Tomas Nordmark is a composer and sound artist who blends digital and acoustic textures to create immersive soundscapes that The New York Times calls “meditative” and “inscrutable.” Influenced by NYC’s avant-garde scene and composers like Steve Reich, Tomas began his journey by reinterpreting ancient Scandanavian hymns and folk tunes through minimalist, process-based composition. In this episode, he shares insights into his creative process—from crafting unique sounds through spectral synthesis and layering to collaborating with perfumers and scoring experimental operas. Tomas also talks about his exclusive sample pack for BandLab, available for download now.

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Ben Hixon is a Dallas-based musician, producer, and co-founder of Dolfin Records, an artist-led collective and label known for its collaborative, DIY ethos. With roots in jazz and a creative upbringing at Dallas' Booker T. Washington High School, Ben, along with the other members of the collective, have shaped Dolfin into a community-driven label that nurtures unique sounds. In this interview, Ben discusses Dolfin's beginnings, his hands-on approach to sound creation, and his exclusive sample pack now available on BandLab.

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Li Yilei is a Chinese-born, London-based sound artist and musician whose recent album, Nonage, merges field recordings with sound sculpture. With a background in fine art, Li blends found sounds, personal recordings, and custom-built instruments to create immersive soundscapes. In this episode, we talk about the therapeutic role of field recording and a sensory-driven approach to composing, while Li details the balance of nature and electronic sound showcased in an exclusive sample pack for BandLab.

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Stonie Blue is a creator whose work bridges music, animation, and photography, known for his DIY ethos. As he describes it, his official start in music came as the “aux cable guy” on tour with Denzel Curry & Deniro Farrar, and since then, Stonie quickly developed his voice, first as a resident DJ and later with his own tracks.

In this episode, he dives into his creative journey, the influence of visual arts on his sound, and how an injury while playing football at the University of Nebraska led him to a new path in music. Finally, we cover  the inspiration behind a custom loop pack available now exclusively on BandLab.

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Lea Bertucci is a New York–based artist, composer, and performer whose work investigates the relationship between acoustic phenomena and biological resonance.

The New York Times has described her music as one that “abounds with implications about our relationship to the ecology around us,” and she has performed at institutions like The Museum of Modern Art New York, The Walker Art Center, and Gagosian.

In this episode, Lea covers her musical origins in public school band, studying photography at Bard, Binaural sound, site-specific works, and more. She also walks us through the creation of her exclusive soundpack for BandLab, which includes piano recordings captured on a Steinway grand piano during her residency at Macdowell Colony.

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In this episode, Joshua Davidson, Lead Sound Designer at Gearbox Software, gives us an inside look at the creative and technical process of game sound design, with insights from his experience on titles like Borderlands 3. 

Joshua explains his approach to building immersive soundscapes, while sharing some of his favorite plugins and modular synths that help him create signature bleeps, fly-bys, and atmospheric environments. Joshua also introduces an exclusive sound pack for BandLab, inspired by his creative techniques, offering listeners a collection of unique textures, futuristic effects, and sci-fi sounds drawn from his process.

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Nwando Ebizie is a multidisciplinary artist whose work explores immersive soundscapes and alternate realities. Known for blending found sound, speculative fiction, and dance influences, Nwando’s world-building invites audiences into richly imagined, transformative spaces. In this episode, she discusses her unique creative process, the influence of African diasporic rituals, and walks us through some of the sounds that brought her album, The Swan, to life. You can explore those sounds in her exclusive sample pack, available now on BandLab.

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Phong Tran is Brooklyn-based composer and visual artist working in digital and electronic mediums. His music has been released by the New York post-classical label New Amsterdam, who has described his work as evoking “the sounds of early synthesizers and late night wikipedia deep dives.” 

In this episode, Phong discusses his favorite eurorack modules, online communities of the early 2000s, and how a tabletop board game inspired an original composition. Phong also unveils his exclusive sample pack for BandLab, giving listeners an opportunity to download the analog textures and modular synthesis that define his sound design.

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Maria Chiara Argirò is an Italian-born, London-based multi-instrumentalist, producer, and composer who blends jazz, electronic music, and classical influences. Her latest album, Closer on Innovative Leisure, showcases her approach to composition, combining improvisation and layered arpeggiations. In this episode, Maria discusses her musical evolution, the role of jazz and improvisation in her work, and the inspirations behind her exclusive sample pack, available now on BandLab.

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Ian Chang is a drummer and sound designer known for his singular style and collaborations with artists like David Byrne, Matthew Dear, and Blonde Redhead’s Kazu. As a member of Son Lux, Ian co-wrote the Oscar-nominated score for Everything Everywhere All at Once (2022), as well as the score for Marvel's Thunderbolts (2025). In this episode, Ian talks about his journey from classical percussion to experimental drumming, shares insights on sensory percussion technology, and discusses his process of blending organic and electronic sounds in his exclusive sample pack, available now on BandLab.

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