Video games make you violent. Video games corrupt the youth. Video games rot your brain! You’ve probably heard that narrative before … but Kawika Guillermo offers a fresh take in their new essay collection, Of Floating Isles: On Growing Pains and Video Games. The book is part memoir, part cultural analysis about the roles that video games play in our lives. For Kawika, games aren’t just a mindless escape — they’re thoughtful works of art that help us understand our identities and the world we live in. Kawika joins Mattea to talk about gaming as a catalyst for social change, rethinking shooting games and how video games helped them grapple with grief. 

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What’s more horrifying than slashers, monsters … and Vancouver real estate? This week, Bookends brings you on-stage at the Vancouver Writers Fest. Back in October, Mattea Roach was joined by writers Mona Awad, Silvia Moreno-Garcia and Jen Sookfong Lee for a special panel about how the horror genre reflects our lived experiences. All three authors have written horror stories that go deeper than jump scares or screams in the dark. Their novels tell us the truth about the world through metaphor, myth and monsters … and share why real life is sometimes scarier than fantasy. 

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… and they can’t keep their hands off each other. That’s the premise at the centre of Brandon Taylor’s latest novel, Minor Black Figures. It’s about a painter named Wyeth who’s struggling to find his voice in New York’s politically charged art scene. It only gets messier when Wyeth has the perfect meet-cute at a bar … and starts falling for someone who has already devoted himself to God. Brandon joins Mattea to talk about his Alabama roots, grappling with a crisis in faith and the impossible question of who we make art for.

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What’s more romantic than planning an assassination together? You’d have to ask the radical activist Emma Goldman, who did just that with her revolutionary partner and lover, Sasha Berkman. Emma was a real historical figure and one of the best known anarchists and orators of all time … and the Canadian author Robert Hough fictionalizes her life in his latest novel, Anarchists in Love. The book follows Emma’s early years in New York City, where she meets Sasha, becomes a famed activist … and helps plan the assassination of an industry giant. This week, Robert joins Mattea Roach to talk about Emma’s remarkable life, what we have wrong about anarchists and why 2025 is the new Gilded Age. 

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John Irving’s books are on many readers’ list of favourites. He’s written novels like The World According to Garp and The Cider House Rules, which you also might recognize from their beloved screen adaptations. John is known for writing generation-spanning novels about family, identity and contemporary issues. His latest book, Queen Esther, delivers on that promise. It follows a Vienna-born Jewish orphan named Esther Nacht, whose story is defined by her journey to live an unapologetically Jewish life … and fans of The Cider House Rules will recognize some familiar characters and settings. This week, John tells Mattea Roach about the dangers of idealizing small towns, revisiting old characters and how fatherhood changed his life.

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It’s a bit of an understatement to say that Canisia Lubrin has a way with words. Last year, she took home the Carol Shields Prize for her debut novel, Code Noir. Now she’s back with a long-form poem called The World After Rain. The poem is an epic tribute to her mother and the passing of time, and it poured out of Canisia over the span of 16 hours. This week, Canisia joins Mattea Roach to talk about why she never intended to publish the poem … and why she felt she had no choice. 

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Leila Mottley was only 17 years-old when she wrote her debut novel, Nightcrawling … and she was 20 when she became the youngest author ever to make the Booker Prize longlist. After that incredible start, Leila is now back with her second novel, called The Girls Who Grew Big. It’s about a group of young mothers who navigate growing up and raising children in a town that ostracizes them. This week, Leila joins Mattea to talk about the nuances of teen motherhood, why she’s so focused on “home” and how she handles major success at a young age.

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You might know Chris Hadfield, decorated astronaut and former Commander of the International Space Station. But do you know Chris Hadfield, the pilot, engineer, musician and author? His latest novel, Final Orbit, is a Cold War-era thriller set against the backdrop of the Space Race of the 1970s. The book draws from Chris’s own experiences in the stars … with a dangerous twist. This week, Chris tells Mattea Roach about going from rocket ships to novels, why his thrillers are based in history and what’s next for him. 

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In Aurora Stewart de Peña's debut novel, Julius Julius, ads are inescapable … which isn’t far off from real life. If you ever feel unsettled by the way that marketing influences us, you’ll probably resonate with Julius Julius. It's a satirical look at the advertising industry and a finalist for this year’s Atwood Gibson Writers' Trust Fiction Prize. Aurora herself is a veteran of the advertising world, so her novel is an insider's point of view through an inventive fictional gaze. This week, Aurora joins Mattea to talk about her own career, finding the absurd in advertising and what blonde sausage dogs have to do with it all.

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Not many people can say that a Booker prize nomination feels like deja vu … but Kiran Desai is one of those rare people. Twenty years after her first win, Kiran is back on the Booker shortlist with her long-awaited new novel, The Loneliness of Sonia and Sunny. It’s an expansive book that traces the paths of two young Indians as they criss-cross the world and each others’ lives. It’s a love story, a family saga, and an exploration of the things that bring us together… and the forces that keep us apart. This week, Kiran joins Mattea to talk about crafting a novel for two decades, being the daughter of a writer and the wonder of loneliness. 

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