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This week we look at the 1973 film GANJA & HESS. After some pretty favourable reviews, we talk about the thoroughly confusing nature of the film, the idea of cinema as an immersive experience, and the different versions of the movie Bill Gunn was forced into making (and wanted to make) — all the while dancing around the idea of the ecstatic or out-of-body experience. (We don’t actually talk about it in the episode, but it seemed very appropriate as a theme for this week’s Prestige, given our discussions of religion, blood, sex, and race.)
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This week we look at the 1973 film GANJA & HESS. After some pretty favourable reviews, we talk about the thoroughly confusing nature of the film, the idea of cinema as an immersive experience, and the different versions of the movie Bill Gunn was forced into making (and wanted to make) — all the while dancing around the idea of the ecstatic or out-of-body experience. (We don’t actually talk about it in the episode, but it seemed very appropriate as a theme for this week’s Prestige, given our discussions of religion, blood, sex, and race.)
Next Time
Recent Media
Recommendations
Footnotes