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For many theatre artists, there’s the show that changed everything. A musical that - for the first time - reflected a part of the artist that they had never seen before. A show that gave that young artist a glimpse into their future - into an industry and community they would inevitably be a part of. And while that experience is by no means unique, it is often the kernel of why they’ve made the theatre their life’s work.
So for The Ensemblist’s 300th episode, we are turning the tables. Today, I’ll be interviewing The Ensemblist’s co-creator and host, Mo Brady, about his favorite musical: the 1996 Broadway phenomenon Rent. Here’s our conversation…
Learn more about your ad choices. Visit megaphone.fm/adchoices
By The Ensemblist & Broadway Podcast Network4.9
445445 ratings
For many theatre artists, there’s the show that changed everything. A musical that - for the first time - reflected a part of the artist that they had never seen before. A show that gave that young artist a glimpse into their future - into an industry and community they would inevitably be a part of. And while that experience is by no means unique, it is often the kernel of why they’ve made the theatre their life’s work.
So for The Ensemblist’s 300th episode, we are turning the tables. Today, I’ll be interviewing The Ensemblist’s co-creator and host, Mo Brady, about his favorite musical: the 1996 Broadway phenomenon Rent. Here’s our conversation…
Learn more about your ad choices. Visit megaphone.fm/adchoices

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