The Book Review

As part of The New York Times Book Review's project on the 100 Best Books published since the year 2000, Nick Hornby called "Say Nothing: A True Story of Murder and Memory in Northern Ireland" one of the "greatest literary achievements of the 21st century." The author Patrick Radden Keefe joins host Gilbert Cruz to talk about his book, which has now been adapted into an FX miniseries.

Keefe has now seen his reporting on the life of Irish Republican Army soldier Dolours Price and others make its way from a New Yorker magazine article to an acclaimed nonfiction book to a streaming series. "In terms of storytelling, I try to write in a way that is as visceral and engaging as possible," Keefe said. "But the toolkit that you have when you make a series is so much more visceral. It's almost fissile in its power."

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The works of John le Carré, who died in 2020, are among the most beloved thrillers of all time. For some, books like "Tinker, Tailor, Soldier, Spy," "A Perfect Spy" and "The Spy Who Came in From the Cold" are simply among their favorite works of literature ever.

So it was a perilous task that author Nick Harkaway, one of le Carré sons, set out for himself. The author of multiple well-received science fiction novels, Harkaway picked up the torch from his father to write a new tale starring George Smiley, the Cold War spy who has appeared in more than a half dozen novels. According to Harkaway, it took some work to figure out the right period to set the book in.

"Smiley's career is a little bit tricky in terms of the continuity because my dad, when he was writing these books, wasn't writing a franchise," Harkaway said. "He was writing one book after another, and each one was the only truth that he cared about."

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Sally Rooney is a writer people talk about. Since her first novel, “Conversations With Friends,” was published in 2017, Rooney has been hailed as a defining voice of the millennial generation because of her ability to capture the particular angst and confusion of young love, friendship and coming-of-age in our fraught digital era.

“Intermezzo,” her fourth and latest novel, centers on two brothers separated by 10 years and periods of estrangement, who are grieving the recent death of their father. Peter Koubek is a 32-year-old lawyer with a younger girlfriend, Naomi, and an unextinguished flame for his ex, Sylvia; his brother, Ivan, is a 22-year-old chess prodigy who falls into a relationship with a 36-year-old divorcée, Margaret.

In this week’s episode, the Book Review’s MJ Franklin discusses the book with fellow editors Joumana Khatib, Sadie Stein and Dave Kim. 

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Halloween is just around the corner, so we turned to two great horror authors — Joe Hill and Stephen Graham Jones — for their recommendations of books to read this season.

Books discussed:

• "Mean Spirited," by Nick Roberts
• "Maeve Fly," by CJ Leede
• "Come Closer," by Sara Gran
• "It," by Stephen King
• "Experimental Film," by Gemma Files
• "A Head Full of Ghosts," by Paul Tremblay
• "Lost Man's Lane," by Scott Carson
• "Fever House," by Keith Rosson
• "The Devil by Name," by Keith Rosson
• "The Reformatory," by Tananarive Due

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Salman Rushdie's "Knife: Meditations After an Attempted Murder," has been nominated in the nonfiction category as part of this year's National Book Awards, which will take place in mid-November. This week, we are running Rushdie's conversation with Ezra Klein from earlier this year.

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The actor-director-producer Stanley Tucci is also, famously, an avid eater, who has explored his enthusiasm for food through his travel show “Searching for Italy” and through two books: “Taste,” in 2021, and now a food diary, “What I Ate in One Year." In this week’s episode, Tucci discusses his new book with host Gilbert Cruz and talks about bad meals, his food idol and his path to tracking a year’s worth of eating.

“The people at Simon & Schuster wanted me to write another book after ‘Taste,’ and I really didn’t know what to write,” Tucci says. “My wife said, Just write what you eat. So I did, because I do everything she says. And it actually ended up being such a pleasure to write. It just flowed very easily. As you start to write about the mundane, you start to mine all this stuff that you didn’t know you were thinking about, or that was happening. And that’s what the book is. It’s, in essence, the passage of time through the prism of food.”

Also on this week’s episode, Gilbert chats with Joumana Khatib about the National Book Award finalists in fiction and nonfiction.

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In 2021, the novelist Jean Hanff Korelitz had a hit with “The Plot,” a book that was partly a mystery, partly a thriller and entirely a delicious sendup of the publishing industry. It told the tale of a once-promising writer, Jacob, who steals somebody else’s story idea and reaches undreamed-of levels of success before things go very badly for him.

Korelitz’s new novel, “The Sequel,” is — yes — a sequel to “The Plot.” It follows Jacob’s widow, Anna, who has unexpectedly become a writer herself, only to be confronted with her own dark secrets. On this week’s episode, Korelitz talks with the host Gilbert Cruz about the writing life, the shape of her career and her decision to write a sequel to “The Plot.”

We would love to hear your thoughts about this episode, and about the Book Review’s podcast in general. You can send them to [email protected].

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Jo Hamya’s novel “The Hypocrite” follows a famous English novelist as he watches a new play by his daughter, Sophia, in London. The lights go down in the theater, and immediately the novelist realizes: The play is about him, the vacation he took with Sophia a decade earlier and the sins he committed while they were away.

The novel is an art monster story and a dysfunctional family saga that explores the ethics of creating work inspired by real life. In this week’s episode, the Book Review’s MJ Franklin discusses the book with editors Joumana Khatib and Lauren Christensen.

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This weekend marks the official start of autumn, so what better time to take a peek at the fall books we’re most excited to read? On this week’s episode, Gilbert Cruz chats with Joumana Khatib and Anna Dubenko about the upcoming season of reading and the books on the horizon that they’re looking forward to most eagerly.

Books mentioned in this week’s episode:

“Intermezzo,” by Sally Rooney

“Playground,” by Richard Powers

“Sonny Boy: A Memoir,” by Al Pacino

“Cher: The Memoir, Part One,” by Cher

“The Sequel,” by Jean Hanff Korelitz

“Be Ready When the Luck Happens,” by Ina Garten

“We Solve Murders,” by Richard Osman

“Creation Lake,” by Rachel Kushner

“V13: Chronicle of a Trial,” by Emmanuel Carrère

“Absolution,” by Jeff VanderMeer

“Lazarus Man,” by Richard Price

“Rejection,” by Tony Tulathimutte

“Colored Television,” by Danzy Senna

“Health and Safety,” by Emily Witt

“Patriot: A Memoir,” by Alexei Navalny

“The Message,” by Ta-Nehisi Coates

“The Serviceberry,” by Robin Wall Kimmerer

“Revenge of the Tipping Point,” by Malcolm Gladwell

“From Here to the Great Unknown,” by Lisa Marie Presley

“The City and Its Uncertain Walls,” by Haruki Murakami

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Robert Caro’s 1974 biography “The Power Broker” is a book befitting its subject, Robert Moses — the unelected parochial technocrat who used a series of appointed positions to entirely reshape New York City and its surrounding environment for generations to come. Like Moses, Caro’s book has exerted an enduring and outsize influence. This week, Caro joins the podcast and tells the host Gilbert Cruz how he accounts for its enduring legacy.

“People are interested in power,” Caro says. “This is a particular kind of power. Robert Moses’ power was unchecked power. We all live in a democracy where we think that power comes from our votes at the ballot box. He was a man who was never elected to anything and he held on to power for 44 years, almost half a century. And with the power, this man who wasn’t elected to anything shaped New York and its surrounding suburbs. So I think, if you’re interested in government, you have to say, as I said maybe 55 years ago when I started this, How did he do it? What happened here?”

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