Charlotte McConaghy’s latest novel, “Wild Dark Shore,” opens with an enigma: A mysterious, half-drowned woman washes ashore.

The stranger’s name is Rowan, and she has arrived on Shearwater, a remote island near Antarctica. The island, which houses an important seed bank, was once teeming with a community of scientists, but now the project is shutting down, the workers have left and the land lies quiet and deserted, everybody gone except for the Salt family, whose members are all lost in their own way. And all are hiding terrible secrets.

They’re not alone. Rowan herself has come to the island with a hidden purpose, putting this small community on a crash course for a long-overdue reckoning.

On this week’s episode, the Book Club host MJ Franklin discusses “Wild Dark Shore” with his colleagues Lauren Christensen and Elisabeth Egan.

Unlock full access to New York Times podcasts and explore everything from politics to pop culture. Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify.

Summer is slipping away and we are on break this week. But we have a fantastic rerun for you — our conversation with Min Jin Lee from last summer, when her book "Pachinko" was named one of the "100 Best Books of the 21st Century" by a New York Times Book Review panel. She spoke about her novel as well as the book she's read the most times — George Eliot's "Middlemarch."

“I’m willing to say it’s the best English language novel, period. Without question,” Lee says. “George Eliot is probably the smartest girl in the room ever as a novelist. She really was a great thinker, a great logician, a great empathizer and also a great psychologist. She was all of those things. And she was also political. She understood so many aspects of the human mind and the way we interact with each other. And then above all, I think she has a great heart.”

Unlock full access to New York Times podcasts and explore everything from politics to pop culture. Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify.

Imagine, if you will, that for unknown reasons North Korea has just launched a nuclear bomb at the United States. What happens next?

The journalist Annie Jacobsen has imagined exactly that, and spent more than a decade interviewing dozens of experts while mastering the voluminous literature on the subject — some of it declassified only in recent years — for her 2024 book “Nuclear War: A Scenario,” which walks readers through the 72 minutes from launch to global annihilation. In the Book Review last year, Barry Gewen said the book was “gripping,” and declared it essential reading “if you want to understand the complex and disturbing details that go into a civilization-destroying decision.”

This week, Jacobsen visits the podcast to talk about her book and why she wrote it, as well as offering some hope that catastrophe can be avoided. “I wanted to write a book that showed in absolutely appalling detail how horrific nuclear war would be,” she tells the host Gilbert Cruz. “And so when people say to me either ‘I could barely read your book, but I had to read it.’ or ‘I had to read it in one sitting, I was terrified, I was horrified,’ I believe I did my job.”

Unlock full access to New York Times podcasts and explore everything from politics to pop culture. Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify.

Summer is the season for road trips, and also for road trip stories. Jack Kerouac’s “On the Road” may be the most famous example in American literature — but there are lots of other great road trip books, so this week the Book Review’s staff critics Dwight Garner, Alexandra Jacobs and Jennifer Szalai presented readers with a list of 18 of their favorites. On this episode of the podcast they chat with host Gilbert Cruz about the project, their picks and the top-down, wind blown, carefree appeal of the road trip narrative as a genre.

Books discussed in this episode:

“On the Road,” by Jack Kerouac

“Sing, Unburied, Sing,” by Jesmyn Ward

“Lost Children Archive,” by Valeria Luiselli

“I Am Homeless if This Is Not My Home,” by Lorrie Moore

“Tramps Like Us," by Joe Westmoreland

“Driving Mr. Albert,” by Michael Paterniti

“Gypsy: A Memoir," by Gypsy Rose Lee

“The Dog of the South,” by Charles Portis

“All Fours,” by Miranda July

“Hearts,” by Hilma Wolitzer

“The Pigeon Tunnel: Stories From My Life,” by John le Carré

“Machine Dreams,” by Jayne Anne Phillips

“Lonesome Dove,” by Larry McMurtry

“Lolita,” by Vladimir Nabokov

“The Grapes of Wrath,” by John Steinbeck

“The Price of Salt,” by Patricia Highsmith

Unlock full access to New York Times podcasts and explore everything from politics to pop culture. Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify.

In this month’s installment of the Book Review Book Club, we’re discussing “The Catch,” the debut novel by the poet and memoirist Yrsa Daley-Ward. The book is a psychological thriller that follows semi-estranged twin sisters, Clara and Dempsey, who were babies when their mother was presumed to have drowned in the Thames.

The novel begins decades later, when Clara sees something strange: A woman who looks just like their mother is stealing a watch. Clara believes this is her mother, and wants to welcome her back into her life. Dempsey is less certain, in part because the woman doesn’t seem to have aged a day. She believes the woman is a con artist because it’s simply not possible for her to be their mother … right?

What’s real? What’s not? And what does that mean for the lives of these struggling sisters? Daley-Ward unpacks it all in her deliciously slippery novel. On this episode, the Book Club host MJ Franklin talks about “The Catch” with fellow Book Review editors Jennifer Harlan and Sadie Stein.

Other books mentioned in this week’s episode:

“The Other Black Girl,” by Zakiya Dalila Harris

“The Haunting of Hill House,” by Shirley Jackson

“Wish Her Safe at Home,” by Stephen Benatar

“Erasure,” by Percival Everett 

“Playworld,” by Adam Ross 

“The House on the Strand,” by Daphne du Maurier

“Grief Is the Thing With Feathers,” by Max Porter

“The Furrows,” by Namwali Serpell

“Dead in Long Beach, California,” by Venita Blackburn

“The Vanishing Half,” by Brit Bennett

“Death Takes Me,” by Cristina Rivera Garza

“Audition,” by Katie Kitamura

Unlock full access to New York Times podcasts and explore everything from politics to pop culture. Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify.

We’re halfway through 2025, and we at the Book Review have already written about hundreds of books. Some of those titles are good. Some are very good. And then there are the ones that just won’t let us go. On this week’s episode of the podcast, Gilbert Cruz and Joumana Khatib talk about some of the best books of the year so far.

Here are the books discussed in this week’s episode:

“King of Ashes,” by S.A. Cosby

“The Director,” by Daniel Kehlmann

“A Marriage at Sea,” by Sophie Elmhirst

“Careless People,” by Sarah Wynn-Williams

“Isola,” by Allegra Goodman

“The Catch,” by Yrsa Daley-Ward

“Daughters of the Bamboo Grove,” by Barbara Demick

“The Sisters,” by Jonas Hassen Khemiri

“The Buffalo Hunter Hunter,” by Stephen Graham Jones

“Wild Thing: A Life of Paul Gauguin,” by Sue Prideaux

“Raising Hare,” by Chloe Dalton

“To Smithereens,” by Rosalyn Drexler

“The Fate of the Day,” by Rick Atkinson

“Flesh,” by David Szalay

“Things in Nature Merely Grow,” by Yiyun Li

“These Summer Storms,” by Sarah MacLean

Unlock full access to New York Times podcasts and explore everything from politics to pop culture. Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify.

Some time ago, the British journalist Sophie Elmhirst was reporting a story about people who try to escape the land and to live on the water. “I found myself trolling around as you do in these moments, online and on a website devoted to castaway stories and shipwreck stories,” she tells host Gilbert Cruz. “There were lots of photographs and tales of lone wild men who were pitched up on desert islands and had various escapades. And in among all of these was a tiny little black-and-white picture of a man and a woman."

The couple were Maurice and Maralyn Bailey, a husband and wife who took to the seas from 1970s England, selling their suburban home to buy a boat and sail to New Zealand. Nine months into the trip, a sperm whale breached under their boat, leaving them stranded on a crude raft with an assortment of salvaged items, luckily including water, canned food, a camera — and a biography of King Richard III. Elmhirst tells the Baileys’ story in her new book, “A Marriage at Sea."

Unlock full access to New York Times podcasts and explore everything from politics to pop culture. Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify.

“Mrs. Dalloway said she would buy the flowers herself”: So reads one of the great opening lines in British literature, the first sentence of Virginia Woolf’s classic 1925 novel, “Mrs. Dalloway.”

The book tracks one day in the life of an English woman, Clarissa Dalloway, living in post-World War I London, as she prepares for, and then hosts, a party. That’s pretty much it, as far as the plot goes. But within that single day, whole worlds unfold, as Woolf captures the expansiveness of human experience through Clarissa’s roving thoughts. On this week’s episode, Book Club host MJ Franklin discusses it with his colleagues Joumana Khatib and Laura Thompson.

Other books mentioned in this episode:

“The Passion According to G.H.,” by Clarice Lispector

“A Girl Is a Half-Formed Thing,” by Eimear McBride

“The Lesser Bohemians,” by Eimear McBride

“To the Lighthouse,” by Virginia Woolf

“Orlando,” by Virginia Woolf

“A Room of One’s Own,” by Virginia Woolf

“The Hours,” by Michael Cunningham

“Headshot,” by Rita Bullwinkel

“Tilt,” by Emma Pattee

Unlock full access to New York Times podcasts and explore everything from politics to pop culture. Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify.

On this week's episode, A.O. Scott joins host Gilbert Cruz to talk about the value of close reading poetry. And New York Times Book Review poetry editor Greg Cowles recommends four recently published collections worth reading.

Books mentioned in this episode

* "New and Collected Hell: A Poem," by Shane McCrae

* "Ominous Music Intensifying," by Alexandra Teague

* "Ecstasy: Poems," by Alex Dimitrov

* "New and Selected Poems," by Marie Howe

Unlock full access to New York Times podcasts and explore everything from politics to pop culture. Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify.

Steven Spielberg’s movie “Jaws” hit theaters 50 years ago this month, in June 1975, and became a phenomenon almost instantly. In some ways that was no surprise: The Peter Benchley novel it was based on, also called “Jaws,” had been a huge best seller the year before, and the public was primed for a fun summer scare. Brian Raftery — the author of “Best. Movie. Year. Ever: How 1999 Blew Up the Big Screen” — wrote about “Jaws” for the Book Review last year in honor of the novel’s 50th anniversary, and this week he visits the podcast to talk about the book, the movie adaptation and the era of blockbuster thrillers.

“If you’ve seen ‘Jaws,’ you could probably guess what the opening chapter of the book is,” he tells Gilbert Cruz (who has indeed seen “Jaws,” dozens of times). “It’s this shark attack, where this shark at night just devours this young female swimmer. The writing is really fun. It’s really gnarly, and it’s one of those amazing opening chapters where the book is moving as fast as the shark. After you read that first chapter, you are just completely pulled in.”

We would love to hear your thoughts about this episode, and about the Book Review’s podcast in general. You can send them to [email protected].

Unlock full access to New York Times podcasts and explore everything from politics to pop culture. Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify.