In front of an audience at the Santa Barbara International Film Festival, the revered English stage and screen actor reflects on how Shakespeare led him to his path; what he learned from collaborators like Steven Spielberg ('Schindler's List'), Robert Redford ('Quiz Show'), Anthony Minghella ('The English Patient') and Kathryn Bigelow ('Strange Days' and 'The Hurt Locker'); and what went into his latest — and, some believe, greatest — perfromance, as the dean of the College of Cardinals overseeing the election of a new Pope.

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One of the biggest pop stars on the planet, who is now an Oscar-nominated actress, reflects on how she broke into showbiz as a kid, each of her studio albums, how music has helped her through tough times, why she yearned for years to play Glinda, how her fame helped her to understand the pros and cons of being "Popular," plus much more.

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The actor/writer/director reflects on why he, a socially-awkward kid, became a child actor, how the explosion of his acting profile (he was Oscar-nominated for 'The Social Network') coincided with his increased interest in writing and why, for his second outing as a director, he cast Kieran Culkin in the role that he originally intended to play himself.

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The thrice Oscar-nominated actor, who is widely regarded as among the best of his generation, reflects on the explosive start to his screen career, collaborations with his era's greatest auteurs and why he was so impressed with his latest film's helmer, James Mangold, and star, Timothée Chalamet.

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The enigmatic Scottish Oscar winner, who doesn't consider herself an actress, reflects on her formative collaborations with Derek Jarman, how she wound up juggling the artiest of art house films with the biggest of big studio films and why she was so drawn to working with Pedro Almodóvar.

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The legendary English filmmaker reflects on the origins and specifics of his mysterious method of writing and directing; why he was forced to spend 17 years between his first and second theatrical features working in television, and the pros and cons of that; and how it feels to see his latest film, which was rejected by the Cannes, Venice and Telluride film fests, being so well received.

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In a conversation that was both epic and emotional, like his best films, the 51-year-old American actor — who at 29 became, and remains to this day, the youngest-ever best actor Oscar winner, for 'The Pianist,' and who on Sunday won a best drama actor Golden Globe for his latest film — looks back on an odds-defying, rollercoaster of a life and career.

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The master of family-friendly fare — he wrote 'Gremlins' and 'The Goonies' and directed two 'Home Alone' and two 'Harry Potter' films — reflects on working with Steven Spielberg in his twenties, how Chevy Chase driving him to quit 'National Lampoon's Christmas Vacation' proved to be one of the best things that ever happened to him and why, in recent years, he and his daughter, Eleanor, began producing films by rising directors including Robert Eggers, whose latest opens on Christmas Day.

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The iconic actress reflects on growing up the daughter of Oscar-winning actor Joel Grey, the making of 'Ferris Bueller's Day Off' and 'Dirty Dancing,' challenges that followed, and now, at 64, getting to be a part of a third instant-classic, Jesse Eisenberg's new dramedy about a group touring Holocaust sites in Poland.

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The Englishman, who has been one of our finest screen actors for some 30 years — he was twice Oscar-nominated before he was even 30 — reflects on his special relationship with director Anthony Minghella, the sorts of roles that he deliberately avoided and why he has done some of his best work in recent years, including as an FBI agent pursuing white nationalists in Justin Kurzel's new film.

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