Clare Keegan's slim 2021 novella about one Irishman's crisis of conscience during the Christmas season, which was shortlisted for the Booker Prize, has also been adapted into a film starring Cillian Murphy. In this week’s episode, MJ Franklin discusses the book with his colleagues Joumana Khatib, Lauren Christensen, and Elisabeth Egan.  

Keegan's book was also one of The New York Times Book Review's 100 best books of the 21st century. As we wrote, "Not a word is wasted in Keegan’s small, burnished gem of a novel, a sort of Dickensian miniature centered on the son of an unwed mother who has grown up to become a respectable coal and timber merchant with a family of his own in 1985 Ireland. Moralistically, though, it might as well be the Middle Ages as he reckons with the ongoing sins of the Catholic Church and the everyday tragedies wrought by repression, fear and rank hypocrisy."

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Dwight Garner, Jennifer Szalai and Alexandra Jacobs — staff critics for The New York Times Book Review — join host Gilbert Cruz to look back on highlights from their year in books.

Books discussed:

"Intermezzo," by Sally Rooney

"All Fours," by Miranda July

"You Dreamed of Empires," by Álvaro Enrigue

"When the Clock Broke," by John Ganz

"Radiant: The Life and Line of Keith Haring," by Brad Gooch

"Miss May Does Not Exist: The Life and Work of Elaine May, Hollywood's Hidden Genius," by Carrie Courogen

"My Beloved Monster," by Caleb Carr

"Rejection," by Tony Tulathimutte

"Beautyland," by Marie-Helene Bertino

"Free and Equal: A Manifesto for a Just Society," by Daniel Chandler

"Seeing Through: A Chronicle of Sex, Drugs and Opera," by Ricky Ian Gordon

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Following our Top 10 Books of 2024 episode, we are re-running our book club discussion about one of the novels on our year-end list: "Good Material."

How to explain the British writer Dolly Alderton to an American audience? It might be best to let her work speak for itself — it certainly does! — but Alderton is such a cultural phenomenon in her native England that some context is probably helpful: “Like Nora Ephron, With a British Twist” is the way The New York Times Book Review put it when we reviewed her latest novel, “Good Material,” earlier this year.

“Good Material” tells the story of a down-on-his-luck stand-up comic dealing with a broken heart, and it has won Alderton enthusiastic fans in America. In this episode, the Book Review’s MJ Franklin discusses the book with his colleagues Emily Eakin and Leah Greenblatt. 

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Don't let anyone tell you differently — end of year list time is a wonderful time, indeed. And, as we do every December, we are ready to discuss the 10 best books of the year. Host Gilbert Cruz gathers the editors of the New York Times Book Review to discuss the most exciting fiction and nonfiction of the year.

The New York Times Book Review's Top 10 Books of 2024

"James," by Percival Everett

"You Dreamed of Empires," by Álvaro Enrigue; translated by Natasha Wimmer

"Good Material," by Dolly Alderton

"All Fours," by Miranda July

"Martyr!," by Kaveh Akbar

"The Wide Wide Sea," by Hampton Sides

"Everyone Who is Gone is Here," by Jonathan Blitzer

"Reagan," by Max Boot

"I Heard Her Call My Name," by Lucy Sante

"Cold Creamatorium," by József Debreczeni; translated by Paul Olchváry

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The broad outlines of "James" will be immediately familiar to anyone with even a basic knowledge of American literature: A boy named Huckleberry Finn and an enslaved man named Jim are fleeing down the Mississippi River together, each in search of his own kind of freedom.

But where Mark Twain’s “Adventures of Huckleberry Finn” treated Jim as a secondary character, a figure of pity and a target of fun, Percival Everett makes him the star of the show: a dignified, complicated, fully formed man capable of love and wit and rage in equal measure.

In this episode from May, the Book Review’s MJ Franklin discusses the book, which was recently awarded the National Book Award, with his colleagues Joumana Khatib and Gregory Cowles.

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It begins with one of the most iconic lines in literature: “Many years later, as he faced the firing squad, Colonel Aureliano Buendía was to remember that distant afternoon when his father took him to discover ice.”

“One Hundred Years of Solitude,” Gabriel García Márquez’s magical realist parable of imperialism in Latin America, is a tale of family, community, prophesy and disaster. In this week’s episode, the Book Review’s MJ Franklin discusses the book with his colleagues Gregory Cowles and Miguel Salazar.

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As part of The New York Times Book Review's project on the 100 Best Books published since the year 2000, Nick Hornby called "Say Nothing: A True Story of Murder and Memory in Northern Ireland" one of the "greatest literary achievements of the 21st century." The author Patrick Radden Keefe joins host Gilbert Cruz to talk about his book, which has now been adapted into an FX miniseries.

Keefe has now seen his reporting on the life of Irish Republican Army soldier Dolours Price and others make its way from a New Yorker magazine article to an acclaimed nonfiction book to a streaming series. "In terms of storytelling, I try to write in a way that is as visceral and engaging as possible," Keefe said. "But the toolkit that you have when you make a series is so much more visceral. It's almost fissile in its power."

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The works of John le Carré, who died in 2020, are among the most beloved thrillers of all time. For some, books like "Tinker, Tailor, Soldier, Spy," "A Perfect Spy" and "The Spy Who Came in From the Cold" are simply among their favorite works of literature ever.

So it was a perilous task that author Nick Harkaway, one of le Carré sons, set out for himself. The author of multiple well-received science fiction novels, Harkaway picked up the torch from his father to write a new tale starring George Smiley, the Cold War spy who has appeared in more than a half dozen novels. According to Harkaway, it took some work to figure out the right period to set the book in.

"Smiley's career is a little bit tricky in terms of the continuity because my dad, when he was writing these books, wasn't writing a franchise," Harkaway said. "He was writing one book after another, and each one was the only truth that he cared about."

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Sally Rooney is a writer people talk about. Since her first novel, “Conversations With Friends,” was published in 2017, Rooney has been hailed as a defining voice of the millennial generation because of her ability to capture the particular angst and confusion of young love, friendship and coming-of-age in our fraught digital era.

“Intermezzo,” her fourth and latest novel, centers on two brothers separated by 10 years and periods of estrangement, who are grieving the recent death of their father. Peter Koubek is a 32-year-old lawyer with a younger girlfriend, Naomi, and an unextinguished flame for his ex, Sylvia; his brother, Ivan, is a 22-year-old chess prodigy who falls into a relationship with a 36-year-old divorcée, Margaret.

In this week’s episode, the Book Review’s MJ Franklin discusses the book with fellow editors Joumana Khatib, Sadie Stein and Dave Kim. 

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Halloween is just around the corner, so we turned to two great horror authors — Joe Hill and Stephen Graham Jones — for their recommendations of books to read this season.

Books discussed:

• "Mean Spirited," by Nick Roberts
• "Maeve Fly," by CJ Leede
• "Come Closer," by Sara Gran
• "It," by Stephen King
• "Experimental Film," by Gemma Files
• "A Head Full of Ghosts," by Paul Tremblay
• "Lost Man's Lane," by Scott Carson
• "Fever House," by Keith Rosson
• "The Devil by Name," by Keith Rosson
• "The Reformatory," by Tananarive Due

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