For the second episode of Hollywood Stories’ sophomore season, Richard Rushfield talks to the brilliant and bawdy Bruce Vilanch, known as the longtime joke purveyor extraordinaire for the Oscars (plus the Emmys, Tonys and more). But before he became the go-to for Hollywood galas, Vilanch got his start in writing for the big variety shows and specials that peppered the network schedules of the 1960s and ’70s and represent the height of television’s most flamboyant and unhinged period. Expanding on some of the wildest misadventures chronicled in  his new book, “It Seemed Like a Bad Idea at the Time,” Vilanch takes Richard through three of those song-and-dance spectaculars — the “Star Wars Holiday Special” that George Lucas famously disowned, the “Paul Lynde Halloween Special” and the short-lived series “The Brady Bunch Hour.” From writing material for graceless Wookiees to putting Robert Reed's Mike Brady in Carmen Miranda drag, Vilanch revels in how right it felt when everything went fantastically wrong. “It was ridiculous, but I had fun,” he recalls. “A lot of these things were conceived in clouds of smoke.”

Learn more about your ad choices. Visit megaphone.fm/adchoices

Netflix just picked up Sesame Street, but this isn’t just about Elmo. It’s a calculated move in the high-stakes fight for kids’ attention — and future subscribers. Elaine Low, Natalie Jarvey and Sean McNulty dig into why streamers like Netflix and Disney+ are doubling down on branded kids content while others quietly exit, and why Paramount+ has untapped potential. From Miss Rachel to Bluey to Gabby’s Dollhouse, Paw Patrol to PBS, this episode unpacks how the battle for the youngest viewers is reshaping strategy — and why it matters more than you think.

Also: final thoughts on Final Destination, and a few bold and likely-to-be-regretted weekend movie plans, including Lilo and Stitch side-eye.

Learn more about your ad choices. Visit megaphone.fm/adchoices

Hollywood Stories is back! The Ankler pod series returns, this time focusing on untold tales from the world of TV as shared by the people who work in its trenches. In this debut episode of season two, Richard Rushfield hosts a revealing, in-depth interview with four creative minds behind Netflix’s hilarious, animated (but decidedly not-for-little-kids) hit, ‘Big Mouth,’ whose eighth and final season drops on May 23. Comedians and co-creators Nick Kroll and Andrew Goldberg swing by to discuss their silly, simpatico partnership that dates back to first grade, their own anxieties from puberty, and how they used their celebrity pull to get Hugh Jackman, Jordan Peele, Paul Giamatti and others to sign on for appearances. Richard also sits down with veteran writers and fellow co-creators Jennifer Flackett and Mark Levin, who explain why you can never go too far in pushing the risqué envelope and why ‘Big Mouth’ could never in a million years have happened at a network. Says Flackett, "It would have been a different show."

Learn more about your ad choices. Visit megaphone.fm/adchoices

Ad fab? Not quite. Still, even as the Upfronts lose glitz, stakes remain sky high. Ad buying happens year-round now, sure — but with Netflix, Amazon, and YouTube crashing the party and sports commanding ever-higher premiums, TV’s annual dog-and-pony is still a spectacle, drawing Elaine Low, Sean McNulty and Natalie Jarvey to the scene in New York. In this episode: their first-ever “Uppie Awards”; best (and worst) celebrity cameos (hello Lady Gaga and Snoop Dogg); who liked Netflix’s big pitch; HBO Max name-change whiplash; and whose afterparty delivered.

Learn more about your ad choices. Visit megaphone.fm/adchoices

Really believe Trump wants to bring production back stateside? Or that California Gov. Gavin Newsom can work with him to do it? Think again, says Richard Rushfield, who joins Elaine Low, Sean McNulty and Natalie Jarvey to break down the fantasy of a tariff or federal incentive, the impact already from the trade war, Newsom’s failings that precipitated all of this — and why Richard thinks any action to bring production back is 25 years too late.

Learn more about your ad choices. Visit megaphone.fm/adchoices

Overalls, first-look pacts and original films are making a comeback — on paper, at least. Deal volume is up, but value is down. And that original film revival? It’s starting to come from outside the studios. Ashley Cullins joins Elaine Low, Sean McNulty and Natalie Jarvey to unpack her two-part series on current deal trends, from Sinners’ mid-budget model to the studio execs evangelizing for self-releasing on YouTube.

Learn more about your ad choices. Visit megaphone.fm/adchoices

Natalie Jarvey, author of Ankler Media's creator economy newsletter, Like & Subscribe, sits down with Webtoon Entertainment COO David J. Lee and Wattpad Webtoon Studios' global head of entertainment, David Madden at NAB Show in Vegas. In this bonus episode they explore how Webtoon plans to expand the market for digital comics in the U.S. through Hollywood adaptations. Netflix's "Heartstopper" and "All of Us Are Dead" originated from Webtoon, and the company's studio is now making its own projects including Tubi's hit film "Sidelined: The QB and Me" and its upcoming sequel. Hear how Webtoon is capitalizing on global fandoms to amplify creators who can make up to $1 million a year on its platform.

Learn more about your ad choices. Visit megaphone.fm/adchoices

The rare creative exec job posting inspires a mad scrum, and TV writers are scrambling to get staffed. So Hollywood, why not consider the creator economy next door? Elaine Low, Sean McNulty and Natalie Jarvey discuss both how to stand out in traditional Hollywood, and how to stand out if sliding over to one of the many proliferating creator studio businesses, and the opportunities in and out of L.A. Plus: The deeply warped Sinners discourse and Comcast’s “who dis?” earnings call when it came to Hollywood.

Learn more about your ad choices. Visit megaphone.fm/adchoices

Hollywood writer and producer David Goyer — known for “Blade,” “Foundation” and his writing on Christopher Nolan’s “The Dark Knight” Trilogy — explores new formats of storytelling that are bridging the gap between AI and traditional entertainment through his latest franchise project "Emergence" and the AI-powered platform Incention, powered by the Story blockchain. Live from NAB Show in Las Vegas, in conversation with Reel AI columnist and producer Erik Barmack (plus a lively audience Q&A), Goyer unpacks how technological and narrative innovation can activate fandoms and transform traditional IP structures to reach new audiences everywhere. The self-described "tech-adjacent" creative describes his experiment with AI in part as a mission to "build some guardrails and some use cases that aid the creator."

Learn more about your ad choices. Visit megaphone.fm/adchoices

The Ankler gets real about what’s happening in nonscripted TV, a diverse and thriving industry that includes documentaries, talent/competition/game shows and of course, reality TV. Boardwalk Pictures founder Andrew Fried, Pantheon CEO and Velvet Hammer co-founder Jen O’Connell, Propagate founder Howard Owens and Wheelhouse president of entertainment Courtney White join Series Business writer Elaine Low to dissect the challenges and bright spots of the market on stage at NAB Show in Vegas. These top players — responsible for shepherding projects as varied as FX's "Welcome to Wrexham," Netflix's "Untold," A&E's upcoming "Duck Dynasty" reboot and the digital-first "Victoria's Secret Fashion Show" — reveal their strategies for finding new audiences as cable's reach dwindles, their secrets to great storytelling, and their tactics (including AI) to compete in a disrupted landscape.

Learn more about your ad choices. Visit megaphone.fm/adchoices