At 82, Isabel Allende is one of the world’s most beloved and best-selling Spanish-language authors. Her work has been translated into more than 40 languages, and 80 million copies of her books have been sold around the world. That’s a lot of books.

Allende’s newest novel, “My Name Is Emilia del Valle” is about a dark period in Chilean history: the 1891 Chilean civil war. Like so much of Allende’s work, it’s a story about women in tough spots who figure out a way through. Thematically, it’s not that far off from Allende’s own story. She was raised in Chile, but in 1973, when she was 31, raising two small children and working as a journalist, her life was upended forever. That year a military coup pushed out the democratically elected president, Salvador Allende, who was her father’s cousin. She fled to Venezuela, where she wrote “The House of the Spirits,” which evolved from a letter she had begun writing to her dying grandfather. That book became a runaway best seller and it remains one of her best-known.

Allende and Book Review editor Gilbert Cruz spoke about her life and career.

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Set in New York in the 1980s, Adam Ross’s new novel, “Playworld,” tells the story of a young actor named Griffin as he navigates the chaos of the city, of his family and of being a teenager, and the dangers that swirl around each. 

Although “Playworld” grapples with bleak material, it sparkles with Ross’s vivid eye and sardonic sense of humor. The result is a dark, off-kilter bildungsroman about one overextended teenager trying to figure himself out while being failed, continually, by every adult around him.

On this week’s episode, the Book Club host MJ Franklin discusses “Playworld” with his colleagues Dave Kim and Sadie Stein. 

Here are the books discussed in this week’s episode:

“Playworld,” by Adam Ross

“Mr. Peanut,” by Adam Ross

“The Catcher in the Rye,” “Nine Stories,” “Raise High the Roof Beam, Carpenters and Seymour: An Introduction,” and “Franny and Zooey,” by J.D. Salinger

“Long Island Compromise,” by Taffy Brodesser-Akner

“How Little Lori Visited Times Square,” by Amos Vogel, illustrated by Maurice Sendak

“The Squid and the Whale,” directed by Noah Baumbach

“The Goldfinch,” by Donna Tartt

“Headshot,” by Rita Bullwinkel

“The Copenhagen Trilogy,” by Tove Ditlevsen

“Jakob von Gunten,” by Robert Walser

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Last summer, when The New York Times Book Review released its list of the 100 Best Books of the 21st Century, one of the authors with multiple titles on that list was Hilary Mantel, who died in 2022. Those novels were “Wolf Hall” and “Bring Up the Bodies,” the first two in a trilogy of novels about Thomas Cromwell, the all-purpose fixer and adviser to King Henry VIII.

Those books were also adapted into a 2015 television series starring Mark Rylance as Cromwell and Damien Lewis as King Henry. It’s now a decade later and the third book in Mantel’s series, “The Mirror and the Light,” has also been adapted for the small screen. Its finale airs on Sunday, April 27.

Joining host Gilbert Cruz on this week’s episode is Mantel’s former editor Nicholas Pearson. He describes what it was like to encounter those books for the first time, and to work with a great author on a groundbreaking masterpiece of historical fiction.

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A century after “The Great Gatsby” was first published, F. Scott Fitzgerald’s slender novel about a mysterious, lovelorn millionaire living and dying in a Long Island mansion has become among the most widely read American fictions — and also among the most analyzed and interpreted. As the Book Review’s A.O. Scott wrote in a recent essay about the book’s centennial: “What we think about Gatsby illuminates what we think about money, race, romance and history. How we imagine him has a lot to do with how we see ourselves.”

Scott joins the host Gilbert Cruz on the podcast this week to discuss Fitzgerald’s novel and its long afterlife, looking at the ways “Gatsby” has made its way into the fabric of American culture.

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In his new novel, “Twist,” the National Book Award-winning Irish writer Colum McCann tells the story of a journalist deep at sea in more ways then one: A man adrift, he accepts a magazine assignment to write about the crews who maintain and repair the undersea cables that transmit all of the world’s information. Naturally, the assignment becomes more treacherous and psychologically fraught than he had anticipated. On this week’s episode, McCann tells host Gilbert Cruz how he became interested in the topic of information cables and why the story resonated for him at multiple levels.

“Now, I don’t know if the novel is prescient in any way. I wanted to talk about repair. And when I got deep into the subject, I did talk about repair — which is, human repair or actual repair of a cable. But I also ended up talking about sabotage, too. And the sabotage of these cables is something that has to be on our minds.”

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The novel “We Do Not Part,” by the Nobel laureate Han Kang, involves a pet-sitting quest gone surreal: It follows a writer and documentarian whose hospitalized friend beseeches her to take care of her stranded pet parakeet on an island hundreds of miles away. When she arrives, the writer finds not only the bird but also an apparition of her friend, who has a devastating history to tell.

Transforming real life into a haunting dreamscape, “We Do Not Part” is about grief, tragedy, the weight of the past, and the painful but essential work of remembering, delivered by one of the most electrifying writers working today. (Han’s 2016 novel, “The Vegetarian,” won the International Booker Prize and was chosen as one of The New York Times’s Best Books of the 21st Century.) On this week’s episode, the Book Club host MJ Franklin discusses “We Do Not Part” with with fellow Book Review editors Lauren Christensen and Emily Eakin. 

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The director Steven Soderbergh has just released his second film of 2025: the spy thriller "Black Bag," starring Michael Fassbender and Cate Blanchett. In January 2024, Soderbergh spoke with host Gilbert Cruz about some of the more than 80 books that he read in the previous year. (This episode is a rerun.)

Books discussed:

"How to Live: A Life of Montaigne," by Sarah Bakewell

"Stanley Kubrick's 'The Shining,'" by Lee Unkrich and J.W. Rinzler

"Cocktails with George and Martha," by Philip Gefter

The work of Donald E. Westlake

"Americanah," by Chimamanda Ngozi Adichie

"Pictures From an Institution," by Randall Jarrell

"Determined: A Science of Life Without Free Will," by Robert M. Sapolsky

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Every season brings its share of books to look forward to, and this spring is no different. Host Gilbert Cruz is joined by Book Review editor Joumana Khatib to talk about a dozen or so titles that sound interesting in the months ahead.

Books discussed on this episode:

"Dream Count," by Chimamanda Ngozi Adichie

"Sunrise on the Reaping," by Suzanne Collins

"The Buffalo Hunter Hunter," by Stephen Graham Jones

"Medicine River: A Story of Survival and the Legacy of Indian Boarding Schools," by Mary Annette Pember

"Great Big Beautiful Life," by Emily Henry

"John & Paul: A Love Story in Songs," by Ian Leslie

"Yoko: A Biography," by David Sheff

"Searches," by Vauhini Vara

"Strangers in the Land: Exclusion, Belonging, and the Epic Story of the Chinese in America," by Michael Luo

"Rabbit Moon," by Jennifer Haigh

"Mark Twain," by Ron Chernow

"Authority," by Andrea Long Chu

"Spent," by Alison Bechdel

"Fish Tales," by Nettie Jones

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Samantha Harvey’s novel “Orbital,” which won the Booker Prize last year, has a tight, poetic frame: We follow one day in the lives of six people working on a space station above Earth, orbiting the planet 16 times every 24 hours. But this is not a saga of adventure or exploration. It’s a quiet meditation on what it means to be human, prompted by a series of personal reckonings each character faces while floating 250 miles above home.

This week on the Book Review Book Club, MJ Franklin talks about “Orbital” with fellow Book Review editors Joumana Khatib and Jennifer Harlan.

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You’re familiar with Edward Gorey, whether you know it or not. The prolific author and illustrator, who was born 100 years ago this week, was ubiquitous for a time in the 1970s and 1980s, and his elaborate black-and-white line drawings — often depicting delightfully grim neo-Victorian themes and settings — graced everything from book jackets to the opening credits of the PBS show “Mystery!” to his own eccentric storybooks like “The Gashlycrumb Tinies,” in which young children come to unfortunate but spectacular ends.

On this week’s episode, the Book Review’s Sadie Stein joins Gilbert Cruz for a celebration of all things Gorey.

“He was so incredibly prolific,” Stein says. “He was Joyce Carol Oates-like in his output. And it’s amazing when you look at the work because the line drawings, as you mentioned, are so intricate. It looks almost like pointillism sometimes, like it would have taken hundreds of hours. But he was either preternaturally disciplined or incredibly fast, and each one that I’ve ever seen at least is beautiful. And complete in a way.”

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