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Apple TV+’s THE STUDIO is both a razor-sharp satire and a surprisingly heartfelt love letter to Hollywood — born out of Seth Rogen’s own frustrations and empathy for studio executives. For co-creator Frida Perez, the show explores the spectrum between art and commerce, a balance that serves as a guiding principle for writing its hilariously flawed (but deeply human) characters. In this episode, Frida unpacks how the team crafted one of the year’s most acclaimed shows — and how she found her voice in the process.

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In part two of this incredible conversation, literary managers Daniela Gonzalez (Good Fear Content) and Garrett Greer (Haven Entertainment) join us to unpack what “breaking in” looks like today.

How do writers getting their second staffing job, what are some red flags we should avoid when repped, and what the heck is actually happening in the industry? Buckle up.

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In part one of a two-part conversation, literary managers Daniela Gonzalez (Good Fear Content) and Garrett Greer (Haven Entertainment) join us to unpack what “breaking in” looks like today.

Even as the industry pulls back and fewer projects are greenlit, getting repped isn’t out of reach. In some ways, the path has fewer gatekeepers than ever — you just need to be strategic.

We dig into why generals matter less, why your writing sample matters more, and why even truly emerging writers might be closer to making something they love than they think.

Whether you’re unrepresented or looking to level up, this episode is full of grounded advice, hopeful perspective, and practical takeaways for navigating a shifting industry.

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How do you turn a real-life moment into a movie — without studio backing or a big festival launch?

Jeff talks with The Bragg Brothers about making PINBALL: THE MAN WHO SAVED THE GAME, an indie biopic about GQ journalist Roger Sharpe, who helped overturn New York’s ban on pinball in 1976.

They share how they spotted the story’s potential, built trust with Roger and their financier MPI, and crafted a fun, visually bold film — complete with narration and performances from major talent like Mike Faist (CHALLENGERS).

If you’re developing a true story or curious how two filmmakers turned a niche moment into a breakout debut, this episode is for you.

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This week, we’re spotlighting two incredible TV writers whose journeys were meaningfully shaped by the Austin Film Festival.

Sylvia Batey Alcalá (A MAN ON THE INSIDE, PRIMO) and Mac Smullen (SOUVENIR, ALASKA) share how AFF helped get their names out there —building momentum, sparking connections, and opening doors that had long felt closed.

But a festival isn’t the finish line — it’s the starting gate. Sylvia and Mac walk us through the real (and rewarding) work it takes after recognition: rewriting, building reps, pitching, and staying ready for the moment when things start to move.

It’s a candid, thoughtful, and energizing conversation about what breaking in looks like today — and how festivals like AFF can help writers get in the game.

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In this episode, Meg gets real about where she’s at in her writing process — the doubts, the stalls, and the honest truth of feeling stuck. We answer listener questions about momentum, mindset, and the tough question of when it’s time to move on from a project that just isn’t working. Whether you're in a rut or wrestling with a story that won’t cooperate, this one’s for you.

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Fresh off the massive critical and commercial success of FINAL DESTINATION: BLOODLINES, friend of the show Sheila Hanahan Taylor is back to share the ins and outs of producing a studio movie. What can writers do to develop a good relationship with a producer? How does a producer serve both the studio's voice and the writer's voice? On today's episode, Sheila unpacks it all!

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This week, we’re joined by Kim Rosenstock (DYING FOR SEX) to explore how a complicated protagonist with a simple goal drives interesting, rich, and emotionally resonant storytelling.

Through the lens of her deeply personal and genre-blending show, which she co-created with Liz Meriwether, Kim shares how clarity of objective gave DYING FOR SEX its emotional depth, tonal range, and narrative momentum — and why writers shouldn’t be afraid to keep their characters’ goals simple, even when the journey is anything but.

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What’s it like to collaborate creatively with your spouse — and still want to have dinner together after? This week, we’re joined by Joe Forte, screenwriter (Firewall) and longtime writing partner (and husband!) of Meg LeFauve.

We talk candidly about the unique dynamics of working with your life partner — the communication hurdles, the unexpected benefits, and how to protect both the relationship and the work. Plus, Joe shares the power of writing retreats, how he thinks about mentorship, and what it really means to support another writer’s voice while honoring your own.

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When you’re pitching — whether it’s on studio IP or your own original idea — what sets you apart is your take. But what does that actually mean?

This week, Jac Schaeffer (WandaVision, Agatha All Along) breaks it down. For Jac, a great take starts with the emotional core — “what is the deep down” that connects you to the material. From there, it’s about delivering a pitch only you could give: not necessarily linear or formulaic, but full of energy, essence, and personal vision.

We talk about how far is too far from the IP, how to navigate studio mandates, and how to protect your voice in rooms full of competing takes.

🎬 Jac’s first feature, TiMER, is now available to stream for free on Tubi!

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