The New Yorker staff writer Andrew Marantz joins Tyler Foggatt for the latest installment of “How Bad Is It?,” a regular checkup on the health of American democracy. Their guests are the Rutgers historians Mark Bray and Yesenia Barragan, a married couple who recently left the United States after Bray became the target of a right-wing doxing campaign. Bray and Barragan share the events leading up to their decision to leave the country with their family, including the death threats that followed Bray’s addition to a right-wing “professor watch list” and the portrayal of his work in conservative media as promoting political violence. Bray, who is the author of “Antifa: The Anti-Fascist Handbook,” also speaks with Tyler and Andrew about his research into militant antifascism and how those ideas resonate in Donald Trump’s second Presidential term. They discuss the debates his work has sparked over political violence, free speech, and how his arguments about antifascism challenge conventional ideas of liberalism and academic freedom. 

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Since Zadie Smith published her début novel, “White Teeth,” twenty-five years ago, she has been a bold and original voice in literature. But those who aren’t familiar with Smith’s work outside of fiction are missing out. As an essayist, in The New Yorker and other publications, Smith writes with great nuance about culture, technology, gentrification, politics; “There’s really not a topic that wouldn’t benefit from her insight,” David Remnick says. He spoke with Smith about her new collection of essays, “Dead and Alive.” “The one thing about talking about essays,” she notes, ruefully, “is you find yourself saying the same thing, but worse—without the commas.” One of the concerns in the book is the role of our devices, and social media in particular, in shaping our thoughts and our political discourse. “Everybody has a different emphasis on [Donald] Trump and what’s going on. My emphasis has been on, to put it baldly, mind control. I think what’s been interesting about the manipulations of a digital age is that it is absolutely natural and normal for people to be offended at the idea that they are being manipulated. None of us like to feel that way. And I think we wasted about—whatever it’s been since the invention of the Iphone—trying to bat away that idea, calling it a moral panic, blaming each other, [and] talking about it as if it were an individual act of will.” In fact, she notes, “we are all being manipulated. Me, too. . . . Once we can all admit that, on the left and the right, then we can direct our attention to who’s been doing this and to what advantage.” 

New episodes of The New Yorker Radio Hour drop every Tuesday and Friday. Join host David Remnick as he discusses the latest in politics, news, and current events in conversation with political leaders, newsmakers, innovators, New Yorker staff writers, authors, actors, and musicians.

The swiftness and severity with which the Trump Administration has tried to impose its will on higher education came as a shock to many, not least university presidents and faculties from Harvard to U.C.L.A. But for conservatives this arena of cultural conflict has been a long time coming. The staff writer Emma Green has been speaking with influential figures in the current Administration as well as in the larger conservative movement about how they mapped out this battle for Donald Trump’s return to power. “There’s a recognition among the people that I interviewed,” Green tells David Remnick, “that the Administration cannot come in and script to universities: this is what you will teach and this is the degrees that you will offer, and just script it from top to bottom. First of all, that would be not legally possible. And it also, I think in some ways, violates core instincts that conservatives have around academic freedom, because a lot of these people have been on élite campuses and had the experience of being told that their views weren’t acceptable.” Green also speaks with James Kvaal, an education official who served in both the Biden and Obama Administrations, and May Mailman, a conservative education-policy activist who worked in the Trump White House and coördinated its attacks against universities. “When you have federal grants, you do not need to be funding racism and racial hierarchies and violence and harassment,” Mailman told Green. “I think that line is: do what you wanna do, but we don’t want to have to fund it.” 

Emma Green’s “Inside the Trump Administration’s Assault on Higher Education” was published on October 13, 2025. 

The Political Scene draws on the reporting and analysis found in The New Yorker for lively conversations about the big questions in American politics. Join the magazine’s writers and editors as they put into context the latest news—about elections, the economy, the White House, the Supreme Court, and much more. New episodes are available three times a week. 

The Washington Roundtable examines the fragile Israel-Hamas ceasefire and the uncertain road ahead, asking to what degree the Trump family’s business interests in the Middle East are shaping American foreign policy. The panel discusses the financial relationships between Qatar, the U.A.E., and Jared Kushner’s private-equity firm, and analyzes the intertwinement of personal profit and global dealmaking in the President’s approach. “The cliché about Trump is that he’s a transactional President,” the staff writer Evan Osnos says. “He’s basically putting that at the center of the diplomatic discussion.” 

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The Political Scene draws on the reporting and analysis found in The New Yorker for lively conversations about the big questions in American politics. Join the magazine’s writers and editors as they put into context the latest news—about elections, the economy, the White House, the Supreme Court, and much more. New episodes are available three times a week. 

The New Yorker staff writer E. Tammy Kim joins Tyler Foggatt to discuss how the government shutdown is affecting the federal workforce. They talk about how the shutdown began and what it means for hundreds of thousands of civil servants who have been furloughed, laid off, or required to work without pay. They also examine the Administration’s new “reductions in force,” or mass layoffs across key agencies, and how those cuts are being used in the effort to shrink and politicize federal agencies—and how those efforts could weaken not just essential public services but the long-term stability and nonpartisan functioning of the federal government itself. 

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Tune in to The Political Scene wherever you get your podcasts. 

The Political Scene draws on the reporting and analysis found in The New Yorker for lively conversations about the big questions in American politics. Join the magazine’s writers and editors as they put into context the latest news—about elections, the economy, the White House, the Supreme Court, and much more. New episodes are available three times a week. 

Next month, New York City may elect as its next mayor a man who was pretty much unknown to the broader public a year ago. Zohran Mamdan, who is currently thirty-three years old and a member of the State Assembly, is a democratic socialist who won a primary upset against the current mayor, Eric Adams, and the former governor Andrew Cuomo, who was trying to stage a political comeback. Mamdani now leads the race by around twenty percentage points in most polls. His run for mayor is a remarkable story, but it has not been an easy one. His campaign message of affordability—his ads widely tout a rent freeze in the city—resonates with voters, but his call for further taxing the top one per cent of earners has concerned the state’s governor, Kathy Hochul. 

In Congress, Democratic leaders Chuck Schumer and Hakeem Jeffries have yet to even endorse him. “There are many people who will say housing is a human right, and yet it oftentimes seems as if it is relegated simply to the use of it as a slogan,” Mamdani tells David Remnick at his campaign headquarters, in midtown Manhattan. “It often comes back to whether you’re willing to fight for these ideals that you hold.” Donald Trump, for his part, dubs Mamdani a Communist, and has threatened to withhold federal funds from New York if he’s elected, calling such a vote “a rebellion.” An attack by the President “will be an inevitability,” Mamdani says, noting that the city’s legal department is understaffed for what may be an epic battle to come. “This is an Administration that looks at the flourishing of city life wherever it may be across this country as a threat to their entire political agenda. And New York City looms large in their imagination.” 

Zohran Mamdani’s campaign was chronicled by Eric Lach, a staff writer covering New York politics and life for The New Yorker.

The Political Scene draws on the reporting and analysis found in The New Yorker for lively conversations about the big questions in American politics. Join the magazine’s writers and editors as they put into context the latest news—about elections, the economy, the White House, the Supreme Court, and much more. New episodes are available three times a week. 

The Washington Roundtable discusses the President’s use of the military for political ends, and the “almost unlimited” powers he would unlock by invoking the Insurrection Act, with Kori Schake, the director of foreign-and-defense-policy studies at the American Enterprise Institute. Donald Trump’s decisions—sending the National Guard into American cities over the objections of local leaders and firing Judge Advocate General’s Corps lawyers who help determine if an order is legal—send a message to the historically apolitical armed forces. “What he’s trying to do is circumvent the disciplined senior leadership and appeal for personal loyalty to the younger, noncommissioned and enlisted soldiers,” Schake says. “The pressure from this Administration—there’s been nothing like it since at least the constitutional crisis of 1866-68.” Schake is the author of the forthcoming book “The State and the Soldier: A History of Civil-Military Relations in the United States.” 

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The Political Scene draws on the reporting and analysis found in The New Yorker for lively conversations about the big questions in American politics. Join the magazine’s writers and editors as they put into context the latest news—about elections, the economy, the White House, the Supreme Court, and much more. New episodes are available three times a week. 

The New Yorker contributing writer Ruth Marcus joins Tyler Foggatt to discuss Donald Trump’s “revenge tour”—his effort to use the levers of government to settle personal and political scores. They talk about the indictment of the former F.B.I. director James Comey, why legal experts see the case against Comey as alarmingly weak, and how Trump’s campaign of retribution has expanded to include prosecutors, lawmakers, and even the families of his critics. They also consider how Trump’s quest for vengeance is testing the limits of American law, and whether the country can avoid a permanent cycle of political retaliation and lawfare.

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The Political Scene draws on the reporting and analysis found in The New Yorker for lively conversations about the big questions in American politics. Join the magazine’s writers and editors as they put into context the latest news—about elections, the economy, the White House, the Supreme Court, and much more. New episodes are available three times a week. 

Robert P. George is not a passive observer of the proverbial culture wars; he’s been a very active participant. As a Catholic legal scholar and philosopher at Princeton University, he was an influential opponent of Roe v. Wade and same-sex marriage, receiving a Presidential medal from President George W. Bush. George decries the “decadence” of secular culture, and, in 2016, he co-wrote an op-ed declaring Donald Trump “manifestly unfit” to serve as President. Although George disagrees with the Administration’s tactics to change universities’ policies by punishment, he agrees with its contention that campuses have become hotbeds of leftism that stifle debate. He regards this not as a particular evil of the left but as “human nature”: “If conservatives had the kind of monopoly that liberals had,” George tells David Remnick, “I suspect we’d have the same situation, but just in reverse.” His recent book, “Seeking Truth and Speaking Truth: Law and Morality in Our Cultural Moment,” tries to chart a course back toward civil, functioning debate in a polarized society. “I encourage my students to take courses from people who disagree with me, like Cornel West and Peter Singer,” the latter of whom is a controversial philosopher of ethics. “Cornel and I teach together for this same reason. Peter invites his students to take my courses. That’s the way it should be.” 

The Political Scene draws on the reporting and analysis found in The New Yorker for lively conversations about the big questions in American politics. Join the magazine’s writers and editors as they put into context the latest news—about elections, the economy, the White House, the Supreme Court, and much more. New episodes are available three times a week. 

The Washington Roundtable discusses how this week’s government shutdown can be best understood by looking at the background and influence of Russell Vought, the director of the White House Office of Management and Budget. Vought is a Christian nationalist who served in the first Trump Administration. He was a chief architect of the Heritage Foundation’s Project 2025, and has written that the country is in a “post constitutional moment.” Amid the shutdown, Vought has threatened to lay off federal workers en masse and to withhold funds from Democratic-leaning states. The panel considers whether these moves are not just an expansion of Presidential power but a fiscal “partitioning” of America. 

This week’s reading:

“Donald Trump’s Shutdown Power Play,” by Susan B. Glasser
“Can the Democrats Take Free Speech Back from the Right?,” by Jay Caspian Kang
“Why Democrats Shut Down the Government,” by Jon Allsop
“Is Donald Trump’s Sweeping Gaza Peace Plan Really Viable?,” by Robin Wright
“Eric Adams Slips Out the Side Door,” by Eric Lach
“The Politics of Faith After Charlie Kirk,” by Michael Luo
“Grace and Disgrace,” by David Remnick 

Tune in to The Political Scene wherever you get your podcasts. 

The Political Scene draws on the reporting and analysis found in The New Yorker for lively conversations about the big questions in American politics. Join the magazine’s writers and editors as they put into context the latest news—about elections, the economy, the White House, the Supreme Court, and much more. New episodes are available three times a week.