Waterworld (1995) — the post-apocalyptic epic where Kevin Costner grows gills, drinks his own pee, and still manages to look vaguely heroic. It’s Mad Max, but wetter, weirder, and somehow more expensive. Jet skis, dirt myths, and a lot of damp denim — welcome to the future, hope you brought floaties.

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Two acting titans, Gene Hackman and Denzel Washington, go head-to-head aboard a nuclear submarine when a questionable missile launch order arrives. We're diving into this Tony Scott thriller, breaking down the psychological battle between a hardened captain and his measured second-in-command with all of the claustrophobic tension that comes with it. Is this the definitive submarine movie? We're taking the con and finding out.

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Species (1995) — Sexy, slimy, and scientifically suspect, Species crashes onto the screen with H.R. Giger creature designs, government scientists in panic mode, and a half-alien femme fatale on the loose. We’re diving into the film’s weird mix of horror, sci-fi, and skinemax energy — breaking down its bonkers plot, surprising cast, and whether it’s smarter (or dumber) than it thinks. Is it B-movie brilliance or just hot nonsense with tentacles? Let’s find out.

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Dracula: Dead and Loving It (1995) — Mel Brooks sinks his teeth into gothic comedy with Leslie Nielsen as the most bumbling Count ever to grace the silver screen. We’re breaking down the slapstick, the satire, and the surprisingly gorgeous production design in this often-overlooked spoof. From rubber bats to ballroom bites, we ask the ultimate question: does Brooks’ final parody still have life after dark?

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For our tenth anniversary rewatch, we descend once again into the haunting nightmare of Jacob’s Ladder (1990). Joined by Patreon Co-Executive Producer and horror aficionado Rob Perry, we revisit Adrian Lyne’s psychological thriller to unpack its twisting layers of grief, trauma, and reality-bending terror. From Vietnam to New York and beyond, we explore how the film mixes horror with heartbreak — and why it still hits just as hard, decades later.

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In this episode, we sink our teeth into The Addiction (1995), Abel Ferrara’s moody, black-and-white vampire film that’s as much about Sartre and sin as it is about blood. We unpack the heavy philosophy behind the movie’s take on evil, addiction, and moral decay — and ask whether vampirism is just a metaphor for being human. Along the way, we wrestle with Nazi imagery, existential dread, and whether philosophy helps or just makes everything way more confusing.

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Sink your teeth into this one—we’re diving fang-first into Vampire in Brooklyn! Eddie Murphy brings the bite and the sass as a smooth-talking bloodsucker looking for love (and maybe a little chaos) in the Big Apple. It’s part horror, part comedy, and all Eddie. So grab some garlic (or don’t, if you’re trying to impress him)—this episode is gonna be a bloody good time.

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It’s our 10th anniversary year, and what better way to celebrate than revisiting the zany, genre-blending classic Who Framed Roger Rabbit! We dive back into the ToonTown chaos, the noir vibes of Eddie Valiant, and the groundbreaking mix of animation and live-action that still stuns decades later. Grab your Acme props—this rewatch is going to be one wild ride!

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This week we’re descending into The Prophecy (1995), the cult supernatural thriller where angels aren’t exactly playing harps. Christopher Walken commands the screen as Gabriel—less a messenger of God, more a celestial hitman with a serious grudge. As a second war brews in Heaven, a soul too dark for Hell becomes the battlefield, and humanity hangs in the balance. With Elias Koteas as the weary detective caught in the middle and Viggo Mortensen showing up as one of the creepiest Lucifers ever put to film, it’s scripture meets horror with a side of Walken weird. We’re flipping through the Book of Revelation and asking: what if the angels are the real problem?

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Copycat is the sinister psychological thriller where a reclusive profiler and a hard-nosed detective race to stop a serial killer with a twisted hobby: reenacting the crimes of history’s most infamous murderers. Sigourney Weaver is riveting as Dr. Helen Hudson, a brilliant mind trapped by trauma, while Holly Hunter brings grit and guts as the detective who pulls her back into the fray.

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