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By No Film School
4.5
412412 ratings
The podcast currently has 911 episodes available.
In this episode, host GG Hawkins hosts a roundtable discussion with microbudget filmmakers at the Austin Film Festival. They share their journeys of creating feature films under tight budgets and high personal stakes. Each filmmaker provides insight into the emotional, physical, and financial tolls of producing indie films while managing personal challenges. Despite the struggles, their stories are underscored by the resilience and camaraderie that helped them see their projects through.
The discussion touches on how these filmmakers greenlit their own projects, self-funded, and navigated logistical and emotional hurdles. From crafting stories inspired by personal traumas to relying on a supportive community to rally resources, the episode reveals what it truly takes to complete a microbudget film. The filmmakers open up about facing setbacks, from COVID shutdowns to creative crises, while pushing forward in pursuit of their vision.
In this episode, No Film School’s GG Hawkins speaks with indie filmmakers to discuss:
Memorable Quotes:
Resources:
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Celebrating Halloween, this special episode dives into the indie horror-comedy Booger, an unconventional story that combines grief, body horror, and dark humor. Director Mary Dauterman, editor Kyle Moriarty, and lead actor Grace Glowicki share the creative and logistical challenges they faced bringing this unique film to life. From crafting a cat-human transformation story inspired by loss to the collaborative spirit on set, they reveal how to keep indie film projects grounded in vision, even on a tight budget.
Mary Dauterman is a director and writer making her feature debut with Booger, a horror-comedy that blends humor and body horror to explore themes of grief. With a background in illustration and advertising, Mary brings a unique visual style to her work, making her voice distinct in the indie film scene.
Kyle Moriarty is an editor known for his collaborative approach to indie projects, often working closely with directors to capture unique tones and pacing. His work on Booger helped shape the film’s unsettling, humorous edge, bringing out the full impact of its horror-comedy fusion.
Grace Glowicki is an actor and filmmaker acclaimed for her physical, transformative performances. In Booger, she brings the role to life through meticulous body language, channeling both horror and humor in the character’s journey of transformation.
In today’s episode, No Film School’s GG Hawkins speaks with Mary Dauterman, Kyle Moriarty, and Grace Glowicki to discuss:
Memorable Quotes:
Resources:
Booger on IMDb
Follow Mary Dauterman on Instagram
Mary Dauterman on IMDb
Mary Dauterman’s website
Kyle Moriarty on IMDb
Kyle Moriarty’s website
Grace Glowicki on IMDb
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What does it take to go from indie filmmaking on a shoestring budget to working with legends like Sam Raimi? Andrew Kightlinger’s journey from Madagascar to Hollywood shows how personal experiences shape a filmmaker’s voice. Filmmakers Adam Schindler and Brian Netto share how they moved from microbudget horror films to collaborating with one of the industry’s icons. This episode explores the highs and lows of filmmaking, from preparation and improvisation to building trust on set.
Andrew Kightlinger grew up surrounded by the vibrant landscapes of Madagascar, which ignited his passion for filmmaking. Now directing in Hollywood, his films, like Lost on a Mountain in Maine, showcase his ability to merge personal experiences with visually captivating storytelling. Lost on a Mountain in Maine releases on November 1.
Adam Schindler and Brian Netto began their filmmaking journey with microbudget horror, mastering the craft of tension and suspense. Their latest film, Don’t Move, produced by Sam Raimi, is set to release on October 25, 2024 on Netflix, proving that powerful stories don’t require massive budgets
In today’s episode, No Film School’s Jason Hellerman and GG Hawkins speak with Andrew Kightlinger, Adam Schindler, and Brian Netto to discuss:
Memorable Quotes:
Resources:
Follow Andrew Kightlinger on Instagram
Andrew on IMDb
Lost on a Mountain in Maine on IMDb
Adam Schindler on IMDb
Follow Adam on Instagram
Brian Netto on IMDb
Follow Brian on Instagram
Don’t Move on IMDB
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https://www.youtube.com/user/nofilmschool
https://www.instagram.com/nofilmschool
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In filmmaking, finding the right actor can make all the difference, and for Hallie Meyers-Shyer, Michael Keaton was the only choice for the lead role in Goodrich. This episode delves into the creative journey of writing and directing a deeply personal film, navigating the challenges of independent production, and discovering the heart of the story during editing. It also explores how persistence, vision, and collaboration are essential in bringing a project to life.
Hallie Meyers-Shyer is a writer and director known for her heartfelt and character-driven stories. Following in the footsteps of her legendary filmmaking parents, Nancy Meyers and Charles Shyer, Hallie made her directorial debut with Home Again in 2017. Her latest film, Goodrich, is a personal story inspired by her family dynamics, with a lead role written specifically for Michael Keaton. Hallie is passionate about crafting films that blend humor and emotion, creating stories that resonate on a deeply human level.
In today’s episode, No Film School’s GG Hawkins and Jason Hellerman speak with Hallie Meyers-Shyer to discuss:
Memorable Quotes:
Resources:
Follow Hallie Meyers-Shyer on Instagram
Hallie on IMDb
Goodrich on IMDb
Hollywood Camera Works trainings
Find No Film School everywhere:
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https://nofilmschool.com/
https://www.facebook.com/nofilmschool
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YouTube
https://www.youtube.com/user/nofilmschool
https://www.instagram.com/nofilmschool
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The Austin Film Festival (AFF) stands out for its unique focus on writers and emerging filmmakers, providing a space for attendees to connect with industry professionals and discover creative collaborations. With its welcoming atmosphere, AFF offers an ideal environment for networking, learning, and exploring new opportunities. The conversation also delves into the career of cinematographer Mihai Malaimare Jr., who shares his journey from film school to working with legendary director Francis Ford Coppola, offering insights into his approach to cinematography and navigating the evolving role of technology in film.
Andy Volk is the Senior Film Programmer at Austin Film Festival. He selects films from around the world and helps shape the festival’s diverse lineup.
Emily Lock is the Conference Director at Austin Film Festival. She organizes panels and events focused on screenwriting and filmmaking.
Mihai Malaimare Jr. is a cinematographer known for Megalopolis and Jojo Rabbit. He began working with Francis Ford Coppola shortly after film school and is recognized for his innovative approach to both film and digital cinematography. Mihai has worked on several acclaimed films, blending artistry with evolving technology.
In today’s episode, No Film School’s GG Hawkins and Ryan Koo speak with Andy Volk, Emily Lock, and Mihai Malaimare Jr. to discuss:
Memorable Quotes:
Resources Mentioned:
Austin Film Festival
On Story podcast
Mihai Malaimare Jr. on Instagram
Mihai Malaimare Jr. on IMDb
Mihai Malaimare Jr.’s website
Find No Film School everywhere:
On the Web
https://nofilmschool.com/
https://www.facebook.com/nofilmschool
https://twitter.com/nofilmschool
YouTube
https://www.youtube.com/user/nofilmschool
https://www.instagram.com/nofilmschool
Send us an email with questions or feedback: [email protected]!
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The O-1 visa, also known as the "artist visa," is a crucial step for filmmakers and creative professionals aiming to establish their careers in the U.S. Designed for individuals with extraordinary ability in their fields, the application process can be daunting. This episode offers insights into what it takes to qualify, how to strengthen your application, and common challenges faced by those seeking an O-1. Whether you're in the middle of applying or just starting out, this episode provides a roadmap for navigating the process.
Alabama Blonde is a casting director, costume designer, and performance coach originally from Australia. Now based in Los Angeles, she has navigated the O-1 visa process twice, ultimately securing a green card. Alabama’s multidisciplinary career spans various creative roles, giving her unique insights into the challenges of obtaining visas as an artist working across multiple fields.
Julia Zanin de Paula is a Brazilian filmmaker, director, and editor currently based in New York. With a background in horror films, including her notable short Mother of Monsters, Julia has successfully transitioned from a student visa to an O-1 artist visa. She offers valuable advice on gathering press, awards, and recommendations to strengthen her application.
Sneha Mendis is a producer and screenwriter from India, currently in New York, and in the midst of applying for her O-1 visa. With a background in production and development, Sneha shares her experience of building a case for the visa while working in various roles across film sets in the U.S.
In today’s episode, No Film School’s GG Hawkins and Jason Hellerman speak with filmmakers Alabama Blonde, Julia Zanin de Paula, and Sneha Mendes to discuss:
Memorable Quotes:
Mentioned:
Follow Sneha Mendes on Instagram
Sneha’s website
Sneha on IMDb
Follow Julia Zanin de Paula on Instagram
Julia’s website
Julia on IMDb
Follow Alabama Blonde on Instagram
Strike the Blonde Casting on Instagram
Find No Film School everywhere:
On the Web
https://nofilmschool.com/
https://www.facebook.com/nofilmschool
https://twitter.com/nofilmschool
YouTube
https://www.youtube.com/user/nofilmschool
https://www.instagram.com/nofilmschool
Send us an email with questions or feedback: [email protected]!
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As AI continues to reshape creative industries, video editing is undergoing a major transformation. Tools like Eddie AI are making the editing process faster, more efficient, and more accessible to filmmakers. By acting as a storytelling partner, AI can quickly generate rough cuts, find key moments in footage, and even suggest alternative storylines, all while freeing up creatives to focus on the art of storytelling. This episode explores how AI is changing the landscape of post-production, addressing both the excitement and concerns about its growing role in filmmaking.
Shamir Allibhai is the co-founder and CEO of Eddie AI, an innovative tool designed to assist filmmakers in streamlining the video editing process. With a background in documentary filmmaking and production work at the BBC, Shamir transitioned into tech to solve the workflow challenges he encountered in the field. His passion for storytelling drives his mission to use AI as a tool to empower creators, making the process of crafting stories more efficient and accessible to all.
Jourdan Aldredge is the tech editor at No Film School, with years of experience covering filmmaking tools, techniques, and trends. A filmmaker and writer himself, Jourdan brings a unique perspective on how technology intersects with storytelling.
In today’s episode, No Film School’s Gigi Hawkins speaks with Jourdan Aldredge and Shamir Allibhai to discuss:
Memorable Quotes:
Mentioned:
Eddie AI
Jourdan Aldredge's article about Eddie AI
Follow Jourdan on LinkedIn
Follow Shamir on X
Shamir on IMDb
Find No Film School everywhere:
On the Web
https://nofilmschool.com/
https://www.facebook.com/nofilmschool
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YouTube
https://www.youtube.com/user/nofilmschool
https://www.instagram.com/nofilmschool
Send us an email with questions or feedback: [email protected]!
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How do documentary films inform the way we approach narrative filmmaking? What does it mean to care for your mental health in an industry that thrives on constant creativity and long hours? How do documentary editors navigate the emotional toll of handling sensitive, often traumatic stories?
In today’s episode, No Film School’s GG Hawkins speaks with editor Kait Plum to discuss:
Memorable Quotes
Links:
Bad Shabbos
Mediha
Follow Kait on IG
Find No Film School everywhere:
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https://www.instagram.com/nofilmschool
Send us an email with questions or feedback: [email protected]!
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As streaming reshapes the industry, pilot season is a thing of the past, leaving creatives to navigate constant demands and year-round pitching. How do filmmakers find balance when the lines between work and rest blur? And how can unexpected pivots lead to more meaningful projects? This episode explores staying resilient in a world without structure, featuring Max Lugavere's decade-long journey with Little Empty Boxes, a deeply personal documentary about his mother's battle with dementia that evolved in ways he never expected.
Max Lugavere is a filmmaker, health journalist, and New York Times bestselling author. After his mother’s diagnosis with Lewy body dementia, Max chronicled her experience in Little Empty Boxes. The film, which took over a decade to complete, shifted from an investigative piece to an intimate portrayal of love, loss, and resilience.
In today’s episode, No Film School’s Gigi Hawkins speaks with Jason Hellerman, Max Lugavere and Chris Newhard to discuss:
Memorable Quotes:
Mentioned:
Max Lugavere on Instagram
Little Empty Boxes website
Max Lugavere’s website
The Genius Life podcast
Max Lugavere’s Books
Chris Newhard’s website
Chris Newhard on Instagram
Jason Hellerman on IMDb
Jason’s library of content on No Film School
Jason on Instagram
Jason on X
KYNO editing tool
Find No Film School everywhere:
On the Web
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YouTube
https://www.youtube.com/user/nofilmschool
https://www.instagram.com/nofilmschool
Send us an email with questions or feedback: [email protected]!
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Selling a script can feel like a distant dream, but the process is very much alive. From using platforms like The Black List to writing query letters and building personal connections, breaking into the industry is challenging but not impossible.
Plus, we explore the rise of the Panamanian film industry, how it has evolved, and what it takes to make a mark in a smaller but growing market.
Delfina Vidal is a Panamanian filmmaker known for her documentaries. She has contributed significantly to the growing Panamanian film industry, focusing on telling stories that resonate with local and international audiences.
Arianne Benedetti is a producer and key figure in the Panamanian film scene. She is instrumental in the development of Panama’s cinematic landscape, working on projects that showcase the country’s cultural and artistic diversity.
Maria Isabel Burnes is involved in promoting the Panamanian film industry, playing an essential role in nurturing emerging filmmakers and helping develop a vibrant film culture in Panama.
In today’s episode, No Film School’s GG Hawkins speaks with Jason Hellerman and filmmakers from Panama Delfina Vidal, Arianne Benedetti and Maria Isabel Burnes to discuss:
Memorable Quotes:
Mentioned:
Jason Hellerman on IMDb
Jason’s library of content on No Film School
Jason on Instagram
Jason on X
Delfina Vidal on IMDb
Arianne Benedetti on IMDb
Maria Isabel Burnes on IMDb
The Black List
Stage 32
Roadmap Writers
Find No Film School everywhere:
On the Web
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YouTube
https://www.youtube.com/user/nofilmschool
https://www.instagram.com/nofilmschool
Send us an email with questions or feedback: [email protected]!
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The podcast currently has 911 episodes available.
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