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By John August and Craig Mazin
4.8
23382,338 ratings
The podcast currently has 519 episodes available.
John and Craig analyze the iconic 1995 comedy Clueless, and why they’re majorly, totally, butt crazy in love with it.
A contemporary adaptation of Jane Austen’s Emma set in Beverly Hills, Clueless follows protagonist Cher as she tries to do ‘good’ through make-over montages and match-making attempts. We discuss how the movie sets up the characters in the first ten minutes, why Cher’s voiceover works so well, and how Clueless ushered in a new era of teen movies.
In our bonus segment for premium members, John and Craig share their own experiences learning to drive and how they’re preparing to teach their teenage daughters driving.
Links:
Email us at [email protected]
You can download the episode here.
John and Craig explore character agency in everything from scenes to entire series. They look at what agency looks like on the page, which characters should have agency, and what to do when you feel your characters sleepwalking through the plot.
We also strategize ways to move forward after the recent US election, and answer listener questions on writing sign language, screenwriting software for the blind, and how writing credits work when your TV series gets turned into a movie.
In our bonus segment for premium members, John and Craig escape to a world where where the story is always on rails — Disneyland!
Links:
Email us at [email protected]
You can download the episode here.
John and Craig look at how writers (and other humans) handle the anxiety of uncertainty, from election nights to green lights. We’ll talk through strategies for navigating situations where your circle of concern doesn’t match your circle of control.
Then we travel back to the 1980s and 90s, when many studios were run by ambitious strivers in their late 20s and early 30s. As the decades have passed, the players in these positions have held onto their posts, leaving the next generation stuck mid-ladder. We discuss what impact the aging of Hollywood has had on its output, and where the new guard might find an opening.
We also ask, is development wage theft? And answer listener questions on reusing material written for a different project, and the cost-plus model of production.
And in our bonus topic for premium members, what aspects of pandemic life have we incorporated into our daily routines?
Links:
Email us at [email protected]
You can download the episode here.
John and Craig make their triumphant return to the Austin Film Festival for a wild night full of Emmy winning writers. They welcome Shōgun co-creators Rachel Kondo & Justin Marks to look at their process for structuring a series-long adaptation, keeping translations eloquent and accurate, and writing together as a married couple.
We then welcome Susan Soon He Stanton (Succession, Dead Ringers) and Megan Amram (The Good Place, Pitch Perfect: Bumper in Berlin) to discuss staffing on shows and crafting jokes. We also invite two audience members to play a new game: IMDB Sweeney Todd.
In our bonus segment for premium members, the panel answers audience questions on adaptations, a crossover with Succession and The Good Place, entering Hollywood from outside the U.S., and navigating Hollywood’s current contraction.
Links:
Email us at [email protected]
You can download the episode here.
John and Craig answer twenty listener questions on craft, career, and the future of the industry.
Questions include: How do you correct well wishes you haven’t earned? What kind of relationship should you have with the person who created your source material? How do you keep your reps invested? What’s going on with that Stereophonic lawsuit? And are writers retreats helpful or a total waste of time?
In our bonus segment for premium members, John and Craig celebrate the new D&D Player’s Handbook by looking back through every edition since 1978. Like the handbook, it gets less dense as it goes.
Links:
Email us at [email protected]
You can download the episode here.
Why is screenwriting so difficult, even for the smartest people? John and Craig look at the relationship between intelligence and wisdom, the kinds of problems writers attempt to solve, and the unmeasurable skills that screenwriters need to succeed.
Then it’s another round of the Three Page Challenge, where they give their honest feedback on three listener-submitted scripts. We also follow up on Moneyball, green envelopes, shorts, script coordinating, and what Craig means by writers being “calculating.”
In our bonus segment for premium members, how do you talk about movies and TV shows without spoiling them? John and Craig reason out how to dance around the twist that the two leads are actually the same perso– oh, shoot!
Links:
Email us at [email protected]
You can download the episode here.
John and Craig welcome back Taffy Brodesser-Akner (Fleishman is in Trouble) for a deep dive on 2011’s sports drama Moneyball.
What makes Moneyball work? Is it a traditional underdog movie, or does it break all the rules? Is Billy Beane a hero or a villain? What advantages do sports movies give you, and how much do you have to explain to your audience? How are movies like this developed? And how can you not be romantic about baseball?
In our bonus segment for premium members, John, Craig and Taffy dig further into the ways money is used to determine a person’s value.
Links:
Email us at [email protected]
You can download the episode here.
John and Craig are on opposite sides of the world this week, so they’re revisiting an episode from 2016 to look at the many psychological barriers facing writers tackling big projects, and offer practical strategies for actually getting the work done.
They also discuss the then-upcoming election (same as it ever was), and answer a listener question about how autism spectrum disorder might impact a screenwriting career.
In our bonus segment for premium members, John and Drew reflect on what’s changed in the eight years since this episode last aired, and then like all conversations in 2024, they just start talking about Moo Deng.
Links:
Email us at [email protected]
You can download the episode here.
John welcomes back Marielle Heller (Can You Ever Forgive Me?, A Beautiful Day in the Neighborhood) to look at three stories of real people with too much money and ask, How Would This Be a Movie? Stories include strategies for dating Leonardo DiCaprio, the rise-fall-rise of inventor Palmer Luckey, and a council built to give away a fortune.
We also go feral over Marielle’s new movie Nightbitch, as she shares the joys of adapting something that feels personal and her tricks to directing dogs and children. But first, we take a look at a new study on which movies studios are developing, and share exciting news for those joining us at the Austin Film Festival.
In our bonus segment for premium members, Marielle and John remember the terror, nerves and euphoria of premiering your movie at film festivals.
Links:
Email us at [email protected]
You can download the episode here.
John and Craig revisit their legendary conversation with screenwriter-turned-psychotherapist Dennis Palumbo to discuss writer’s block, procrastination, partnerships and more. It’s a can’t-miss episode for aspiring writers and professionals alike.
In our bonus segment for premium members, we travel back to episode 425 where John and Craig debate when to practice self care or tough love, and how to evaluate when each of them are helpful.
Links:
Email us at [email protected]
You can download the episode here.
The original transcript for this episode can be found here.
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