“Mrs. Dalloway said she would buy the flowers herself”: So reads one of the great opening lines in British literature, the first sentence of Virginia Woolf’s classic 1925 novel, “Mrs. Dalloway.”

The book tracks one day in the life of an English woman, Clarissa Dalloway, living in post-World War I London, as she prepares for, and then hosts, a party. That’s pretty much it, as far as the plot goes. But within that single day, whole worlds unfold, as Woolf captures the expansiveness of human experience through Clarissa’s roving thoughts. On this week’s episode, Book Club host MJ Franklin discusses it with his colleagues Joumana Khatib and Laura Thompson.

Other books mentioned in this episode:

“The Passion According to G.H.,” by Clarice Lispector

“A Girl Is a Half-Formed Thing,” by Eimear McBride

“The Lesser Bohemians,” by Eimear McBride

“To the Lighthouse,” by Virginia Woolf

“Orlando,” by Virginia Woolf

“A Room of One’s Own,” by Virginia Woolf

“The Hours,” by Michael Cunningham

“Headshot,” by Rita Bullwinkel

“Tilt,” by Emma Pattee

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On this week's episode, A.O. Scott joins host Gilbert Cruz to talk about the value of close reading poetry. And New York Times Book Review poetry editor Greg Cowles recommends four recently published collections worth reading.

Books mentioned in this episode

* "New and Collected Hell: A Poem," by Shane McCrae

* "Ominous Music Intensifying," by Alexandra Teague

* "Ecstasy: Poems," by Alex Dimitrov

* "New and Selected Poems," by Marie Howe

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Steven Spielberg’s movie “Jaws” hit theaters 50 years ago this month, in June 1975, and became a phenomenon almost instantly. In some ways that was no surprise: The Peter Benchley novel it was based on, also called “Jaws,” had been a huge best seller the year before, and the public was primed for a fun summer scare. Brian Raftery — the author of “Best. Movie. Year. Ever: How 1999 Blew Up the Big Screen” — wrote about “Jaws” for the Book Review last year in honor of the novel’s 50th anniversary, and this week he visits the podcast to talk about the book, the movie adaptation and the era of blockbuster thrillers.

“If you’ve seen ‘Jaws,’ you could probably guess what the opening chapter of the book is,” he tells Gilbert Cruz (who has indeed seen “Jaws,” dozens of times). “It’s this shark attack, where this shark at night just devours this young female swimmer. The writing is really fun. It’s really gnarly, and it’s one of those amazing opening chapters where the book is moving as fast as the shark. After you read that first chapter, you are just completely pulled in.”

We would love to hear your thoughts about this episode, and about the Book Review’s podcast in general. You can send them to [email protected].

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In S.A. Cosby’s latest thriller, “King of Ashes,” a successful and fast-living financial adviser is called suddenly back to the small Virginia hometown he fled, where his family runs the local crematory and his father is in a coma stemming from a car crash that may not be as accidental as it seems.

Cosby himself is from a small Virginia town, and on this week’s podcast he discusses the allure of homecoming, the tricky emotional terrain of complicated families and the reason he keeps revisiting the rural South in his fiction.

“Once manufacturing moved out of these places, these rural places, there was nothing left to replace it. But crime — crime is America’s great secret industry. It’s our great secret empire. And when the legitimate businesses leave, crime steps in the fold. Nature abhors a vacuum, so crime steps in to fill that place. And I wanted to talk about cities like that."

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MJ Franklin, who hosts the Book Review podcast’s monthly book club, says that whenever someone asks him, “What should I read next?,” Yael van der Wouden’s “The Safekeep” has become his go-to recommendation. So he was particularly excited to discuss the novel on this week’s episode.

Set in the Netherlands in 1961, “The Safekeep” is one of those books it’s best not to know too much about, as part of its delight is discovering its secrets unspoiled. As the reviewer for The New York Times coyly wrote in her piece about the book, which was shortlisted for the Booker Prize in 2024: “What a quietly remarkable book. I’m afraid I can’t tell you too much about it.”

Here are some other books discussed in this week’s episode:

“The Torqued Man,” by Peter Mann

“The Little Stranger,” by Sarah Waters

“Mice 1961,” by Stacey Levine

“The New Life,” by Tom Crewe

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Alison Bechdel rose to fame as the creator of a long-running alt-weekly comic strip before jumping to an even wider audience by way of her celebrated graphic memoirs “Fun Home” and “Are You My Mother?” Her new book, “Spent,” is a graphic novel — but it was originally meant to be another memoir, as Bechdel tells Gilbert Cruz on this week’s podcast.

“Over the years that I turned myself from being a comic strip writer into a memoirist, I got very sort of self-righteous about memoir as a genre,” Bechdel says. “I just thought, why would you bother making anything up? Life is incredible. It’s all right there. It’s served up on a platter every day. Write about that. My friends who are fiction writers would say, You’re able to tell a deeper kind of truth with fiction, don’t you think? And I would agree with them, but secretly I would think, no, you can’t. You’ve got to tell the actual truth. But that does get really tiresome. It gets tiring."

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The biographer Ron Chernow has written about the Rockefellers and the Morgans. His book about George Washington won a Pulitzer Prize. His book about Alexander Hamilton was adapted into a hit Broadway musical. Now, in “Mark Twain,” Chernow turns to the life of the author and humorist who became one of the 19th century’s biggest celebrities and, along the way, did much to reshape American literature in his own image.

On this week’s episode of the podcast, Chernow tells the host Gilbert Cruz how he came to write about Twain and what interested him most about his subject.

“The thing that triggered this Mark Twain mania in me was more Mark Twain the platform artist, Mark Twain the political pundit, Mark Twain the original celebrity, even more than Mark Twain the novelist or short story writer,” Chernow says. But at the same time, “I felt that he was very seminal in terms of bringing, to American literature, really bringing the heartland alive — writing about ordinary people in the vernacular and taking this wild throbbing kind of madcap culture, of America’s small towns in rural areas, and really introducing that into fiction.”

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Summer arrives just over a month from now, and along with your last-minute scramble for a house share or a part-time job scooping ice cream, you’re probably also wondering what to read. On this week’s episode, Gilbert Cruz talks with Joumana Khatib about some of the books they're most looking forward to, from a James Baldwin biography to the true-life story of a young couple shipwrecked in the Pacific and a political thriller co-written by James Patterson and Bill Clinton.

Books discussed:

“The Beast in the Clouds: The Roosevelt Brothers’ Deadly Quest to Find the Mythical Giant Panda,” by Nathalia Holt

“Atmosphere: A Love Story,” by Taylor Jenkins Reid

“The Gunfighters: How Texas Made the West Wild,” by Bryan Burrough

“Next to Heaven," by James Frey

“A Marriage at Sea: A True Story of Love, Obsession, and Shipwreck,” by Sophie Elmhirst

“The Sisters,” by Jonas Hassen Khemiri

“The First Gentleman,” by Bill Clinton and James Patterson

“King of Ashes,” by S.A. Cosby

“Bonding," by Mariel Franklin

“Bury Our Bones in the Midnight Soil,” by V.E. Schwab

“Katabasis,” by R.F. Kuang

“Baldwin: A Love Story,” by Nicholas Boggs

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At 82, Isabel Allende is one of the world’s most beloved and best-selling Spanish-language authors. Her work has been translated into more than 40 languages, and 80 million copies of her books have been sold around the world. That’s a lot of books.

Allende’s newest novel, “My Name Is Emilia del Valle” is about a dark period in Chilean history: the 1891 Chilean civil war. Like so much of Allende’s work, it’s a story about women in tough spots who figure out a way through. Thematically, it’s not that far off from Allende’s own story. She was raised in Chile, but in 1973, when she was 31, raising two small children and working as a journalist, her life was upended forever. That year a military coup pushed out the democratically elected president, Salvador Allende, who was her father’s cousin. She fled to Venezuela, where she wrote “The House of the Spirits,” which evolved from a letter she had begun writing to her dying grandfather. That book became a runaway best seller and it remains one of her best-known.

Allende and Book Review editor Gilbert Cruz spoke about her life and career.

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Set in New York in the 1980s, Adam Ross’s new novel, “Playworld,” tells the story of a young actor named Griffin as he navigates the chaos of the city, of his family and of being a teenager, and the dangers that swirl around each. 

Although “Playworld” grapples with bleak material, it sparkles with Ross’s vivid eye and sardonic sense of humor. The result is a dark, off-kilter bildungsroman about one overextended teenager trying to figure himself out while being failed, continually, by every adult around him.

On this week’s episode, the Book Club host MJ Franklin discusses “Playworld” with his colleagues Dave Kim and Sadie Stein. 

Here are the books discussed in this week’s episode:

“Playworld,” by Adam Ross

“Mr. Peanut,” by Adam Ross

“The Catcher in the Rye,” “Nine Stories,” “Raise High the Roof Beam, Carpenters and Seymour: An Introduction,” and “Franny and Zooey,” by J.D. Salinger

“Long Island Compromise,” by Taffy Brodesser-Akner

“How Little Lori Visited Times Square,” by Amos Vogel, illustrated by Maurice Sendak

“The Squid and the Whale,” directed by Noah Baumbach

“The Goldfinch,” by Donna Tartt

“Headshot,” by Rita Bullwinkel

“The Copenhagen Trilogy,” by Tove Ditlevsen

“Jakob von Gunten,” by Robert Walser

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