The Ankler himself Richard Rushfield joins Katey to look back at the series of disasters that have been facing Hollywood for the past decade, and the hope that still remains for escaping it. Then Katey talks to Andor showrunner Tony Gilroy and executive producer and star Diego Luna about the show's ambitious, moving final episodes, and why Andor may be the first show ever to say it's being made like a long movie and actually pull that off.

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Tyler Coates returns to break down the state of the Emmy race, including the wide-open battle for drama series and the new shows with major upset potential. Then Luke Kirby talks about his new collaboration with Amy Sherman-Palladino and Dan Palladino, entering the tough but beautiful world of ballet with the new Prime Video series Etoile.

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First Dave Gonzales joins Katey to look at how Thunderbolts fits into the Marvel Cinematic Universe's current existential crisis, and whether Fantastic Four later this summer can keep the good vibes going. Then Matlock creator Jennie Snyder Urman and star Kathy Bates talk about how they crafted a legal procedural for the modern era, and why it was good enough to bring Kathy back from the brink of retirement.

Tom Oyer, an Oscar die-hard and former senior vice president at the Academy, joins Katey to break down the new rules for this year’s Oscars, and explains why the Oscars need so many rules in the first place. Then Katey talks to Hannah Einbinder and Paul W Downs about the latest season of Emmy champion Hacks, and their secrets for the best backlot golf cart rides.

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Katey talks to Ankler colleague Lesley Goldberg about a TV trend that's more promising than it might seem, thanks to spring hits like The Pitt. Then Katey talks to Uzo Aduba about leading Netflix's new White House murder mystery series The Residence, and what it takes to play true genius on TV.

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First, Katey talks to fellow long-time podcaster Karina Longworth about the latest season of her show You Must Remember This, which looks back at how iconic directors like John Huston and William Wyler adapted to the changes in Hollywood in the 1960s — and what we can learn from their struggles. Then, The Wedding Banquet director Andrew Ahn and his co-writer James Schamus talk about their unusual collaboration, working together to remake a film Schamus co-wrote in 1993 with Ang Lee, and update it for a modern audience while maintaining the original's scrappy indie film spirit.

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Live on stage at NAB Show in Las Vegas, Katey talks to the prolific filmmakers about their long friendship, hard-won lessons, and what's next for Hollywood, technology and storytelling.

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First, Natalie Jarvey, the author of the Ankler's Like and Subscribe newsletter, joins Katey to talk about how Hollywood is trying once again to partner with some of the Internet's most popular creators — and why those creators still want Emmy recognition, too. Then Katey talks to Jason Isaacs, fresh off watching the finale of The White Lotus alongside his cast mates, about the wild ride of being on the most talked-about show in television, and some hard-won lessons from a career onscreen.

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Mississippi’s own Landon Bryant— better known on the Internet as Landon Talks— joins Katey to talk about his hometown hero Parker Posey and her divisive, instantly iconic performance on the current season of The White Lotus. They also talk about the actors who have nailed their Southern accents over the years, and Hollywood might be able to work with creators like Landon to truly get it right going forward.

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With splashy TV premieres everywhere you look and many more to come, it really is officially Emmy season, but maybe a little too early to get into the weeds of who will win. So instead we're kicking things off with a look at the world of prestige TV, Ankler-style, with two of our Series Business authors, Elaine Low and Manori Ravindran, joining me to talk about the world of TV overall. How do this year's contenders reflect all the anxiety and contraction we're seeing in the industry? How are so many UK imports making such a splash? And which shows are giving us hope that TV might just be OK after all?

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