DISGRACELAND

Dolly Parton has passed away. Dolly Parton was a musical giant, an American songwriter worthy of a place on the same page in the music history books as Bob Dylan, Kurt Cobain, Johnny Cash, Taylor Swift, or anyone else you can think of. More importantly, she was a first-class human, and an inspiration to me and many, many others.  

For more great stories at the intersection of music and true crime, check out these episodes:

The Go-Gos

Bob Dylan

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In 1977, punk rock took root in Los Angeles just as a prolific serial killer began to terrorize the city. For months, the bodies of young women were being discovered on hillsides – including one woman who was a regular at an underground punk club in Hollywood where seminal L.A. bands like The Bags cut their teeth. Listen to hear how the story of the leader of that band, Alice Bag, overlaps in terrifying and unexpected ways with the story of the infamous Hillside Strangler, who had L.A. gripped with fear for over a year.

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R. Kelly openly groomed teenage victims while on trial for child pornography – a trial based on sex tapes that were once sold at Tower Records. He wrote a song designed to help Michael Jackson turn attention away from his own troubling allegations, and he wrote that song while he was illegally married to a 15-year old. That marriage eventually brought about his downfall. But not before R. Kelly went on a 20-year reign of terror – all conducted in plain sight while he was one of the biggest R&B artists in the world.

This episode contains themes that may be disturbing to some listeners, including sexual assault, child sexual assault, and domestic violence.

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The murder from Allman Brothers Band history that didn’t make it into our full episode, your take on the greatest southern bands, and more on this bonus episode of Disgraceland.

For more great stories from the intersection of true crime and music, check out our archive, including episodes like: 

Oasis part 1

Oasis part 2

Derek & the Dominos

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When The Allman Brothers Band arrived on the scene in Macon, Georgia in 1969, they made an immediate impression. They rehearsed at full volume all day long, and spent their nights taking mushrooms together in a graveyard. To top it off, their band was integrated, which ruffled a lot of feathers in the deep South. But the biggest transgression the Allman Brothers would make was crossing the Dixie Mafia, a loose confederation of criminal gangs that spread from Austin to Atlanta.

This episode was originally published on April 24, 2025.

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Blondie got their start as part of New York’s fertile punk scene in the late ‘70s, a time of great musical innovation. Also a time of great fear. Violent crime had the five boroughs in a stranglehold. Muggers, rapists, thieves, criminal deviants of all stripes ran wild in the streets. Or so they said. True New Yorkers like Blondie were tough, jaded, immune to the fears foisted upon tourists. Blondie’s Debbie Harry, in particular, was not a victim and not a mark. But she nearly became a victim to a soon-to-be infamous serial killer when she accepted a ride from a stranger.

This episode contains themes that may be disturbing to some listeners, including depictions of sexual assault.

This episode was originally published on November 21, 2023.

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I wanted to talk this week about Billy Corgan’s outrageous shapeshifting claim and how it relates to who he is as a musician, but the Internet had other plans. It was all about to go to sh*t until Low Cut Connie saved us all on national television.

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This is the story about how a drug-related death led to the fracturing of the ‘90s alt-rock giants, how competing narratives amongst band members complicated their legacy, and what Billy Corgan’s strange interaction with a shapeshifter has to do with it all.

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The original Woodstock was a literal disaster, declared so on its first day by the state of New York. There were fights, onstage, armed black-shirted hippie gestapo on patrol, and most notably, two dead kids on record. The festival was born of violence, sparked into existence out of organizer Michael Lang’s standoff with hillbilly armed guards and cops from down in Florida. The lasting image of Woodstock as a time of idyllic harmony is a nostalgic gimmick, as is the 1970 documentary about the events that took place up in Bethel, New York that fateful weekend. If any director were to make a truly realistic movie about Woodstock, their film would be an unhinged disaster movie.

This episode was originally published on November 16, 2021.

To see the full list of contributors, see the show notes at www.disgracelandpod.com.

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Woodstock is remembered as the generation-defining moment when the baby boomers demonstrated to the world the power of peace, love and communalism. In reality, what went down at Old Man Yasgur’s farm in August 1969 involved extortion, deaths, countless overdoses, near-mass electrocution, and a state of emergency. Not to mention a restless crowd that doubled in size seemingly every time festival producer Micheal Lang lifted his head to survey the drug-addled chaos. All he wanted was a new kind of festival—a celebration of utopian hippie idealism. Instead, for three long, lawless days, Lang got much more than he bargained for during one of the messiest moments in American music history.

This episode was originally published on November 2, 2021.

To see the full list of contributors, see the show notes at www.disgracelandpod.com.

To listen to Disgraceland ad free and get access to weekly bonus content and more, become a Disgraceland All Access member at disgracelandpod.com/membership.

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