The Prestige

The Prestige

By KaijuFMTV & Film
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The Prestige episodes

  • 5.4 - CITY OF GOD (2002) & Corrupt Space

    The title for this episode comes from something Rob says towards the end of this chat, which I think sums up this film brilliantly. After reviews (spoilers: we loved it), we talk about a number of things to do with the incredible artifice of this film, and its brutality, and (strangely enough) its use of architecture. 

    Next Up

    Our next Latin American film is the Peruvian drama MADEINUSA, from 2005.

    Recent Media

    MONEY HEIST (2017–21): Álex Pina, Úrsula Corberó, Álvaro Morte
    MALIBU HIGH (1979): Irvin Berwick, Jill Lansing, Stuart Taylor
    BLACK WIDOW (2021): Cate Shortland, Scarlett Johansson, Florence Pugh

    Recommendations

    THE CONSTANT GARDENER (2005): Fernando Meirelles, Ralph Fiennes, Rachel Weisz
    THE NEON DEMON (2016): Nicolas Winding Refn, Elle Fanning, Christina Hendricks
    PREDATORS (2010): Nimród Antal, Adrien Brody, Topher Grace
    ROMEO + JULIET (1996): William Shakespeare, Baz Luhrmann, Leonardo DiCaprio

    Footnotes

    Firstly, find out more about Rio favelas here: catcomm.org/favela-facts. Sam mentions how touristy Rio’s favelas have become in the last 30 or so years; this site shows you what he means: www.daytours4u.com/en/travel-guide/rdj4u/favela-tourism. Roger Ebert wasn't always on the money, but this is a pretty good review of the ‘churn[ing…] furious energy’ of the film: /www.rogerebert.com/reviews/city-of-god-2003. And this is another good review about the story-telling genius at the heart of this movie: www.theatlantic.com/entertainment/archive/2004/06/the-movie-review-city-of-god/69527. Finally, this is a great piece (not only because the articles at Wallpaper are often very well-written) about architecture in film: www.wallpaper.com/architecture/architecture-in-film-through-the-decades.

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    0 min
  • 5.3 - 25 WATTS (2001) & Futility

    Our film this week is the slacker comedy/drama 25 WATTS, from Uruguay. Post-reviews, we talk about movies with which this shares obvious roots, as well as how this captures the experiences of disenfranchised youth, and some borderline-colonial-tourist-y speculation about why this was such an important touchstone in Uruguayan film.

    Next Up

    The next film on our cinematic journey through Latin America is the 2002 film CITY OF GOD.

    Recent Media

    KATE (2021): Cedric Nicolas-Troyan, Mary Elizabeth Winstead, Miku Martineau
    GODZILLA VS. KONG (2021): Adam Wingard, Alexander Skarsgård, Millie Bobby Brown
    SHIN GODZILLA (2016): Hideaki Anno, Shinji Higuchi, Hiroki Hasegawa

    Recommendations

    THE MYTH OF THE AMERICAN SLEEPOVER (2010): David Robert Mitchell, Claire Sloma, Marlon Morton
    waydowntown (2000): Gary Burns, Fab Filippo, Don McKellar
    CLERKS (1994): Kevin Smith, Brian O’Halloran, Jeff Anderson
    SHE’S GOTTA HAVE IT (1986): Spike Lee, Tracy Camilla Johns, Tommy Redmond Hicks

    Footnotes

    Firstly, it would be remiss of me not to include a reference to our CLERKS episode, from way back in the mists of time (remember how the world was, before COVID and Trump and Brexit? Ahhh…): www.kaiju.fm/prestige/clerks-slacker-cinema. For more on the cinema of Uruguay, see here: en.wikipedia.org/wiki/Cinema_of_Uruguay. If you’re a fan of 25 WATTS, why not try one of these: www.guruguay.com/5-uruguayan-films. Given our discussion of nationality, and why this might be a particularly ‘Uruguayan’ film, this is a good book (for the whole of this mini-season, in fact): books.google.co.uk/books/about/Latin_American_Cinema.html?id=MB-hBAAAQBAJ&redir_esc=y. Finally, I know it’s a comedy, not a drama, so doesn’t meet Rob’s criteria for authentic youth/university life on screen, but here’s a nice little summary of what made FRESH MEAT a good — and, it turns out, poignant — bit of tv: www.theguardian.com/tv-and-radio/2016/mar/28/fresh-meat-farewell-good-luck-in-the-real-world-its-terrible-out-there.

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    0 min
  • 5.2 - THE ACCUSED (2018) & Intensity

    After something of a hiatus from the main feed, this week the band is back together with our look at (the most recent, Rob) THE ACCUSED. We talk about how this film undercuts expectations, what it has to say about the experiences of children as opposed to adults, and the in some ways chilling ending of the movie.

    Next Up

    The next film on our Latin American road trip is 2001’s 25 WATTS from Uruguay.

    Recent Media

    EMPIRE RECORDS (1995): Allan Moyle, Anthony LaPaglia, Maxwell Caulfield
    THE SUICIDE SQUAD (2021): James Gunn, Margot Robbie, Idris Elba

    Recommendations

    THE ACCUSED (1988): Jonathan Kaplan, Kelly McGillis, Jodie Foster
    THE ACCUSED (1949): William Dieterle, June Truesdell, Loretta Young
    THE REVENANT (2015): Alejandro Iñárritu, Leonardo DiCaprio, Tom Hardy
    STAGED (2020–21): Simon Evans, Michael Sheen, David Tennant

    Footnotes

    Normal footnote service will resume next time: I hurt my hand this morning, and typing’s painful; I could leave it to Rob, but who knows what this section would look like then...

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    36 min
  • Small Batch - Free Guy (2021)

    Another Small Batch, this week talking about FREE GUY and the return to the cinema!

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    11 min
  • Small Batch - White House Down (2013) & Olympus Has Fallen (2013)

    Another Small Batch episode, looking at the cinematic twins of White House Down and Olympus Has Fallen

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    16 min
  • Small Batch - Pirates Of The Caribbean

    The first of our brand new Small Batch episodes, this week looking at the Pirates Of The Caribbean, all the from The Curse Of The Black Pearl (2003) all the way to Dead Men Tell No Tales (2017).

    As with the smaller shows, also smaller show notes, so enjoy!

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    0 min
  • 5.1 - EMA (2019) & Seeds

    We launch into Season 5 (FIVE!!! madness, I tell you) and our ‘world tour’ with a film from the country at the southernmost tip of the Americas, Chile, and Pablo Larraín’s 2019 film EMA. After expressing awe at the visuals of the film and the impact that it had on us as viewers, we discuss the idea of new growth (‘seeds’ to be sown after fire, in a central metaphor of the film), the plan that Ema has, and how underestimating this is something that is not only done by Gael Garcia Bernal’s character, but by many (male) members of the audience.

    Next Up

    The next film in our journey up through the continent is the Argentinian film from a year earlier, THE ACCUSED.

    Recent Media

    THIS IS MY HOUSE (2021): Stacey Dooley
    TIME (2021): Lewis Arnold, Jimmy McGovern, Sean Bean
    FEAR STREET (2021): R.L. Stine, Leigh Janiak, Kiana Madeira
    PIRATES OF THE CARIBBEAN 1/2 (2003/2006): Gore Verbinski, Ted Elliott, Johnny Depp

    Recommendations

    AS IF (2001–04): John Duthie, Paul Chequer, Emily Corrie
    HARD CANDY (2005): David Slade, Elliott Page, Patrick Wilson
    THE MOTORCYCLE DIARIES (2004): Walter Telles, Ernesto Guevara, Gael Garcia Bernal
    Y TU MAMÁ TAMBIÉN (2001): Alfonso Cuarón, Maribel Verdú, Gael Garcia Bernal

    Footnotes

    Before we get into the serious footnotes, I just wanted to link to this review of Sam’s first choice of Recent Media this week, which is actually, bizarrely, quite good: www.theguardian.com/tv-and-radio/2021/mar/20/bbc-one-this-is-my-house-stacey-dooley. Onto the good stuff. Here’s our NEON DEMON episode, to link to a film mentioned early on this week: www.kaiju.fm/prestige/3-27-the-neon-demon-and-beauty-consumption, and here’s another one by the director Sam mentions at the start: www.kaiju.fm/prestige/3-17-21-grams-change-and-grief. There were some great reviews of this week’s film: www.smh.com.au/culture/movies/mesmerising-film-gives-us-a-vengeful-goddess-for-the-metoo-generation-20210511-p57qu9.html, www.abc.net.au/radio/programs/nightlife/alex/13350302, and indeed anything on www.rottentomatoes.com/m/ema. Here’s more about the dance form that structures both Eta’s character and this film as a whole: en.wikipedia.org/wiki/Reggaeton. And finally, one of the film’s emotional climaxes (ha, ha) deserves to be on this list: www.vulture.com/2014/12/30-most-important-sex-scenes-in-movie-history.html.

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    0 min
  • 200! - 300 (2007) & Fourteen Years

    Some six years (not five, Rob! we’ve been doing this aaaaages) after our first episode — and fourteen years after the…’discussion’ that prompted us to start doing this podcast (eventually), we’re revisiting Zach Snyder’s 2007 epic 300. After we read through that fourteen-year-old transcript, we talk about how our views of the film have changed, its roots in Spartan propaganda, and the aesthetics of a piece that were very much of its time.

    Next Up

    Next, we begin Season 5 — watch this space!

    Recent Media

    A QUIET PLACE (2018): John Krasinski, Emily Blunt, Millicent Simmonds
    BO BURNHAM: INSIDE (2021): Bo Burnham, Josh Senior

    Recommendations

    WONDER WOMAN (2017): Patty Jenkins, Gal Gadot, Chris Pine
    STEVE JOBS (2015): Danny Boyle, Michael Fassbender, Kate Winslet
    AUSTRALIA (2008): Baz Luhrmann, Nicole Kidman, Hugh Jackman
    KONG: SKULL ISLAND (2017): Jordan Vogt-Roberts, Tom Hiddleston, Samuel L. Jackson

    Footnotes

    If you’re not familiar with the battle on which this is based, then probably read up on that first, as this isn’t an incredibly historically accurate film: en.wikipedia.org/wiki/Battle_of_Thermopylae. (Although, as Sam mentions, the history in the film is actually better than you might think, as explained here: www.bbc.co.uk/programmes/p07n8p9m.) For more on the sometimes unsavoury career of Frank Miller, author of the original, see here: en.wikipedia.org/wiki/Frank_Miller_(comics). A few links for our 2007 selves: www.britannica.com/biography/Bertolt-Brecht, en.wikipedia.org/wiki/Orientalism_(book), www.jstor.org/stable/20455133 (on 300 and the ‘war on terror’; subscription needed). Finally, here’s that list of 2007 films, to highlight the point that 300 was unique (visually speaking, that’s quite an underwhelming top 10): en.wikipedia.org/wiki/2007_in_film.

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    51 min
  • 4.50 - MULAN (2020) and Honour

    The final film in our Disney-animation-and-remakes sub-season is the 2020 iteration of MULAN. After some reviews, we delve into discussions of Disney ‘humanisation’ (sometimes, you just want bad guys to be bad guys), the fact that this movie is aimed at a very different audience from the original, the changes that are made to make this more of a human film, and how honour and ch'i (two big concepts here) mean very different things for different (gendered) characters.

    Next Up

    The next episode is our 200th — stay tuned to find out what we have planned for this, which may be something of a retrospective.

    Recent Media

    ARMY OF THE DEAD (2021): Zack Snyder, Dave Bautista, Ella Purnell
    STEELERS: THE WORLD’S FIRST GAY RUGBY CLUB (2020): Eammon Ashton-Atkinson, Nic Evans, Simon Jones
    PALM SPRINGS (2020): Max Barbakow, Andy Samberg, Cristin Milioti

    Recommendations

    ROGUE ONE (2016): Gareth Edwards, Felicity Jones, Diego Luna
    BACK TO THE FUTURE, PART II (1989): Robert Zemeckis, Michael J. Fox, Christopher Lloyd
    2046 (2004): Wong Kar-wai, Tony Leung Chiu-wai, Faye Wong
    THE ASSASSIN (2015): Hou Hsiao-hsien, She Qi, Chang Chen

    Footnotes

    To start with, almost in passing, Sam mentions the concept of magic(al) realism, when talking about the phoenix; more on that here: en.wikipedia.org/wiki/Magic_realism. When Rob mentions the film’s Wuxia moments, there’s a throwback both to the genre and to some episodes of The Prestige discussing this: en.wikipedia.org/wiki/Wuxia; particularly, www.kaiju.fm/prestige/the-assassin-and-cultural-tourism, www.kaiju.fm/prestige/4-05-come-drink-with-me-1966-and-war, and www.kaiju.fm/prestige/4-08-the-legend-of-drunken-master-1994-and-comedy-action. Next, I looked at the title of this article and thought ‘uh-oh, we missed something significantly wrong with this film’; no, it’s just a terrible take: www.sceneandheardnu.com/content/2020/9/18/mulan-is-bad-and-that-was-inevitable. (It’s here to remind us all that other opinions do exist, which is rather the point of film…) Finally, here’s more on the ‘life force’ we discuss a lot in this episode (spelled in any number of ways in the English transliteration): en.wikipedia.org/wiki/Qi.

    Next episode is our 200th, and we want your help! - https://www.notion.so/The-Prestige-200th-Episode-0556dca9b5ea4821807e524bfe3be263

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    0 min
  • 4.49 - MULAN (1998) & Gender

    Our final Disney film is 1998’s MULAN. After some reviews, we talk about the ways in which this film starts from a position of naivety, but grows into a much more adult movie: which leaves us both intrigued as to what the reboot will be like.

    Next Up

    Next time, for the last time, we turn to the live-action version of a Disney animation, with the 2020 MULAN.

    Recent Media

    SAFE (2012): Boaz Yakin, Jason Statham, Catherine Chan
    NOMADLAND (2020): Chloé Zhao, Jessica Bruder, Frances McDormand

    Recommendations

    JURASSIC PARK (1993): Stephen Spielberg, Sam Neill, Laura Dern
    MARY POPPINS RETURNS (2018): P.L. Travers, Rob Marshall, Emily Blunt
    STREET FIGHTER (1994): Steven E. de Souza, Jean-Claude Van Damme, Raul Julia
    ARTHUR CHRISTMAS (2011): Sarah Smith, Barry Cook, James McAvoy
    MR ROBOT (2015–19): Sam Esmail, Rami Malek, Christian Slater

    Footnotes

    We start off (and end, actually) by talking about Disney sidekicks; this is a fun article, if only for nostalgic reasons, remembering all the films: www.buzzfeed.com/jamiespain/times-disney-sidekicks-were-terrible (While we’re on the subject of Disney sidekicks, I also quite enjoyed this: www.youtube.com/watch?v=J46XJImeQbc). Rob goes all academic (oooh, get him) and talks about the Greek chorus, of which more here: en.wikipedia.org/wiki/Greek_chorus. Here’s the promised link to Orientalism (from which this film is, refreshingly, remarkably free): en.wikipedia.org/wiki/Orientalism_(book). If like Sam — not Rob — you were a nerdy kid in the late 90s, you might remember this, around the time of MULAN: www.imdb.com/title/tt0188478 — not actually Shakespeare, but something even more academic……Here’s another reminder of one of the concepts Rob mentions towards the end of this episode: en.wikipedia.org/wiki/Hero%27s_journey#:~:text=Summary%20%20%20%20Act%20%20%20,road%20back%20The%20resurrection%20Return%20wi%20...%20. Finally, as Rob says, neither of us are best placed to be authorities on the subject of Gender Studies; if you’re interested, here’s a short reading list to get you started: www.lse.ac.uk/gender/Studying-Gender-at-LSE/recommended-literature.

    35 min

About The Prestige

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A podcast for cinephiles of all stripes. Join Rob & Sam, two life-long friends, one a veteran of the film industry, the other a Cambridge-educated writer on books, movies and graphic novels. Each…