the revered Oscar winner behind masterpieces like 'Cronos' and 'The Shape of Water' reflects on the roots of his infatuation with monsters, the importance of practical movie sets and effects, and finally realizing his 50-year dream of adaptating Mary Shelley's gothic horror novel about a Creator and his Creature into a movie of his own.

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The South Korean master filmmaker reflects on the roots of his fascination with violence, the early struggles than prepared him for his Vengeance triogy highlighted by 'Oldboy,' and what inspired his latest film — his country's entry for the best international feature Oscar race, now among the final 15 — which reunites him with Lee Byung-hun 25 years after their joint breakthrough 'Joint Security Area.'

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The world's most famous Brazilian actor reflects on why he once thought a screen career would be impossible for him, how the 'Elite Squad' films led to him playing Pablo Escobar on 'Narcos,' and how Brazil's Bolsonaro era impacted his career and inspired the film for which he was awarded Cannes' best actor prize and could land an Oscar nom.

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The Oscar and Emmy winning actress and Goop founder and CEO reflects on breaking into the business in the 1990s and becoming "the First Lady of Miramax"; working with a generation of great filmmakers early in their careers, including David Fincher, PTA and Wes Anderson; why she grew disillusioned with Hollywood and focused primarily on business for the last 17 years; and what lured her back in front of the camera to play, well, an actress coming out of retirement, opposite Timothée Chalamet in Josh Safdie's latest film.

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