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In my conversations with the original creative team of The Addams Family, I was learning how the show was refined and restructured to become a success on tour and around the world. But this wasn’t bridging the gap between these professional productions and the success the show has seen in schools and non-professional settings. So I reached out to the folx who were in charge of sharing The Addams Family with legions of schools across North America: Theatrical Rights Worldwide.
With a mission to cultivate and extend the production life of musicals to all theatrical marketplaces, TRW is responsible for licensing amateur productions of theatrical properties to student and amateur producers across the country and (in fact, as their name suggests) the world. I spoke with Jim Hoare, their Executive Vice President of Education and Community Initiatives about how the show became a part of the TRW catalogue. A former high school theatre teacher himself, he has directed over one hundred shows and musicals, including the first high school production of Once On This Island and the world’s first production of Les Miserables, School Edition. Over the phone, Jim shared expert knowledge of what has made The Addams Family such a popular choice for amateur licensing. Here’s our conversation...
Learn more about your ad choices. Visit megaphone.fm/adchoices
By The Ensemblist & Broadway Podcast Network4.9
445445 ratings
In my conversations with the original creative team of The Addams Family, I was learning how the show was refined and restructured to become a success on tour and around the world. But this wasn’t bridging the gap between these professional productions and the success the show has seen in schools and non-professional settings. So I reached out to the folx who were in charge of sharing The Addams Family with legions of schools across North America: Theatrical Rights Worldwide.
With a mission to cultivate and extend the production life of musicals to all theatrical marketplaces, TRW is responsible for licensing amateur productions of theatrical properties to student and amateur producers across the country and (in fact, as their name suggests) the world. I spoke with Jim Hoare, their Executive Vice President of Education and Community Initiatives about how the show became a part of the TRW catalogue. A former high school theatre teacher himself, he has directed over one hundred shows and musicals, including the first high school production of Once On This Island and the world’s first production of Les Miserables, School Edition. Over the phone, Jim shared expert knowledge of what has made The Addams Family such a popular choice for amateur licensing. Here’s our conversation...
Learn more about your ad choices. Visit megaphone.fm/adchoices

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