It is neither a question of where Seijun Suzuki got his ideas from nor who got their ideas from him. Rather it is simply the plain fact that there were the movies that came before his 1967 art/hitman freak-out masterpiece and then there were the movies that came after.

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If you'd like to watch ahead for next week's film, we will be discussing and reviewing Bernardo Bertolucci's La Commare Secca (1962).