Wild Card with Rachel Martin

Esther Perel’s warning is clear: “We are more and more sleepwalking into isolation.” Her work as a psychotherapist is, in part, an attempt to build connections in a disconnected world. This fall, she's going on tour, gathering strangers, friends, and lovers for an evening of connection and togetherness. She tells Rachel about what she learned while busking in Amsterdam in her youth, and her intimate relationship with dread.

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London today is very different from the one Zadie Smith grew up in and the one she wrote about in her debut novel “White Teeth.” That is just one of the things Smith is grappling with 26 years after her best-selling book's debut. She talks to Rachel about the difficulty of revisiting the first few pages of "White Teeth," the wisdom only teenagers possess, and fighting despair with crème brûlée.

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Jesse Eisenberg plays characters who spend a lot of time in their heads grappling with anxiety, fear and insecurity. You can see it in “The Squid and the Whale,” “Zombieland” and “A Real Pain,” which he wrote directed, and starred in. He chats with Rachel about how anxiety plays into his own life, as well as his unique use of ChatGPT, his pro basketball aspirations and the virtues of true boredom.

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“I think joy and melancholy have a lot to say to each other,” Pádraig Ó Tuama tells Rachel. In his poetry, he allows that conversation between joy and melancholy to play out as he explores love, grief, and faith. Pádraig's latest poetry collection is called “Love Between Men.” He tells Rachel about why the Irish language is of the earth, and the fear and relief that comes with admitting the truth.

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Trixie Mattel is so many things: a musician, entrepreneur, TV host, and one of the most beloved drag queens out there. But it all began with a deep love of music; her latest EP, "Till Death Do Us Part" is out this fall. Trixie tells Rachel about learning to read people by working at an ice cream shop, life's impermanence, and why the promise of the afterlife steps on the joy of being alive now.

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Willem Dafoe sees acting as a form of service – both to the audience and to his coworkers making a movie. That selfless approach means he’s also on guard for anything that can inflate his ego, including, he tells Rachel, sounding too pompous in interviews. “Don’t let me talk too much!” he jokes with her. They discuss his highly productive year, including his film “Late Fame,” and why he loves putting the animals on his farm to bed every night.

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John Dickerson made a name for himself as an anchor at CBS News. Last year, he left the world of broadcast news to pursue stories that put his values of generosity, curiosity and integrity at the core of his work. He talks to Rachel about remembering his own mortality and forging his own independent path in the world of journalism.

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“How am I complicit in not getting what I say that I want?” This is the question Gillian Anderson wants you to ask yourself. She has read many accounts from women detailing their sexual desires and disappointments, and she is sharing their stories with the world, a second time. Her newest book is called “More: Sexual Fantasies by Anonymous.”


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“Being a human is so complicated for so many reasons,” Sara Bareilles tells Rachel. That’s why she’s trying to show more grace for both herself and others these days. In Sara’s new album and documentary, both titled “Good Grief,” she’s processing the loss of dear friends, and her struggles with fertility. She also tells Rachel about becoming an unapologetic crier, and outgrowing low rise jeans.

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“We’re all gentler and we’re more sensitive,” Brittany Howard tells Rachel about reuniting with her band, Alabama Shakes. The band is back with their first studio album in over a decade, “I Must Be Dreaming.” Brittany talks with Rachel about why now was the right time to reunite, and how growing up poor influences her music to this day. She also talks about finding peace in hard work and why she loves the sound of a box fan.

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