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In front of an audience at the Karlovy Vary International Film Festival, the master cinematographer best known for his collaborations with Oliver Stone (12), Martin Scorsese (7) and Quentin Tarantino (5) reflects on how problems with hearing may have heightened his sight; how he worked with different cameras and film stocks on 'JFK,' cranes on 'Casino,' top-light on 'Kill Bill,' digital and 3D on 'Hugo' and ultra-wide on 'The Hateful Eight'; and Jana Hojdová's new documentary about his life and work.
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By The Hollywood Reporter4.7
13291,329 ratings
In front of an audience at the Karlovy Vary International Film Festival, the master cinematographer best known for his collaborations with Oliver Stone (12), Martin Scorsese (7) and Quentin Tarantino (5) reflects on how problems with hearing may have heightened his sight; how he worked with different cameras and film stocks on 'JFK,' cranes on 'Casino,' top-light on 'Kill Bill,' digital and 3D on 'Hugo' and ultra-wide on 'The Hateful Eight'; and Jana Hojdová's new documentary about his life and work.
Learn more about your ad choices. Visit megaphone.fm/adchoices

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