Director Michael Sarnoski discuss his new film, The Death of Robin Hood, with fellow Director Drew Pearce in a Q&A at the DGA theater in Los Angeles. In the conversation, he discusses juxtaposing themes of violence and serenity for a fresh take on the Robin Hood myth, how he worked with Actor Hugh Jackman when filming gritty setpieces and action scenes, and discovering Composer Jim Ghedi who scored the old folk sound of the film.

The film tells the story of the famed thief, grappling with his past after a life of crime and murder. Finding himself gravely injured after a battle he thought would be his last, he ends up in the hands of a mysterious woman and is offered an opportunity at salvation.

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https://www.dga.org/events/2026/august2026/thedeathofrobinhood_qna_0626

Director Olivia Wilde discuss her new film, The Invite, with fellow Directors Matt and Ross Duffer in a Q&A at the DGA theater in Los Angles. In the conversation, she discusses choosing the project from a want to tell a stripped down story with no gloss, her roles Directing and Acting in the film, and the origin of Actor Edward Norton’s memorable monologue.

The film tells the stories of Joe and Angela - their marriage on thin ice - as they decide to invite their enigmatic upstairs neighbors over for a dinner party. As the event unfolds, the night spirals into unexpected places, potentially reigniting the spark in their marriage or lighting the match that could burn it all down.

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https://www.dga.org/events/2026/august2026/theinvite_qna_0626

Director Julian Schnabel discuss his new film, In the Hand of Dante, with fellow Director Benny Safdie in a Q&A at the DGA theater in New York. In the conversation, he discusses his spontaneous approach to his directing style, casting Actors in double roles between the film’s two time periods, and his choice to shoot the two settings in a mixture of black and white and color film.

Based on the 2002 novel by Nick Tosches, the film tells the story of a 21st Century scholar, on the run after stealing a rumored original manuscript of The Divine Comedy from a mafia don. Meanwhile, in the 14th Century, Dante himself navigates political exile and undergoes a spiritual awakening while trying to write his masterpiece.

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https://www.dga.org/events/2026/august2026/inthehandofdante_qna_0626

Director Simon McQuoid discuss his new film, Mortal Kombat II, with fellow Director David Sandberg in a Q&A at the DGA theater in Los Angeles. In the conversation, he discusses how he worked with the stunt team to make the action scenes advance the story, his preference for practical sets and effects where he could use them, and referencing the video game to fill in little details in the lore across the film.

The sequel to 2021’s Mortal Kombat follows Johnny Cage, a martial arts actor who is recruited to join a group of fighters in an interdimensional tournament. Fighting against supernatural foes and alien warriors alike, he moves up in the ranks, aiming to stop a tyrannical emperor who threatens the very existence of Earth.

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https://www.dga.org/events/2026/july2026/mortalkombatii_qna_0526

Director Kyle Balda discuss his new film, The Sheep Detectives, with fellow Director Jonathan Goldstein in a Q&A at the DGA theater in Los Angeles. In the conversation, he discusses making the jump from animation directing to live-action directing for the first time, carefully balancing the tone with humor while handling themes of grief, and studying the movement of real sheep to recreate body language that could be used in the visual effects.

The film tells the story of a shepherd named George, whose only friends are the sheep to which each night he reads aloud a murder mystery, pretending that they can understand. When he is found dead, the sheep suspect murder, and attempt to guide a bumbling policeman into solving the crime.

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https://www.dga.org/events/2026/july2026/sheepdetectives_qna_0526

Directors Liz Garbus and Elizabeth Wolff discuss their new film, Give Me The Ball!, with fellow Director Ondi Timoner in a Q&A at the DGA theater in Los Angeles. In the conversation, they discuss collaborating with Billie Jean King to open up about some of the more intimate and uncomfortable moments of her life, reflecting on Billie Jean’s impact through her 1970s archival materials compared to her modern day interview, and working as a co-directing pair for the first time.

Screened as part of the DGA’s Documentary Series, the film takes a look at world champion tennis trailblazer Billie Jean King and her game-changing impact on culture and sports. Rare archive footage and candid interviews reveal how one woman put changing the world ahead of saving herself.

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https://www.dga.org/events/2026/june2026/docseries_givemetheball-0526

Director Mariska Hargitay and Producer Trish Adlesic discuss their new film, My Mom Jayne, with fellow Director Lisa Cortés in a Q&A at the DGA theater in New York. In the conversation, they discuss how Mariska knew she was ready to take on the film, working with 18,000 photos and 2,500 videos worth of archival materials, and how Mariska came to learn more of the mother who was gone too soon.

The film navigates Hollywood icon Jayne Mansfield’s public and private legacy through interviews, and a collection of never-before-seen photos and home movies as Hargitay sought to know, understand and embrace her mother for the first time.

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https://www.dga.org/events/2026/june2026/docseries_mymomjayne-0426

Directors Phil Lord and Christopher Miller discuss their new film, Project Hail Mary, with fellow Director Guillermo del Toro in a Q&A at the DGA theater in Los Angeles. In the conversation, they discuss finding depth in their characters by trying to see the good intentions is everyone including antagonists, the casting and puppeteering processes that helped realize the alien character of Rocky, and bringing their philosophy of trying to make encouraging films to this feature.

The film tells the story of scientist Ryland Grace, who wakes up on a spaceship as part of a desperate mission to stop the Earth’s sun from dying. On his own and millions of miles from home, he has a chance meeting with an alien on the same mission, forming a friendship that may prove to be the key to success.

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https://www.dga.org/events/2026/june2026/projecthailmary_qna_0426

Director Visar Morina discusses his new film, Shame and Money, with fellow Director Valerie Weiss in a Q&A at the DGA theater in Los Angeles. In the conversation, he discusses how he experiments with scenes and leaves time for discovering natural moments on set, some of his filmic influences that contributed to specific scenes, and his strategic use of staging and tension in the film.

Screened as part of the DGA’s Global Cinema Series, the film tells the story of Shaban, a proud family man struggling to provide as financial pressures mount. Embarrassed about accepting the support of his family, he faces tough choices about pride versus survival.

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https://www.dga.org/events/2026/june2026/gcs-shameandmoney_0426

Director David Lowery discusses his new film, Mother Mary, with fellow Director Antonio Campos in a Q&A at the DGA theater in New York. In the conversation, he discusses how the project was born from a desire to shoot a one-room film, the choreography behind the seance scene, and his influences in costume and production design that set the groundwork for the film.

The film tells the story of iconic pop star Mother Mary as she reunites with her estranged best friend and former costume designer, Sam. In need of a dress for her new tour, Mary asks Sam to help her, causing long-buried wounds, past traumas and specters to return to the spotlight.

See photos and a summary of this event below:

https://www.dga.org/events/2026/may2026/mothermary_qna_0426