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One big goal in tonal composition is to have good counterpoint within your harmonies. To do that, we need to learn how to approach part writing in the proper manner. To do that, we must first learn the principles of voice leading and why they are useful, and even essential, to the composition process. In this episode, we will learn the main rules to keep in mind when constructing a melody and then blending it with other melodies. We will discuss parallel and contrary motion between melodies, hidden fifths and octaves. We will dare to discuss the heinous parallel fifths and octaves and how they can obliterate your texture. We will also touch on organum and other contributions to the origin of these conventions. We will observe all of these rules closely from a 4 part, SATB (soprano, alto, tenor, bass) "laboratory environment"!
By Jeremy Burns, Matthew Scott Phillips4.7
253253 ratings
One big goal in tonal composition is to have good counterpoint within your harmonies. To do that, we need to learn how to approach part writing in the proper manner. To do that, we must first learn the principles of voice leading and why they are useful, and even essential, to the composition process. In this episode, we will learn the main rules to keep in mind when constructing a melody and then blending it with other melodies. We will discuss parallel and contrary motion between melodies, hidden fifths and octaves. We will dare to discuss the heinous parallel fifths and octaves and how they can obliterate your texture. We will also touch on organum and other contributions to the origin of these conventions. We will observe all of these rules closely from a 4 part, SATB (soprano, alto, tenor, bass) "laboratory environment"!

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