Devin takes us backstage and shares the process of designing Broadway dressing rooms for stars such as Lea Michelle, Billy Crystal, and more!

Thank you for taking the time to listen to our chat with Devin Buchanan!

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About Devin Buchanan:

Devin Buchanan of Devin Sparkles Design is based out of Brooklyn. Pairing his passion for theatre and love of interior design, Devin has been able to curate comfortable and stylish designs for actors across Broadway. 

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Brian breaks down the process and intentions behind arranging and orchestrating Neil Diamond's catalog for the stage.

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ABOUT BRIAN USIFER

Brian Usifer is a New York City based music director, pianist, orchestrator/arranger, producer and composer.

Most recently, he was the Music Director of Disney’s Frozen on Broadway. He is currently the Associate Music Supervisor of The Book of Mormon on Broadway. Prior to that he was the Music Director of Kinky Boots on Broadway, which won 6 Tony Awards including Best Musical, Best Score, and Best Orchestrations. The cast recording won the 2013 Grammy Award for Best Musical Theatre Album and the West End production won an Olivier Award for Best Musical. He was the Associate Music Supervisor as well for Kinky Boots on Tour, London and in Toronto. Brian has played in the Broadway and off-Broadway orchestras of …Spelling Bee, Avenue Q, Altar Boyz and The Book of Mormon. Other theatre credits also include Chess at the Kennedy Center and more than 5 years of regional theatre including Follies at Barrington Stage Co. Concerts include Bobby and Kristen Lopez: American Songbook at Lincoln Center and Clay Aiken “Tried and True DVD,” for PBS.

As an orchestrator, Brian's projects have included The Heart of Rock and Roll featuring the catalog of Huey Lewis at the Old Globe, Swept Away with music by the Avett Brothers at Berkeley Rep, Mr. Chickee’s Funny Money with music by Motown legend Lamont Dozier at The Atlantic Theatre, May We All featuring the music of Florida Georgia Line and other country stars, Into the Wild by Niko Tsakalakos and Janet Allard, A View From The River by Will Van Dyke and Jeff Talbott, Fantasy Football: the Musical?, by David Ingber, Pool Boy by Niko Tsakalakos and Janet Allard, The UnCivil War by Rick Kunzi, Barnstormer by Douglas Cohen and The First Snow by Niko Tsakalakos.

Shows in development include Hearts Beat Loud featuring music by Niko Tsakalakos with a book by Ngozi Anyanwu, Galileo featuring music by Zoe Sarnak and Michael Weiner with a book by Danny Strong, and A Beautiful Noise featuring the catalog of Neil Diamond opening on Broadway in December 2022

On TV, he wrote additional orchestrations for NBC’s Annie Live, The Wiz Live, and can be heard as a pianist on The Marvelous Mrs. Maisel on Amazon.

As a composer, Brian’s latest project is a songwriting collaboration with Colin Donnell called The Nineteen Twenty. Their album, Chaos + Cocktails, is available for sale on iTunes and everywhere music streams.

As a producer: The First Snow, Archetype, Chaos + Cocktails, May We All

He holds a Bachelor of Music in Piano Performance from SUNY Fredonia and a Masters degree in Collaborative Piano from NYU and a Specialist Certificate in Orchestration from Berklee Online.

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You'll understand why AnnMarie Milazzo considers her craft a design category by the end of this episode!

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ABOUT ANNMARIE MILAZZO

A.R.T.: Finding Neverland, Prometheus Bound. Broadway (Vocal Designer): Spring Awakening, Next to Normal, If/Then, Finding Neverland. Off-Broadway: Carrie, Bright Lights Big City, Superhero; (Orchestrator, with Michael Starobin): Once on this Island (Tony, Drama Desk, Outer Critics Circle nominations). Regional: Dangerous Beauty, Some Lovers, Dave, A Walk on the Moon, Almost Famous. Other credits include The Radio City Rockettes’ Summer Spectacular 2016 (co-arranger/lyricist, co-composer); Cirque du Soleil’s Le Rêve and La Perle. Film: Pretty Dead Girl (Composer and Lyricist; Special Jury Award, Sundance Film Festival). Milazzo is the Grammy-nominated female vocalist for East Village Opera Company on Decca/Universal Records

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Kevin Adams shares developments in the craft of lighting, assembling his lighting department, and why he enjoys designing pop rock musicals specifically as it relates to A Beautiful Noise!

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ABOUT KEVIN ADAMS

Four-time Tony winner Kevin Adams has designed SpongeBob SquarePants (Tony nom.), Head Over Heels, Hedwig and the Angry Inch (Tony and Outer Critics Award), American Idiot (Tony Award), Spring Awakening (Tony Award; Olivier nom for the West End production), Next To Normal (Tony nom), The 39 Steps (Tony and Drama Desk Awards), Hair (Tony nom), Man And Boy, Everyday Rapture, Passing Strange, Take Me Out, A Class Act, Hedda Gabler with Kate Burton, solo shows by Eve Ensler and John Leguizamo.

Off-Broadway he has worked on the original production of Hedwig and the Angry Inch, The Scottsboro Boys, Rent, Carrie, new work by Edward Albee, Eric Bogosian, Christopher Durang, Richard Greenberg, Tony Kushner, Terrence McNally, Neil Simon, Anna Deveare Smith and Paula Vogel.

His work has also been seen at the Metropolitan Opera, Steppenwolf Theatre, Yale Rep, Berkeley Rep, Donmar Warehouse, and City Center Encores!

On screen, he's worked on Mildred Pierce (HBO), Audra McDonald in concert (Town Hall, Joe's Pub, Lincoln Center), staged concerts featuring Patti Lupone (Gypsy, Candide, Anyone Can Whistle, Sunday in the Park with George and Regina) and Blue Man Group in Las Vegas and the Hollywood Bowl.

For his work off-Broadway he has received an Obie for sustained excellence and two Lucille Lortel awards.

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Kathy Fabian shares the process of creating props, set dressing, and researching for A Beautiful Noise.

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ABOUT KATHY FABIAN

Fabian’s Broadway credits include: The Rose Tattoo, American Son, All My Sons, Burn This, True West, Bernhardt/Hamlet, Pretty Woman, The Parisian Woman, Indecent, Sunday in the Park with George, Falsettos, Fiddler on the Roof, China Doll, On Your Feet, Living On Love, The King and I, An American In Paris, The Real Thing, The Realistic Joneses, If/Then, Rocky, The Bridges of Madison County, I’ll Eat You Last, Kinky Boots, Lucky Guy, Breakfast at Tiffany’s, The Anarchist, Chaplin, Nice Work If You Can Get It, A Streetcar Named Desire, On a Clear Day You Can See Forever, Stick Fly, Relatively Speaking, Chinglish, The Normal Heart, House of Blue Leaves, Anything Goes, Ghetto Klown, Women on the Verge of a Nervous Breakdown, A Life in the Theatre, Fences, All About Me, A Behanding in Spokane, Race, Fela!, Bye Bye Birdie, A Steady Rain, Waiting for Godot, You’re Welcome America, Pal Joey, American Buffalo, Speed the Plow, A Man For All Seasons, Les Liasons Dangereuses, South Pacific, Sunday in the Park with George, The Homecoming, Cyrano de Bergerac, Pygmalion, Old Acquaintance, 110 in the Shade, Talk Radio, Prelude to a Kiss, Spring Awakening, High Fidelity, Barefoot in the Park, Souvenir, Steel Magnolias, Sweet Charity, Match, Fiddler on the Roof, Bobby Boland, Cat On A Hot Tin Roof, and Golda’s Balcony. Recent Off Broadway: West Side Story, Stage Around, Tokyo, Mary Jane and Othello, (NYTW) and Turn Me Loose, (Westside Theatre). Recent TV projects include creations for Fosse Verdon, Samantha Bee, and Sesame Street.

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How do you take the "ick" out of the ask? Kel shares her process leading outbound fundraising efforts for non-profit theatres.

Thank you for taking the time to listen to our chat with Kel Haney!

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About Kel Haney:

Kel Haney, Senior Consultant at Donorly, is a NYC & Maine-based fundraising expert with 17 years of experience in the field, specializing in Outbound Fundraising. 

She’s consulted with such organizations as MCC Theatre, Signature Theatre, Ensemble Studio Theatre, Manhattan Theatre Club, The O’Neill Theater Center, New York Theatre Workshop, Page 73 Productions, Marin Theatre Company, BroadwayUnlocked, The Glimmerglass Festival, American Composers Forum, and RIP Medical Debt.

Kel’s work boils down to “Taking the Ick out of the Ask” and shifting fundraising conversations from transactional encounters to relationship-building opportunities. She spent twenty years as a theatre director and her fundraising methodology is based on how she led a rehearsal room: focusing on what makes each of us unique and engaging. Over her fundraising career, Kel has helped non-profit organizations raise over $11M, primarily in donations under $2K. www.kelhaney.com

When not working, Kel's seeking out all kinds of artistic experiences, taking nature walks with her rescue pup, practicing yoga, playing extremely intricate board games, and attempting to recreate the fabulous meals she & her husband (actor Michael Grew) have enjoyed on their various travels.

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Adam takes us into the costume shop and gives us a "first hand" account of working on costumes for some of Broadway's biggest shows!

Thank you for taking the time to listen to our chat with Adam Stocker!

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About Adam Stocker:

Since moving to NYC from Michigan, Adam's worked steadily in a couple of non-union costume shops. He's made costumes for shows on broadway, off broadway, on cruise ships, and in Disneyland. These works include (but are certainly not limited to) Frozen, Head Over Heels, Diana the Musical, and SIX. Most recently, Adam's been working on Union TV and film gigs, as well as digging into workers rights and researching the history of the NYC garment industry and its respective union/non-union labor efforts.

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Germán gives us great color to the many hats worn on team sound!

Thank you for taking the time to listen to our chat with Germán Martínez!

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About Germán Martínez:

Germán Martínez is a freelance Sound Designer and Audio Engineer based in NYC/NJ. He received his degree in Sound Design and Management from Montclair State University in May 2018.

As an Engineer, he welcomes challenging musicals to program and run, and unique venues to build sound systems in.

As a designer, he seeks original and enticing plays to help develop, and bring forward the stories of bold playwrights. He strives to provide his services in order to make art from the heart. Some of the work that motivates Germán are stories that explore the topics of, but are not exclusive to the LGBTQIA experiences, immigrant and first generation stories, and the POC narrative. 

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In this episode, we celebrate a podcast anniversary! We reflect on what year 3 looked like and what's to come for year 4.

Thank you for taking the time to listen to our chat!

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>> Don't forget to check out our brand new WEBSITE.

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Adrienne shares her process building a container for her collaborators work to live and breathe.

Thank you for taking the time to listen to our chat with Adrienne Campbell-Holt!

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About Adrienne Campbell-Holt:

Adrienne is a NY-based director and choreographer and the Founding Artistic Director of Colt Coeur. She is the recipient of the 2018 Lucille Lortel Visionary Director Award. Click here to watch video of Adrienne's March 2018 acceptance speech. Adrienne was recently profiled in Women in Hollywood - read on here and featured in American Theatre magazine, click here to read.

Current/Upcoming: world premiere: Other World, by Hunter Bell, Jeff Bowen & Ann McNamee, choreography by Karla Puno Garcia (Delaware Theater Center),world premiere of Afterwords, music and lyrics by Zoe Sarnak, book by Emily Kaczmarek, choreography by Ebony Williams (5th Avenue Theater, Seattle).

Adrienne was a Time Warner/Women’s Project Lab 2014-2016 Fellow, a recipient of the Bill Foeller Fellowship at Williamstown Theatre Festival, a Jerome Foundation/Tofte Lake Fellowship, the EST/Sloan grant, an alum of the Lincoln Center Directors Lab, and a New Georges Affiliated Artist and Audrey Resident. She has developed work with La Jolla Playhouse, the Roundabout, Playwrights Horizons, Clubbed Thumb, Rattlestick, Women’s Project Theater, IAMA, New Georges, Playwrights’ Center, Portland Center Stage, and the Ensemble Studio Theater.

Resources from this episode:

adriennecampbellholt.com

@adriennech

@coltcoeur

Afterwards at 5thavenue

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