How is it that a seven-book series written in Danish about a single day repeating over and over has become something of a sensation among the literary set? Since the English translations of Solvej Balle’s “On the Calculation of Volume” series were first published in the United States in 2024, they have been nominated for the International Booker Prize and the National Book Award.

With the latest volume to be translated into English, Book IV, out this week, Gilbert Cruz sat down with A.O. Scott, a critic at large, and Joumana Khatib, a Book Review editor, to talk boredom, stuckness and time loops. Plus, the books in translation you should read next.

Books discussed on this episode:

“On the Calculation of Volume,” by Solvej Balle

“The Director,” by Daniel Kehlmann

“Tyll,” by Daniel Kehlmann

“Breasts and Eggs,” by Mieko Kawakami

“Heaven,” by Mieko Kawakami

“Sisters in Yellow,” by Mieko Kawakami

“King Kong Theory,” by Virginie Despentes

The “Vernon Subutex” trilogy, by Virginie Despentes

“Time Shelter,” by Georgi Gospodinov

“Territory of Light,” by Yuko Tsushima

“The Betrothed,” by Alessandro Manzoni

“Kairos,” by Jenny Erpenbeck

“Go, Went, Gone,” by Jenny Erpenbeck

“In Search of Lost Time,” by Marcel Proust

“Ulysses,” by James Joyce

“Anna Karenina,” by Leo Tolstoy

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Patrick Radden Keefe joins “The Book Review” to discuss his new book, “London Falling,” which begins when a family loses a 19-year-old son, Zac Brettler, under mysterious circumstances. His parents eventually discover he had been living a secret life, posing as the son of a Russian oligarch.

Speaking with the host Gilbert Cruz, Keefe describes the moment he first heard the story and how he immediately knew it would become his next major project. He talks about gaining the trust of the young man’s parents, Matthew and Rachelle Brettler, and following the threads of their son’s life into a world of wealth, influence and deception in London.

The conversation also explores how the book moves beyond the night of Zac’s death and into a broader story about ambition, reinvention and the uneasy question at its center: How well can we ever know the people closest to us?

Books discussed on this episode:

“Say Nothing,” by Patrick Radden Keefe

“Seasons of Fury,” by Rozina Ali

“The Emperor’s Children,” by Claire Messud

“Out of Sheer Rage,” by Geoff Dyer

“Middlemarch,” by George Eliot

“In Cold Blood,” by Truman Capote

“The Power Broker,” by Robert A. Caro

“Far From the Tree,” by Andrew Solomon

“Chatter,” by Patrick Radden Keefe

“The Last Samurai,” by Helen DeWitt

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We would love to hear your thoughts about this episode, and about the Book Review’s podcast in general. You can send them to [email protected].

Credits

“The Book Review” podcast is hosted by Gilbert Cruz and produced by Amy Pearl and Sarah Diamond. The show is edited by Larissa Anderson and mixed by Pedro Rosado.

Special thanks to MJ Franklin, Dahlia Haddad and Brooke Minters.

Illustration by The New York Times; Photo: Erik Tanner for The New York Times

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We have made it to April. We survived the snowstorms and the cold, and now that the days are getting longer, there’s more time to read. So this week, if you are looking for some books to tide you over until summer, our Book Review editors Gilbert Cruz and Joumana Khatib have got you covered.

Also on this week’s episode, the former United States poet laureate Ada Limón joins us to talk about her new book, “Against Breaking: On the Power of Poetry.” And she reads two of her poems.

Books discussed on this episode:

“Transcription,” by Ben Lerner

“This Land Is Your Land,” by Beverly Gage

“The Witch,” by Marie NDiaye

“London Falling,” by Patrick Radden Keefe

“Prophecy,” by Carissa Véliz

“Ghost Town,” by Tom Perrotta

“From Life Itself,” by Suzy Hansen

“The Calamity Club,” by Kathryn Stockett

“Dog Days,” by Emily LaBarge

“The Midnight Train,” by Matt Haig

“The Land and Its People,” by David Sedaris

“On the Calculation of Volume (Book 4),” by Solvej Balle

“Famesick,” by Lena Dunham

“The Sane One,” by Anna Konkle

“On Witness and Respair,” by Jesmyn Ward

“John of John,” by Douglas Stuart

“The Things We Never Say,” by Elizabeth Strout

“Yesteryear,” by Caro Claire Burke

“Arsenio,” by Arsenio Hall

“Five Weeks in the Country,” by Francine Prose

“The Ending Writes Itself,” by Evelyn Clark (V.E. Schwab and Cat Clark)

“Go Gentle,” by Maria Semple

“True Crime,” by Patricia Cornwell

“Against Breaking,” by Ada Limón

Listen to and Follow ‘The Book Review’

Apple Podcasts | Spotify | Amazon Music | YouTube | iHeartRadio

Unlock full access to New York Times podcasts and explore everything from politics to pop culture. Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify.

We Want to Hear From You

We would love to hear your thoughts about this episode, and about the Book Review’s podcast in general. You can send them to [email protected].

Credits

“The Book Review Podcast” is hosted by Gilbert Cruz and produced by Amy Pearl and Sarah Diamond. The show is edited by Larissa Anderson and mixed by Pedro Rosado.

Special thanks to MJ Franklin, Dahlia Haddad and Brooke Minters.

Illustration by The New York Times; Inset photos: Scribner; Viking; Spiegel & Grau

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Tayari Jones’s new novel, “Kin,” follows two orphaned girls, Annie and Niecy, who grow up together in Louisiana in the 1950s. Annie was abandoned as a baby when her mother ran away to Memphis, while Niecy was orphaned when her father murdered her mother. The girls grow up under the shadow of loss, but at the very least they have each other, two “cradle friends” so close they’re practically sisters.

After high school, though, they take different paths: Niecy sets out for Spelman College to try to make a name for herself, while Annie flees to Memphis to seek the mother she never knew. Along the way, each must confront major questions about love and family, including what sacrifices are acceptable to achieve them.

On this week’s episode, host MJ Franklin talks about “Kin” with his colleagues Lauren Christensen and Elisabeth Egan.

Other books mentioned in this episode:

“An American Marriage,” “The Untelling” and “Silver Sparrow,” by Tayari Jones

“Clutch,” by Emily Nemens

“This Is Not About Us,” by Allegra Goodman

“Lonely Crowds,” by Stephanie Wambugu

“The Vanishing Half,” by Brit Bennett

“The Love Songs of W.E.B. Du Bois,” by Honorée Fanonne Jeffers

“Sula,” by Toni Morrison

“Beaches,” by Iris R. Dart

“Who Will Run the Frog Hospital?,” by Lorrie Moore

“Cat’s Eye,” by Margaret Atwood

“The Calamity Club,” by Kathryn Stockett

“South to America,” by Imani Perry

“Witness and Respair,” by Jesmyn Ward

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Andy Weir’s first time at the Hollywood rodeo was a singular trip. His debut novel, “The Martian,” went from self-published project to blockbuster, best picture-nominated film starring Matt Damon.

His most recent book, “Project Hail Mary,” was also a sensation, and its adaptation, starring Ryan Gosling as a middle school science teacher tasked with saving humanity from slow extinction, charts warmly familiar territory: a lone man, stuck in space far from Earth, solving science problem after science problem with many a humorous aside.

Weir joined the Book Review’s podcast and spoke to the host, Gilbert Cruz, about the similarities and differences between Mark Watney and Ryland Grace (the main characters of “The Martian” and “Project Hail Mary”), his second novel, “Artemis,” and the alien character that readers have fallen in love with.

We would love to hear your thoughts about this episode, and about the Book Review’s podcast in general. You can send them to [email protected].

“The Book Review Podcast” is hosted by Gilbert Cruz and produced by Sarah Diamond and Amy Pearl. The show is edited by Larissa Anderson and mixed by Pedro Rosado.

Special thanks to MJ Franklin, Dahlia Haddad, and Paula Szuchman.

Illustration by The New York Times; Photo: Taylor Glascock for The New York Times

Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app.

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Since the publication of her first novel, “Love Medicine,” in 1984, Louise Erdrich has written fiction, nonfiction, poetry and children’s books. Her work has earned multiple awards, including the National Book Award (“The Round House”) and the Pulitzer Prize (“The Night Watchman”).

On this week’s episode, Erdrich talks with Gilbert Cruz, the editor of The New York Times Book Review, about her new short story collection, “Python’s Kiss.” She reflects on some of the formative experiences that shaped her as a writer, including watching “Planet of the Apes” and growing up in North Dakota, a state that housed hundreds of intercontinental ballistic missiles.

She says that writing has been her “only real way of processing” her experiences and that her creative process is full of mystery.

“There’s really no way to control everything that happens in a piece of art. Some of these stories — I wasn’t sure that I had written it,” she said, adding: “And yet, obviously, it was in my handwriting.”

Plus, Erdrich recommends the one book that always puts her to sleep.

Books discussed on this episode:

“Animal Farm,” by George Orwell

“Brawler,” by Lauren Groff

“Winter in the Blood,” by James Welch

“The Pillow Book,” by Sei Shōnagon

“The Death of the Heart,” by Elizabeth Bowen

“Save Me, Stranger,” by Erika Krouse

“The Bluest Eye,” by Toni Morrison

“Austerlitz,” by W.G. Sebald

“The Rings of Saturn,” by W.G. Sebald

“Whistler,” by Ann Patchett

“Make the Golf Course a Public Sex Forest,” published by Maitland Systems Engineering

Illustration by The New York Times; Photo: Jenn Ackerman for The New York Times

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For more than two decades, Bob Crawford has toured the country as the bassist for the Avett Brothers. But long before he began his career as a musician, he was obsessed with American history. After turning that obsession into two podcasts, he has now written his first book, “America’s Founding Son: John Quincy Adams, From President to Political Maverick.”

On this week’s episode, Crawford talks with Gilbert Cruz, the editor of The New York Times Book Review, about what it was like writing a book for the first time and the authors who have inspired him. In addition to discussing what he loves about John Quincy Adams, the country’s sixth president and the son of John Adams, Crawford also talks about the research he did for the book. That included scouring Adams’s 14,000-page diary.

“He’s not a perfect man — he’s far from perfect,” Crawford said of Adams. “But he’s so human. He’s suffered depression, and just the humanness in his diary, not to mention the actual historical narrative, is just incredible.”

Illustration by The New York Times; Photo: Jenn Ackerman for The New York Times

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Emily Brontë’s “Wuthering Heights” is a tale of star-crossed lovers: Catherine, the wild daughter of an aristocratic family, and Heathcliff, an orphan whom Catherine’s father brings home unexpectedly. While Catherine’s brother and mother denigrate Heathcliff, depriving him of an education and forcing him into a servant-like role, Catherine forms an intense, almost spiritual bond with her family’s new charge.

Despite their deep connection, however, she marries the scion of a nearby wealthy family — a decision that leaves Catherine yearning, Heathcliff bent on revenge and everybody in their orbit on a path to calamity.

Brontë’s classic has long been a favorite among readers, and the novel is back in the zeitgeist thanks to Emerald Fennell’s recent film adaptation. On this week’s episode, host MJ Franklin discusses “Wuthering Heights” with colleagues from the New York Times Book Review.

Other works discussed:

“Wuthering Heights,” the song by Kate Bush

“Twilight,” by Stephenie Meyer

“But Daddy I Love Him,” by Taylor Swift

“Wuthering Heights,” the 2026 film directed by Emerald Fennell

“The Safekeep,” by Yael van der Wouden

“Mexican Gothic,” by Silvia Moreno-Garcia

The “Wuthering Heights” comics in Kate Beaton’s “Hark! A Vagrant” series

“Villette,” by Charlotte Brontë

“Rebecca,” by Daphne du Maurier

“The Idiot,” by Elif Batuman

“The Great Gatsby,” by F. Scott Fitzgerald

“The Count of Monte Cristo,” by Alexandre Dumas

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The latest film from the writer and director Clint Bentley, “Train Dreams,” is nominated for four Oscars, including best adapted screenplay. The movie is based on Denis Johnson’s 2011 novella of the same name and tells the story of Robert Grainier, a logger in the Pacific Northwest, in stream-of-consciousness, nonlinear prose. This week, Gilbert Cruz talks with Bentley, who wrote the screenplay with Greg Kwedar, his longtime collaborator, about how he went about translating Johnson’s work into a visual medium.

Bentley first read “Train Dreams” just after college, long before he ever thought of making it into a movie. When producers with rights to the book approached Bentley, he was suddenly worried. “Going back and reading the book again,” Bentley said, “I was like, Oh, maybe this thing is unadaptable.” Set on capturing the spirit of the book, Bentley and Kwedar focused on “the vastness of this small little life,” he said.

“We very rarely have an understanding of our lives in the moment we’re actually living them,” Bentley said. “We only start to understand them when it’s too late.”

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For decades, the director Guillermo del Toro has built a career blending the grotesque and the beautiful in films like “Pan’s Labyrinth,” “The Shape of Water” and “Pinocchio.” Now he’s earned his latest Academy Award nomination for his adaptation of “Frankenstein,” Mary Shelley’s classic novel. On this week’s episode, he talks with the host Gilbert Cruz about discovering the book as a lonely child, how it shaped his worldview and why this screenplay is the one he’s proudest of.

“I always felt the creature is me,” del Toro said of the first time he read the book. “I felt so alone at age 11, and so full of love to give and so full of rage to dispose of. It was a very complicated emotional scope for somebody that young.”

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