Actor, writer, director, and producer Seth Rogen came up in an age of abundance—a Hollywood that made big-budget comedies with box office success: The 40-Year-Old Virgin, Knocked Up, Superbad, Pineapple Express. That era recently inspired his new Apple TV+ show The Studio.

On the heels of the series’ premiere, Rogen joins us to discuss its key influences (6:15), from Robert Altman’s The Player to The Larry Sanders Show (13:25), the evolving state of “show business” (15:36), and a life-changing piece of advice from director and producer Judd Apatow (25:00).

On the back-half, we dive into his early years writing comedy in Vancouver (25:57), formative memories making Freaks and Geeks (33:19), and how This Is the End, the meta-comedy from 2013, was a precursor to this latest project (43:18) and solidified his enduring creative partnership with Evan Goldberg (58:30).

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In their new book, Abundance, journalists Ezra Klein (The New York Times) and Derek Thompson offer a hopeful vision for what the future of the U.S. can look like.

Ezra returns to the show to discuss how his ‘agenda of abundance’ (6:15) is a response to the hollowing out of the middle class (11:26) and the dwindling housing market (16:30). Then, Klein explains how these regulatory inefficiencies have impacted California’s high-speed rail project (27:56), what we can learn from international construction (32:15), and why it’s so difficult to build in Blue states (40:00).

On the back-half, we discuss the future of AI in the workforce (48:48), whether “Abundance” can serve as a prescriptive text for the Democratic Party (1:00:56), the hope he aims to engender in readers (1:08:18), and our path to meaningful progress in 2025 and beyond (1:14:16).

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From Mean Girls to Mamma Mia! to First Reformed, Amanda Seyfried has repeatedly displayed her versatility as a performer. Today, we return to one of our favorite conversations with the illustrious actor.

At the top, we discuss her Oscar-nominated portrayal of 1920s and '30s screen star Marion Davies in David Fincher's Mank (6:53), her early years working in the industry (13:13), and the joy of making Mean Girls (15:26). Then, she reflects on the parallels between 1930s Hollywood and today (36:08), how she found her footing (41:51), and where she'd like to go in the years ahead (45:32).

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What does photography need to do now? Artist Tyler Mitchell has been asking (and attempting to answer) that question since making history as the first Black photographer to shoot a Vogue cover back in 2018. Since then (he was only 23-years-old at the time) his work has been celebrated in museums around the world, featured in publications like Vanity Fair and W, and, ultimately, published in his debut monograph, I Can Make You Feel Good. He joins us this week around the opening of his revelatory exhibition, Ghost Images, now available at the Gagosian Gallery in New York City.

View the works discussed in our virtual gallery here or visit talkeasypod.com/tyler-mitchell-gallery/.

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In celebration of Oscar Sunday, our conversation with actor Monica Barbaro. Her portrayal of Joan Baez in the Bob Dylan biopic, A Complete Unknown, earned her an Academy Award nomination for Best Supporting Actress.

At the top, we discuss how director James Mangold drew inspiration from Miloš Forman’s Amadeus (7:00), the vocal lessons Monica received in preparation for the role of Baez (10:15), and her affecting rendition of House of the Rising Sun (16:00). Then, we dive into Monica’s California upbringing (18:00), her pivot from dancing to professional acting (24:00), and the winding journey that led her to A Complete Unknown (29:00).

On the back-half, we talk about her breakout role in Top Gun: Maverick (38:00), her evolving relationship to perfectionism (39:30), the deep, autobiographical research she did to portray Joan Baez (42:00), and what she hopes for in the years to come (54:15).

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In the lead-up to Oscar Sunday, our conversation with actor, writer, and director Jesse Eisenberg.

At the top, we unpack the journey that shaped his film A Real Pain (9:18), memories from his travels to Poland (15:40), and what he observed about his family growing up in East Brunswick (22:23). Then, Eisenberg reflects on his first jokes written on post-it notes (29:20), his breakthrough acting roles in Roger Dodger (31:35) and The Squid and the Whale (34:37), and formative visits to his aunt Doris in New York City (35:32).

On the back-half, we talk about his transformation in The Social Network (41:15), the erotic dream that inspired his play The Spoils (42:48), the real anxiety he explored while writing A Real Pain (46:39), lessons on directing from Richard Ayoade and Greg Mottola (51:14), and why he cares so deeply about his art (1:00:10).

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One week from Oscar Sunday, we’re joined by Nickel Boys director RaMell Ross.

At the top, RaMell describes the formal innovations of the new film (6:44), the naivete that allowed him to make this singular project (8:02), and how photography is shaped by race in ways we don’t consider (12:00). Then, we dive into RaMell’s Virginia upbringing (29:28), the hoop dreams that brought him to Georgetown (29:35), and the “question everything” mindset that took flight in his college years (30:30).

On the back-half, Ross explains the cinematic lineage of his Oscar-nominated documentary Hale County This Morning, This Evening (42:25), his aim to portray the American South in a new light (50:26), and why Nickel Boys is just the beginning of this next chapter in Black cinematic history (57:00).

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A celebration of 50 years of Saturday Night Live, featuring stories from Bill Hader, Julia Louis-Dreyfus, and Jason Reitman.

Find links to hear each of these full episodes. Visit Peacock to watch The SNL Anniversary Special, The Homecoming Concert, and the four-part docuseries Beyond Saturday Night.

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For more than a decade, Chris Hayes has been one of our most incisive political thinkers. He joins us this week in New York City, hours before taping his hit MSNBC show, All In with Chris Hayes, to discuss his new book, The Sirens’ Call.

At the top, we unpack America’s Constitutional crises (5:30), the editorial inner workings of “All In” (7:00), and how attention became our most endangered resource (12:00). Then, Hayes talks through the challenges of maintaining viewership in the era of cord cutting (14:00), the diversity of his primetime audience (25:00), and how he balances the performative elements of the job with his authentic self (44:00).

On the back-half, Hayes describes the challenges of reaching a wider audience in our increasingly partisan political landscape (50:00), his tenure on television (55:00), his formative years writing at The Chicago Reader (1:05:00), and a short story from Albert Camus that keeps him on course (1:10:00).

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Actor Mikey Madison has delivered the performance of the season with her star-making turn in Anora. She joins us this week on the heels of her recent Oscar nomination for Best Actress.

We begin by discussing the organic partnership she formed with writer/director Sean Baker (3:30), the ‘emotional preparation’ required to tell this vulnerable story (7:00), her San Fernando Valley upbringing (11:45), and her formative years working with Pamela Adlon on Better Things (22:38).

On the back-half, Mikey reflects on her breakout part in Quentin Tarantino’s Once Upon a Time… in Hollywood (30:30), the sex professionals who helped inform her work in Anora (32:50), how she excavated her past to create in the present (43:10), and where she hopes to go on the other side of this towering achievement (49:50).

Feedback, future guest ideas, or thoughts on Anora? Email us at [email protected].

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