Sept. 27 marked the first anniversary of the end of the writers strike and while pay bumps and streaming bonuses (for two blockbuster shows) are great, the business remains in a world of hurt. Elaine Low, Richard Rushfield and David Lidsky explore the seismic production pullback, newly instated minimums as maximums — and why Richard wants negotiators from both sides in a penalty box for three years. Plus: John Malone’s master plan for WBD, and the gang tries to make a movie using AI.

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How do you follow the all-mighty Bob Iger? In the case of Bob Chapek, you don’t. The current public bake-off for whoever’s next already has been unsettling, as Richard Rushfield dispels the superhero CEO myth and evaluates how the perception of such actually harms his eventual successor and Disney itself. Plus: Sean McNulty, Elaine Low and Richard analyze the upcoming box office slate and hit the lido deck for a bit of fall TV nostalgia.

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David Zaslav, on a break from sitting courtside at elite sporting events, has a new idea to help save WBD: Give HBO away for free to Charter cable subscribers. Sean McNulty, Elaine Low and Richard Rushfield analyze why and what it means amid growing warnings of “chaos” and industry consolidation from leaders including Sony CEO Tony Vinciquerra and Ari Emanuel. Plus: Katey Rich previews the Emmys and early Oscar buzz, and Matthew Frank tips everyone to Hollywood’s new Wild West: legal gambling on movies.

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As everywhere from Alabama to Bulgaria battle to attract productions with tax incentives, studios are saying bye, y’all to Hollywood. With shoots being exported all over the globe, what happens to those who came to Los Angeles to have an entertainment career? Ankler contributor Ashley Cullins joins to break down the production location war — and L.A.’s plan to fight back. Plus, Sean McNulty and Elaine Low explain the Disney-DirecTV carriage dispute, and Richard Rushfield reports from the scene as TIFF begins.

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Apple is the most valuable company in the world. There are more than 2.2 billion Apple devices in use worldwide. Remind us why it’s in the (often) money-losing entertainment business again? Sean McNulty, Elaine Low and Richard Rushfield explore why Apple is retreating from its blockbuster theatrical ambitions — sorry, George and Brad — why it had them in the first place and what happens next. Also: Prestige Junkie’s own Katey Rich joins to discuss the start of fall film festival season and aces some Oscars trivia.

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Hollywood’s forays into politics are often elitist, counter-productive, and sometimes just plain cringey. But at the DNC, it wasn’t just Kamala Harris and Tim Walz who seemed to nail it, but the entertainment industry as well. Ankler contributor Alison Brower joins Sean McNulty and Janice Min from Chicago, where she explains the vibe shift in Hollywood’s approach, the Hollywood producers who put on the show, and the celebrity moments that worked and why. Also: Elaine Low, David Lidsky and Sean dissect the Bronfman vs. Ellison title fight for control of Paramount and how Iger will finally pass the baton at Disney.

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People like free. And in an age where CEOs are raising streaming prices faster than you can say gallon of milk, FAST services like Tubi and Pluto TV have doubled in size in the past couple years — ads and all. Sean McNulty, Elaine Low and David Lidsky break down the success of the new FAST players and what they could mean for the next chapter of the Streaming Wars. Plus: Paramount shutters a TV studio as layoffs begin; Sony’s steady “arms dealer” strategy; and a box office trivia throwback.

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First, Disney films may have buoyed its Q2 earnings — thanks Inside Out 2! — but theme park struggles led Anxiety to overwhelm Joy. Then Warner Bros. Discovery delivered its disastrous report, with a 5 percent drop in revenue, a $9.1 billion write-off on its cable assets and yeah, Furiosa. Elaine Low, Sean McNulty and Richard Rushfield break it down and the need for a plan in a moment where entertainment’s diminishing cable workforce is in a full-fledged freakout.

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Yet another round of layoffs hit Hollywood this week, this time at Disney, as the company preps to let go of 140 people at National Geographic, Freeform and other struggling areas of the largely linear business. Sean McNulty, Richard Rushfield and Elaine Low evaluate how much studios can keep cutting — save for the Olympics, of course — before they hit bottom. Plus: Shawn Levy and Deadpool & Wolverine bring comedy back to multiplexes; IATSE’s ominous warning to its members; and a reflection on the strikes, a year later.

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Entertainment execs are paid to find tomorrow’s stars today — and that applies to politics too. Matthew Frank joins Sean McNulty, Elaine Low and Richard Rushfield to name names of who identified Kamala Harris’ talent early — from Disney’s Dana Walden to legend Sherry Lansing — and what her win could mean for Hollywood. Plus: David Lidsky breaks down the implications of the new NBA rights deal on scripted TV and the business prospects of Peacock and Warner Bros. Discovery, and we preview Deadpool & Wolverine.

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