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The mailbag returns today alongside my guest Mark Fearnley, a London-based street photographer known for his minimalist, fine art approach to urban storytelling, where lines, light, and shadow play leading roles.
With a background rooted in the arts, his shift to photography felt like a natural extension of how he sees the world. In this episode, Mark shares the story of how he found his visual voice, why the city of London in particular remains his ever-changing canvas, and how his work challenges the traditional idea of what street photography should look like. Alongside creating striking, often cinematic imagery, he also spends time guiding others, not just in technique, but in learning to observe with intent.
Also, in the monthly feature Teach Me Street, Valérie Jardin answers what ‘makes an image,’ and unpicks how photographers can recognise that they have captured something really quite special. Plus, Extra Miler Dennis Linden sets a new assignment for the month.
From the mailbag two Chris’s, Articulate and Parsons celebrate the sights and sounds of our Indian special, Charles Mason reminds us of the power of hands, and how much hands say about us in a portrait, plus Lin Gregory has important and special thoughts about safety for women photographers on the paths we tread.
Links to all guests and features will be on the show page, my sincere thanks to Arthelper, who sponsor this show, plus our Extra Milers, without whom we wouldn't be walking each week.
WHY: A Sketchbook of Life is available here.
4.7
115115 ratings
The mailbag returns today alongside my guest Mark Fearnley, a London-based street photographer known for his minimalist, fine art approach to urban storytelling, where lines, light, and shadow play leading roles.
With a background rooted in the arts, his shift to photography felt like a natural extension of how he sees the world. In this episode, Mark shares the story of how he found his visual voice, why the city of London in particular remains his ever-changing canvas, and how his work challenges the traditional idea of what street photography should look like. Alongside creating striking, often cinematic imagery, he also spends time guiding others, not just in technique, but in learning to observe with intent.
Also, in the monthly feature Teach Me Street, Valérie Jardin answers what ‘makes an image,’ and unpicks how photographers can recognise that they have captured something really quite special. Plus, Extra Miler Dennis Linden sets a new assignment for the month.
From the mailbag two Chris’s, Articulate and Parsons celebrate the sights and sounds of our Indian special, Charles Mason reminds us of the power of hands, and how much hands say about us in a portrait, plus Lin Gregory has important and special thoughts about safety for women photographers on the paths we tread.
Links to all guests and features will be on the show page, my sincere thanks to Arthelper, who sponsor this show, plus our Extra Milers, without whom we wouldn't be walking each week.
WHY: A Sketchbook of Life is available here.
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