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The final film in our ‘high school’ sub-season is the Olivia Wilde film from last year BOOKSMART. After some reviews, we talk about the effectiveness of films that might not be ‘for us’ as an audience, and the division of high school films into movies about nostalgia, coming of age, or romance — and this discussion leads into a retrospective on the sub-season as a whole, for which this movie serves as an excellent conclusion, in a number of senses.
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This week we discuss the 2016 musical-comedy-drama-fantasy (who knows?) SING STREET. After some reviews, we talk about the ways in which this is a musical, the use of emotion on film, and how this is a creatively structured film about creative structure (this may or may not make sense). Oh, and how this is a love story, but the female lead isn’t even in the top 3 romantic protagonists.
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It’s the return of Sam! And we’re picking up where we left off, with a continuation of our mini-season of high school movies. This week, in a change (as explained in the episode) to the film we had been going to feature, it’s Emma Watson’s 2012 (post-HP) breakout role. After some reviews, we talk about how, refreshingly, this is a teen romance that’s actually not about its central relationship; the experiences of its female lead, both on-screen and off-; and filmed depictions of little griefs and in-spite-of-it-all positivity (something that we definitely need at the moment!).
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With Sam off being a dad, Rob ropes in some guest hosts, this week Naomi from Power Word Roll talking up a storm about the gothic horror/love story, Crimson Peak
Naomi has had a fascination with the elements of story most of her life, from fairytales in her early years to film at university. Now Naomi makes audio drama podcast Power Word Roll, and helps introduce others to the power of stories the charity No More Damsels.
Power Word Roll is a London actual play podcast that sounds more like a radio play! We take out the boring stuff to leave you with high drama D&D, concentrated into only 30 minutes.
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This week’s film is the 2007 re-boot of the anarchic ST. TRINIAN’S franchise. Post-reviews, we talk about different takes on the male gaze, on this film as a period piece, and on the way in which such films can be heightened versions of universal truths.
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This week our high school season has reached the cultural zenith (no shade: it’s a culturally important film!) of MEAN GIRLS (2004). After some reviews, we talk about meta-commentaries on teenage slang, the refreshing absence of strong male characters, and why this might be a film about leaving the limitations of high school days behind.
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Our focus this week is the now 21-year-old (gulp) film, 10 THINGS I HATE ABOUT YOU. We follow some reviews with some discussion about the iconic status of this film, the multiple (and sometimes surprising!) similarities to Shakespeare, and the fact that it’s sometimes just good fun to put politics aside and — like Kat — enjoy yourself.
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Our next film in the high school genre is the 1996 horror/comedy/supernatural drama THE CRAFT. After some largely positive reviews, we talk about how this is ultimately a film about knowing your place, while also being a feminist revenge fantasy, and also discuss the way in which this film exists at the confluence of supernatural battles and teenage toxicity.
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The next film in our ‘high school’ season is Richard Linklater’s DAZED AND CONFUSED, from 1993. After perhaps contrasting reviews, we go on to talk about fragmented teenaged memories, gender, and why rites of passage are important on screen.
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