Director Michael Gracey discusses his new film, Better Man, with fellow Director Jason Reitman in a Q&A at the DGA theater in Los Angeles. In the conversation, he discusses his intentions behind using a monkey as the lead to tell Williams’ story, his process for conceptualizing scenes that mix fantasy with reality, and the hurdles and successes behind pulling off the Regent Street musical number.

Narrated by Williams, the film follows the singer from childhood outcast to music sensation, battling the demons of fame while finding his true voice as an artist. Soaring to new heights, Williams reaches stardom but never feels truly evolved from his younger self.

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https://dga.org/en/Events/2025/February2025/BetterMan_QnA_0125

Director Gia Coppola discusses her new film, The Last Showgirl, with fellow Director Francis Ford Coppola in a Q&A at the DGA theater in Los Angeles. In the conversation, she discusses how she approached Actor Pamela Anderson to take on the lead role, the method she used to have her Actors become familiar with one another, and working with her cinematographer to define a visual style that channels the Las Vegas aesthetic.

The film tells the story of Shelly, a Las Vegas showgirl who’s performed with the same act for much of her career. When she’s told the show will be closing in the coming weeks, she struggles to cope with the impending change and her place in life.

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https://dga.org/Events/2025/February2025/TheLastShowgirl_QnA_1224

Director Shira Piven discusses her new film, The Performance, with fellow Director Jade Jenise Dixon in a Q&A at the DGA theater in Los Angeles. In the conversation, she discusses working with her brother as the lead Actor to capture authentic tap dancing performances, making a period piece movie on an independent film budget and mixing 8mm film and real footage from the era to capture a 1930s Berlin time period.

The film tells the story of Harold, an accomplished tap dancer touring Europe with his troupe in the late 1930s. When they are scouted by a Nazi attache for an exclusive performance, he realizes they don’t know about his Jewish identity and is faced with the dangerous dilemma of performing in secret or staying true to himself.

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https://dga.org/Events/2025/February2025/ThePerformance_QnA_1224

Director Barry Jenkins discusses his new film, Mufasa: The Lion King, with fellow Director Ben Affleck in a Q&A at the DGA theater in Los Angeles. In the conversation, he discusses employing the VFX team from the Avatar films to create the world, working with both the Actors and Animators to realize his characters while filming in real time, and reaching out to artists and conservationists from various African countries for real references to the locations in the film.

The film tells the story of Mufasa, an orphaned cub who befriends a lion destined as heir to a royal bloodline. The two become allies on a journey of adventure and self discovery as they seek to start a kingdom of their own.

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https://dga.org/Events/2025/February2025/Mufasa_QnA_1224

Director Tyler Perry discusses his new film, The Six Triple Eight, with fellow Director J.C. Chandor in a Q&A at the DGA theater in New York. In the conversation, he discusses the serendipitous moment when casting Actor Kerry Washington, enlisting Debbie Allen to help choreograph the marching scenes, and shooting at his own film studio which was formerly a military base.

Inspired by the real-life story, the film recounts how the 6888th Central Postal Directory Battalion, an all-Black, all-woman unit, joined the war to fix a three-year backlog of undelivered mail for U.S. service members. Aiming to sort more than 17 million pieces of mail to their rightful servicemen, they work tirelessly in the face of discrimination and a country devastated by war.

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https://dga.org/Events/2025/February2025/SixTripleEight_QnA_1224

Director Robert Eggers discusses his new film, Nosferatu, with fellow Director Chris Columbus in a Q&A at the DGA theater in Los Angeles. In the conversation, he discusses shooting in the real-world castle from the original story as well as channeling his Production Design team to create meticulous replicas of its interior, working with a Romanian folklore expert to bring out specific details that would authenticate the creature, and how he and Actor Bill Skarsgård worked together to find the exact presence that would bring the title creature to life.

A remake of the 1922 classic, the film follows Ellen and Thomas Hutter, a young couple in 1860s Germany who contend with Ellen’s continuing nightmares of a ghoulish being. As Ellen is haunted by these dreams, Thomas sets out to Romania on business with a mysterious client- the enigmatic Count Orlok.

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https://dga.org/Events/2025/February2025/Nosferatu_QnA_1224

Director Rachel Morrison discusses her new film, The Fire Inside, with fellow Director Elizabeth Banks in a Q&A at the DGA theater in Los Angeles. In the conversation, she discusses working with her lead to make the fights look authentic on camera, balancing pace and visual variety in the boxing matches to make each encounter entertaining, and crafting a fight film with an atypical structure that puts the focus on a previously unseen conflict.

The film tells the story of Claressa Shields, a boxer from Flint, Michigan, who pushes past all limitations to become the first American woman to win the Olympic gold in boxing. But even at the pinnacle of success, Claressa has to reconcile with the fact that not all dreams are created equal, and her real fight has only just begun.

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https://dga.org/en/Events/2025/January2025/TheFireInside_QnA_1224

Director Paul Schrader discusses his new film, Oh, Canada, with fellow Director Alex Ross Perry in a Q&A at the DGA theater in New York. In the conversation, he discusses casting multiple Actors in roles across timelines and how he played with this element visually, how as both the Writer and Director, he works to include nothing that will make it to the cutting room floor so he can shoot economically, and how he chose to film in a variety of colors and aspect ratios to portray a story taking place over a long timespan.

The film follows the Miller siblings, a former musician, a writer and an artist, who all contend with challenging shifts in their marriages. As their lives change, their relationships are put to the test, bringing them closer to their partners or pushing them further apart.

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https://dga.org/en/Events/2025/January2025/Oh_Canada_QnA_1224

Director Halina Reijn discusses her new film, Babygirl, with fellow Director Spike Jonze in a Q&A at the DGA theater in Los Angeles. In the conversation, she discusses finding a tone for what she describes as “a comedy of manners”, working with her Composer to create a soundtrack that follows the seduction over the drama, and finding Actors that could inhabit seductive roles with comedic turns.

The film follows a high powered businesswoman who begins a taboo relationship with a much younger intern at her company. As the secret affair deepens, she puts her career and family on the line.

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https://dga.org/en/Events/2025/February2025/Babygirl_QnA_1224

Director Edward Burns discusses his new film, Millers in Marriage, with fellow Director Doug Atchison in a Q&A at the DGA theater in Los Angeles. In the conversation, he discusses how he works as a Director while being one of the central Actors to the film, how he artfully utilizes locations and resources to work effectively on small budgets, and collaborating with his Actors to discover more authentic arcs from his characters.

The film follows the Miller siblings, a former musician, a writer and an artist, who all contend with challenging shifts in their marriages. As their lives change, their relationships are put to the test, bringing them closer to their partners or pushing them further apart.

See photos and a summary of this event below:

https://dga.org/Events/2025/February2025/MillersInMarriage_QnA_1224