Richard Rushfield, Katey Rich and Christopher Rosen taped a special Prestige Junkie episode to discuss what Richard rightly hailed as Rob Reiner's “towering career of a towering presence” in the industry. From his early days as a sitcom star on All in the Family to his remarkable 12-year run of feature films, starting with 1984’s This Is Spinal Tap and ending with 1996’s The American President — with 1986’s Stand By Me, 1987’s The Princess Bride and 1989’s When Harry Met Sally among those in between — Reiner influenced a generation.

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The Golden Globes and Critics Choice-nominated star of Monster: The Ed Gein story reveals that he's still just "a frustrated writer and director" at heart, and shares how his lifelong love of storytelling brought him to the ambitious limited series about the serial killer, plus a whole lot of other projects that seemed like they'd be impossible to make.

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Katey and Chris Rosen break down the Golden Globes nominations, from that surprising Wicked snub to the absolute Neon domination. Then, Katey talks to Jeremy Allen White about what a lifetime onscreen has taught him about capturing a character, and why he needed a week of deliberation before he could say yes to Springsteen: Deliver Me From Nowhere.

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The Cannes best actor winner is thrilled that his first role in Portuguese in 12 years has gotten him the most acclaim of his career— and that The Secret Agent has shone a light on a part of Brazil that’s especially close to his heart.

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Christopher Rosen joins Katey to share the scoop from inside the Gotham Awards, from the stars getting the biggest applause to some seriously surprising wins. Katey, meanwhile, dishes on what she can share about the latest Avatar movie, including a look at how it can fit into the Oscar race. After that, hear Katey's conversation with Claire Danes, who is the star as well as the producer of the new Netflix limited series The Beast in Me.

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The star of The Smashing Machine has long built his movie career on a philosophy of "audience first," which has led him to immense levels of Hollywood success, but also a nagging feeling somewhere deep in his chest that he could do more. Now that he's pulled off his transformation into MMA fighter Mark Kerr, and his behind-the-scenes collaboration with Benny Safdie, he joins me this week to talk about what else might be next.

This is the first of several special Saturday bonus episodes we'll be running through mid-January — enjoy the extra conversations!

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Gregory Elwood of The Playlist joins Katey to look at the week’s big releases Wicked: For Good and Zootopia 2, plus the flurry of last minute awards campaigning ahead of the Thanksgiving holiday. Then Katey talks to Hamnet director Chloe Zhao about how she reimagined Shakespeare’s life, and the last-minute rewrite that led to the film’s stunning final scene.

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Rebecca Ford joins Katey to talk about all the highlights of the Academy's Governor's Awards, where virtually every  Ocsar hopeful was in attendance and Tom Cruise, now an honorary Oscar winner, was the king of the reaction shots. Then you'll hear the conversation Katey had live in Hollywood last week with Jenny Han, the co-showrunner of The Summer I Turned Pretty, which wrapped its three seasons with a bang this summer — though as you'll hear Jenny explain, the story is far from over.

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Joe Reid returns to tell Katey why he's devoted so many of his Prestige Junkie Pundits predictions to underdogs, and who we're both rooting for this season.

Then listen to the conversation that Katey and Christopher Rosen had live onstage at the Denver Film Festival last week, talking to director Gus Van Sant about his bracing and darkly funny new film Dead Man's Wire.

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Indiewire's Marcus Jones joins Katey to talk about the stress and satisfaction of publishing Oscar predictions online, and why we usually want to be wrong. Then Katey talks to Sydney Sweeney about everything she put into her new film Christy, from training to play the boxer Christy Martin to what she considers her main job as a producer and the first person on the call sheet: making sure everyone on set is taken care of.

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