Certainly not the arty-ist neo-noir ever made, but it’s certainly the most Jean-Pierre Melville-ian neo-noir ever made.  And that’s more than enough to make this one of the most widely-beloved of all Criterion films.  Alain Delain (who sadly passed away between our record and the release date for this episode) brought Tokyo-cool, Parisian romanticism, and American grime to this epitome of the “cool assassin” film.

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If you’d like to watch ahead for next week’s film, we will be discussing and reviewing Alfonso Cuarón’s Y Tu Mamá También (2001).