Kim Masters talks to screenwriter David Koepp about Disclosure Day, his latest collaboration with director Steven Spielberg. After Spielberg sent Koepp a 40 page treatment for the movie, which Koepp gave notes on, Spielberg emailed him back that “it’s your problem now.” Koepp also reveals the downside of his early success, which included writing the Jurassic Park screenplay when he was just 29. He also explains why he’s not that scared AI will replace him, and offers his very dark pitch for one final Tom Cruise-led Mission Impossible movie (Koepp wrote the original 1996 release). 

Plus, Masters and Matt Belloni discuss Fox Corp’s acquisition of the streaming company Roku. Roku is used by over a 100 million people, giving Fox access to countless homes, and a lot of consumer data.

This week, Kim Masters talks to Alvaro Bedoya, a former FTC Commissioner, about why he objects to the Paramount-Warner Brothers merger. Bedoya says it will mean fewer jobs, higher subscription fees for consumers, and more censorship when the Ellison family - who own Paramount Skydance - control both CBS News and CNN. Bedoya also addresses a surprising accusation from Paramount’s Chief Counsel against some who oppose the merger. 

[Editor’s note: this episode first aired before the Department of Justice announced on Friday afternoon that they would not challenge the Paramount-Warner merger.]

Plus, Masters and Matt Belloni discuss the box office prospects for Steven Spielberg’s new movie Disclosure Day. Can the director, who popularized the summer blockbuster, still bring people out to the theaters?

This week, Eric Deggans talks to Eric Kripke, creator of the Amazon Prime series The Boys, about criticism of the show’s final season. Elon Musk went online to trash the finale of the politically provocative superhero satire, and some of the show’s less wealthy fans also didn’t care for it either. Kripke also talks about how The Boys managed to be pretty prescient about the current state of the country, and whether the franchise–with its multiple spinoffs–is actually becoming like the superhero genre it mocks. 

Plus, Kim Masters and Matt Belloni discuss the firing of CBS’ 60 Minutes correspondent Scott Pelley. The duo also discuss the success of the movie Backrooms, and how it made its leap from YouTube to the big screen.

This week, Kim Masters talks to Jack Thorne, who won all the prizes for writing the Netflix series Adolescence, about his new series, an adaptation of the novel Lord of the Flies. They also discuss how Adolescence revealed Netflix’s stunning global reach, and why series star Stephen Graham has a co-writing credit, even though Graham doesn’t actually write. Thorne also tells Kim about being diagnosed as autistic in his mid-40s.

Plus, Kim and Matt Belloni discuss the major shakeup at CBS’ 60 Minutes. Bari Weiss, the controversial head of the network’s news division, fired two correspondents and other staff, and hired someone with no broadcast news experience to run the vaunted show.

This week, Eric Deggans talks to Courtney Kemp, co-creator of the Netflix crime drama Nemesis, about the changing TV landscape, and whether she sees Hollywood standing by diversity initiatives despite the pushback from the Trump administration. She also explains how some executives who give her notes don’t necessarily grasp what matters to her audience. After signing an overall deal with Netflix in 2021, Kemp developed Nemesis, a Los Angeles-set crime story built around ambition, class, and power. 

[Editor’s note: this segment was taped before it was announced that Kemp had signed an overall deal with Apple TV, and did not renew her deal with Netflix.]

Plus, host Kim Masters and Matt Belloni discuss the end of The Late Show with Stephen Colbert, the penultimate episode of which included a jab by Bruce Springsteen directed at Larry and David Ellison. The duo also assess the latest Star Wars release - The Mandalorian and Grogu. Disney has a lot riding on whether the franchise can successfuly turn a popular TV series into a box office hit.

[Editor’s note: this segment was taped before the final episode of The Late Show with Stephen Colbert aired.]

Kim Masters wraps up her two-part conversation with legendary actor William Shatner and famed astrophysicist Neil deGrasse Tyson. Shatner reflects on his deeply emotional journey to space at age 90 and Tyson shares why he isn’t picky about the show biz gigs he takes. The pair also reflect on technological disruption, including how the rise of AI inspired Shatner to record a heavy metal album about the Industrial Revolution. Their two-night live event, The Universe is Absurd, will be at The Saban Theatre May 19-20. 

Plus, Masters and Matt Belloni break down the strength of the new AI protections outlined in the recently finalized four-year agreement between SAG-AFTRA and the studios. They also discuss Disney’s awkward upfronts pitch, and Netflix’s continued expansion into live sports and events.

This week, Kim Masters speaks with legendary actor William Shatner and famed astrophysicist Neil deGrasse Tyson about their upcoming two-night live event, The Universe is Absurd. In the first installment of a sprawling two-part conversation, the pair reflect on how syndication helped solidify Star Trek as a cultural phenomenon, why studio executives don’t know what they’re doing, and they wrestle over the universe’s biggest questions.

Plus, Masters and Matt Belloni break down the seismic shift at Netflix following the company’s decision to give Greta Gerwig’s Narnia film a 49-day theatrical window ahead of its streaming debut. They also discuss the ups and downs from Disney’s latest quarterly earnings report and the newly finalized four-year agreement between SAG-AFTRA and the studios.

This week, Kim Masters speaks with director Kirk Jones and actor Robert Aramayo about I Swear, the BAFTA winning film about Tourette’s advocate John Davidson. Jones talks about using his own life savings to self-finance the project after potential backers pushed him to tone down the film’s language, and how that decision allowed him to cast Aramayo in the lead without studio oversight. Aramayo discusses the physical and emotional demands of portraying Davidson, a role that required extensive preparation and ultimately earned him a BAFTA. They also reflect on the widely publicized moment at the BAFTA ceremony that brought renewed attention to Tourette’s syndrome.

Plus, in the aftermath of the White House Correspondents’ Dinner, Kim Masters and Matt Belloni unpack the FCC scrutiny facing The Walt Disney Company over a recent late-night jab from Jimmy Kimmel. The duo also explore the unexpected box office strength of a controversial Michael Jackson biopic and the delicate balancing act at Lionsgate as it weighs a potential sequel amid ongoing public backlash.

This week, Kim Masters speaks with Ben McKenzie about his documentary Everyone Is Lying to You for Money, which examines fraud in the cryptocurrency world. The actor discusses leaning into his popularity as Ryan on The OC as a narrative device in the film—one that helped get him in the room for a cringe-inducing interview with now-convicted crypto figure Sam Bankman-Fried. McKenzie also explains how he bet against crypto to help finance the project and shares some thoughts on the celebrities who profited from crypto endorsements.

Plus, as the White House Correspondents’ Dinner approaches—with Donald Trump expected to attend and a mentalist booked instead of a comedian—Masters and Matt Belloni examine concerns about the event’s legitimacy, media boycotts, and the broader political entanglements facing outlets like CBS News under David Ellison’s leadership.

This week, Kim Masters speaks with Riz Ahmed about his modern retelling of Hamlet. The actor and producer discusses the decade-long journey of adapting the Shakespeare classic and how the project evolved from a planned Netflix streaming release to securing theatrical distribution with Focus Features. He also jokes about family members misinterpreting the significance of his Oscar-nominated performance in Sound of Metal and traces the origins of the “Riz Test,” a Bechdel-adjacent measure of Muslim representation in storytelling.

Plus, as theater owners and studio executives share their views on the Paramount–Warner Bros. deal at CinemaCon, thousands of industry professionals—including Ben Stiller, Kristen Stewart, and J.J. Abrams—have signed a petition to block the merger. Kim Masters and Matt Belloni examine Hollywood’s opposition and consider whether the growing outcry will have any real influence as the company seeks approval from regulators and shareholders.