Writer Emily Witt (“Health and Safety: A Breakdown”) has spent the past two weeks on the ground covering the Los Angeles wildfires for The New Yorker.

Her latest story centers around the Benns (5:39), a multigenerational Black family with deep ties to Altadena (8:35), where they’ve raised children in homes they’ve owned dating back to the late 1950s (16:13). We discuss how they’re managing as the Eaton fire continues to rage (17:00), the value of community in crisis (18:40), and the measures the city was urged to take to mitigate this disaster (23:28).

On the back half, Witt reflects on her 2023 interview with Mayor Karen Bass (32:40), the prophetic work of Altadena author Octavia Butler (39:28), how on-the-ground reporting offers a chance to “write a first draft of history” (46:30), and where Los Angeles goes from here (56:10).

To help support the Benn family, visit their GoFundMe or text “Talk” to 858-358-5881. 

And special thanks to Weyes Blood.

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This week, we revisit a soulful conversation around climate change and the restorative power of nature with author Richard Powers.

We begin by defining the thematic through-line between The Overstory and Bewilderment (5:06), the eco trauma articulated in each text (9:10), how we may redefine hope today (16:08), and what the pandemic taught us about the climate crisis (26:18). Powers also details the ecological shortcomings of capitalism (29:00) and our myopic interpretation (and fear of) death (30:56).

On the back-half, we unpack why he writes (33:48), the need for “productive solitude” (40:40), and the singular way he writes analytical and emotional characters (44:42). To close– a fitting scene from one of Powers’ earlier works, Plowing the Dark (50:30), in which an older man enters an used bookstore, unable to find the book intended. And in the absence of that book, Richard Powers will continue to do so (52:50).

Thoughts or future guest ideas? Email us at [email protected].

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Writer Jia Tolentino (The New Yorker) became a literary sensation in 2019 upon the release of her best-selling essay collection, Trick Mirror: Reflections on Self-Delusion. She joins us this week to ring in 2025.

We start by discussing the erosion of privacy online (11:26), the potentially forthcoming TikTok ban (13:32), and how she circumvented self-surveillance technology in her Hidden Pregnancy Experiment for The New Yorker (15:28). Then, we unpack how data is monetized online (18:00), as depicted in an unsettling scene from Succession (21:50), the harmful effects of screen time on children (26:10), and her writerly upbringing in Houston (31:48).

On the back-half, Jia recounts a formative summer in Venice (41:55), her subsequent decade working at The Hairpin and Jezebel (50:43), the trad wife phenomenon (55:00), how she swings between pessimism and optimism (1:12:19), and why writing still retains the power to liberate (1:17:00).

Thoughts or future guest ideas? Email us at [email protected].

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To close out the holidays, our conversation with actor Harris Dickinson.

We discuss his latest role in Halina Reijn’s Babygirl (6:50), Nicole Kidman’s “disarming and generous” quality on set (9:27), and the exploration of masculinity in Harris’ roles— from Beach Rats (12:48) to Triangle of Sadness (13:03) to Babygirl (13:24). Then, we dive into the online discourse about his new performance (15:52), his upbringing in Walthamstow, England (17:10), and the early short films he made with his high school mates (20:20).

On the back-half, Harris unpacks his formative university years (24:45), his post-grad search for purpose, first in the military (30:20) then working at a hotel in east London (33:26), and the inspiration behind his forthcoming directorial debut (34:25). To close, we talk about the parallels between filming fight scenes (43:50) and intimate scenes (44:48) and the Charles Bukowski poem that keeps him creating (52:25).

Thoughts or future guest ideas? Email us at [email protected].

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For the holiday week, we’re revisiting one of our favorite conversations with Pulitzer Prize-winning writer and critic Hilton Als.

At the top, we unpack his approach to writing profiles (5:50), inspired by the words of photographer Diane Arbus (6:10), and how he captured Prince in a new, two-part memoir entitled My Pinup (7:55). Then, Als reflects on his upbringing in Brownsville, Brooklyn (10:25), a timely passage from his 2020 essay "Homecoming" (14:40), and formative works by writers Adrienne Kennedy (20:58) and the late Joan Didion (27:05).

On the back-half, we discuss the interplay of memory and writing (36:38), Hilton’s writing routine (40:55), his sources of hope today (44:30), and to close, a dialogue from Jean Rhys’ unfinished autobiography Smile Please (48:25).

Thoughts or future guest ideas? Email us at [email protected].

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Actor Sebastian Stan has built a career out of shapeshifting.

This week, he joins us to discuss the process of transforming into Donald J. Trump in The Apprentice (8:27), his personal relationship to the American dream (15:35), and the extensive research that went into recreating 1970s-1980s New York City in the film (17:27). Then, we unpack Sebastian’s Romanian upbringing (29:00), the gift of his unconventional, nomadic childhood (34:40), and what the film represents in this post-Election moment (38:30).

On the back-half, we talk about the impact of the late director Jonathan Demme (50:45), Stan’s radical and stunning work in A Different Man (55:08), what both of his new films reveal about reality (59:14), and what the silencing of The Apprentice—and his Actors on Actors shutout—reveals about the entertainment industry (1:00:00). To close, a reflection about control and how Sebastian embraces everyday life (1:17:55).

Thoughts or future guest ideas? Email us at [email protected].

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For the past 50 years, Nikki Giovanni has been one of our preeminent poets. Rest in Power to the legendary writer and activist, who passed this week at the age of 81.

Today we return to our conversation from 2021, reflecting on how her childhood led to a life of writing (6:21), the enduring impact of a televised conversation with James Baldwin (13:40), the story behind her famous poem, “I Married My Mother” (18:30), and why she doesn't believe in role models (28:15).

On the back-half, we work our way to the present, as Nikki shares her experience of visiting the African American Museum (30:14), the evolution of her poetry (36:40), and how she grappled with two cancer diagnoses (40:20). To close, Nikki reads from her inventive about the author page (45:49).

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It’s been a year. And while we’re not quite done with it (3:15), we wanted to take a moment to celebrate some of our favorite episodes and guests from 2024. 

On the front half, we revisit passages from actor-turned-director Dev Patel (5:45), the legendary Francis Ford Coppola on Jacques Tati and failure (11:45), filmmaker Ava DuVernay on the state of Hollywood (17:47), and Dr. Seema Jilani on her work in Gaza (26:36). 

On the back end, Abbi Jacobson’s interview with Sam (35:05), NYT reporter Astead Herndon on why the 2024 election was not inevitable (42:47), and national treasure Julia Louis-Dreyfus (“Wiser than Me”) on perseverance and posterity (49:55). Plus, a Joker ending (1:08:00).

What was your favorite from the past twelve months? Write us below or say hello at [email protected].

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To close out the holiday weekend, we're revisiting our conversation with writer, food expert, and television host Padma Lakshmi.

At the top, we discuss her Hulu docuseries Taste the Nation (4:40), a formative episode in El Paso, Texas (8:14), and how the show connects to Padma’s personal history (11:59). Then, she reflects on her childhood in New York City (14:07), a heartbreaking event at seven (17:30*), and her unexpected entry to the modeling industry (25:14).

On the back-half, we walk through the early years of her trailblazing career (33:52), the patriarchal systems she fought back against (38:58), and her painful essay in The Times in response to the confirmation of Supreme Court Justice Brett Kavanaugh (44:00*). To close, Padma talks about her powerful work through EndoFound (45:30), the activist underpinnings of Taste the Nation (49:21), and the stories she hopes to tell in years to come (52:44).

*At this time-code, there is a discussion about sexual assault.

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Today, for your holiday week, we’re returning to one of our favorite 2024 conversations with actor Jeff Daniels.

Daniels is always writing. Plays, songs, a script or two. Even in interviews you get the sense the Michigan native is trying to relay the stories of his life in a way he’d find compelling as a reader, or listener. Bystander — as a viewer. 

We sat in April around the latest chapter of his crime series American Rust (12:30), reprising his role as Police Chief Del Harris. It’s a performance inspired by his midwestern upbringing in Chelsea, Michigan (16:06) and the formative teachings of theater director Marshall W. Mason (21:20). Then, Daniels reflects on his arrival to New York City in 1976 (24:06), performing in Lanford Wilson’s play Fifth of July (27:20), and his early on-screen roles in Jonathan Demme’s Something Wild (31:10), Woody Allen’s The Purple Rose of Cairo (34:20), and Noah Baumbach’s The Squid and the Whale (44:20).

On the back-half, we walk through his years making The Newsroom (51:48), working with screenwriter (and then playwright) Aaron Sorkin (53:20), and how the two of them reimagined Atticus Finch and To Kill a Mockingbird for both Broadway (59:49) and what he calls “a country at a crossroads” (1:05:33). To close, we sit with the utility of good writing in this fraught era (1:10:30), and a musical tribute to his late father, Robert (1:15:32).

Thoughts or future guest ideas? Email us at [email protected].

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