The metronome lies, right? Or are we frustrated with our inability to accurately play on the beat? How should that sound? How does this affect our ability to play great dotted rhythms?

Andrew clearly diagrams how we should be playing to the metronome beat and how this can be applied to dotted rhythms using ALAP/ASAP. Stop rushing, rounding, and getting frustrated. Start finding the value in your steady friend, the metronome.

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