Clémentine Schneidermann is a French photographer living and working between Paris and South Wales. She recently completed a practice-based PhD at the University of South Wales, Cardiff entitled Photographing Children in a Social Context: Narratives and Strategies (2021). Clémentine works on long term projects & commissions and is interested in new creative practices in social documentary photography. Her approach is collaborative and playful, with an interest in communities and childhood, as well as our relationship to identity and culture. She is a co-founder of Bleak Fabulous with Charlotte James, a  photography-based creative studio working across different disciplines with an emphasis on communities and collaboration.

On episode 289, Clémentine discusses, among other things:

Referenced:

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Aria Shahrokhshahi (b. 1996) is a British-Iranian multi-disciplinary artist, whose practice has been shaped by a deep fascination with the intricate dynamics of diverse communities and the complexities of the human condition. With a focus on social structures and the human experience, Shahrokhshahi's work serves as a critical exploration of the relationships and power dynamics that inform everyday life.

Aria’s debut photobook, Wet Ground, featuring images from Ukraine shot over a period of several years both before and after the Russian invasion in Feburary 2022, was published in April 2026 by Loose Joints.

He is currently putting the finishing touches to a feature documentary film entitled While We Heal, which also focusses on the war in Ukraine and explores the themes of healing, loss, and resilience.

On episode 288, Aria discusses, among other things:

Referenced:

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Lorenzo Meloni is an Italian photographer.

He has documented some of the defining conflicts of the 21st century across the Middle East, North Africa and Asia. For more than a decade, he has worked in territories marked by wars, revolutions and profound political and social transformations, developing a visual practice that views conflict not merely as an event, but as a historical, material and cultural process.

In recent years, his work has expanded beyond the battlefield. Revelation, an ongoing project, explores how science and technology are changing our relationship to the material world.

In 2022, he published the monograph We Don’t Say Goodbye, a fragmented narrative on the rise, dominance and fall of the Islamic State as a territorial entity. TIME named it one of the 20 Best Photobooks of 2022.

On episode 287, Lorenzo discusses, among other things:

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Ximena Borrazás is a Uruguayan photographer and documentary filmmaker born in Montevideo in 1992. She focuses on armed conflicts, migration, and humanitarian crises. Her work combines visual sensitivity with a strong commitment to social justice, often addressing the experiences of women and displaced populations.

She has published with major international outlets, including National Geographic, The Guardian, BBC, CNN, DW, France 24, Al Jazeera, and the Associated Press, and has worked with institutions such as UNHCR, UNESCO, and IOM.

Ximena’s project in northern Ethiopia documents the devastating aftermath of the Tigray conflict, one of the deadliest wars of the 21st century. Her images portray survivors of sexual violence, displaced families, and the enduring effects of famine and trauma. This work earned her the 2024 Tom Stoddart Award for Excellence, the Gentex Corp Personal Safety Award from the Ian Parry Photojournalism Grant, and the Africa Mundi Award for best photographic publication in Planeta Futuro of El País.

Her long-term documentary project The Scars of War, which began in Tigray, combines photography, testimony, and documentation to investigate conflict-related sexual violence through a forensic lens. Rather than treating sexual violence as an isolated act, the project traces it as a weapon of war, examining physical, psychological, and social evidence left behind, and the systems, or lack thereof, that respond to it.

Ximena is currently based in Ukraine where, aside from continuing to photograph, she has a full-time job as a Liaison and Communications Officer with the United Nations.

On episode 286, Ximena discusses, among other things:

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Sam Faulkner is a London-based photographer and the founder of Print Swap, an iOS app. where photographers and visual artists exchange gallery-quality physical prints directly. No buying, no selling, no follower counts.

Sam came to photography the hard way, travelling into Afghanistan in 1994 with a battered Canon, a few rolls of film and very little plan. His work has since moved between reportage, portraiture and long-form photographic projects, including Unseen Waterloo, his battlefield portrait series exhibited at Somerset House.

Print Swap began with a gap Sam’s own wall and a long-held habit among photographers: trading prints of each other's work. In a world of endless images and thin attention, it is built on a simple belief: a print on the wall changes the relationship.

In episode 285, Sam discusses, among other things:

Referenced:

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Harriet Logan is a multi-award winning photographer who spent the first half of her career working on international assignments in places such as Sudan, Angola, Chechnya, Afghanistan, Iraq, Kosovo and Somalia for a range of international newspapers and magazines.

Today she curates the Incite Project, an issue driven collection of photographs broadly based around the subject of world events and conflict.

Harriet is also the executive director of The Ian Parry Photojournalism Grant which has run for over 30 years and which she won in 1992. The grant has a mission to support young and emerging Photojournalists.

She co-parents 4 boys with her husband Mark, an owl, a peregrine falcon, three dogs, a dressage horse, and a bunch of sheep, cows, chickens and pigs.

On episode 284, Harriet discusses, among other things:

Referenced:

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Henri Kisielewski is a self-taught photographer whose work is concerned with the porous boundary between fact and fiction in documentary media.

His practice has been recognised and supported by several grants and awards, and he has exhibited in group shows and festivals internationally. In 2025, he was shortlisted for both the Prix Élysée and Grand Prix Images Vevey.

In 2021, Henri was employed by Magnum Photos to conduct the first complete review of their historic archive - he remains the only person to have seen the nearly 1 million images within. Informed by this experience, and his studies in human geography, Henri’s work operates at the intersection of real-world issues and their modes of representation.

His first book Non Fiction was published by Le Bec en l’air in 2024. It was selected by Clément Chéroux as one of his ten books of that year and shortlisted for the Prix Nadar in 2025.

Henri is also the founder of Soft Eyes, a new photography lecture series which runs three times a year at Reference Point in London. It aims to open up space for community and dialogue outside of institutional frameworks, inviting artists.

On episode 283, Henri discusses, among other things:

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Richard Young is a photographer who was once known as the “king of the paparazzi”.

His portfolio is a who’s who of some of the biggest stars in film, music, stage and popular culture from the past fifty years. From gatecrashing Elizabeth Taylor’s party for Richard Burton’s 50th at the Dorchester to later being invited to photograph her Damehood celebrations. He can count the first photographs of Paul Getty Jr. after his kidnapping as just one of his many scoops.

He was born in Hackney to a Jewish family and his father ran a hosiery stall in Berwick Street market for more than sixty years. Richard has dyslexia and after being expelled from school at fourteen, he went to Soho and landed a job in fashionable clothes shop frequented by Leonard Cohen, Bob Dylan, David Hockney and Francis Bacon.

A two-year stint in New York followed, working as a studio assistant at Electric Lady Studios, before he returned to London and found himself in a bookshop handed a camera and told to get on with photographing authors.

For the past fifty years, he has lived a nocturnal, high octane life of private jets, parties and exclusive events, eventually becoming as much a fixture in the world of celebrity as the people he photographed.

Richard lives in London with his wife Susan. His photography gallery is in London and has visitors from around the world.

On episode 282, Richard discusses, among other things:

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Ilvy Njiokiktjien is a Dutch photojournalist, filmmaker, podcast host and educator who has been creating and sharing stories for almost two decades. She is based in Utrecht, the Netherlands and is a contributing photographer to VII Foundation. Ilvy is committed to documenting the social and political issues that shape our world. Her work is characterized by a sensitive eye and a compassionate and personal relationship with her subjects. 

For nearly 2 decades, she chronicled South Africa’s first post-apartheid generation. Ilvy became intrigued by these young adults and portrayed them in her own, personal and intimate style. “Equality is there on paper, but a majority of young people believes white South Africans still have better chances, as the legacy of centuries of inequality is still there.” The result is the project Born Free – Mandela’s Generation of Hope, which sparked a documentary, an interactive website, a book, feature articles, and a traveling exhibition.

Her work with Ukraine’s LGBTQ community in March 2022 tells the tale of people’s loves and fears – and their resolve in the face of Russian aggression. Ilvy’s latest project on co-housing follows people who opt to live in non-traditional groups or who welcome extended family members into a shared home. 

Ilvy was the first woman to win the Dutch Silver Camera Award for photographer of the year and was named the first ever Photographer Laureate of the Netherlands in 2013. In addition to numerous awards from international organizations such as World Press Photo and POYi, Ilvy’s images have appeared in The New York Times, The Washington Post, National Geographic, The Guardian, Stern, Der Spiegel, TIME, and other major outlets. She has exhibited at Visa pour l’Image in France, New York’s Photoville, and museums and festivals around the world. 

On episode 281, Ilvy discusses, among other things:

Referenced:

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Jon McCormack is - as plainly stated on his Linked-In profile - a Photographer, Nerd, Educator and Conservationist

His photographic work is deeply informed by his upbringing in the stark, untamed landscapes of the Australian Outback, where early life among sheep and cattle fostered a profound respect for nature’s rhythms of resilience and fragility. Beginning as a teenager photographing quiet, often-overlooked moments in the bush, he developed a photographic voice rooted in patience, attention, and ecological empathy. Today, his images explore the intricate patterns and emotional textures of wild places, seeking to inspire both wonder and a sense of responsibility, and are widely published and used by global conservation organizations to advocate for the protection of fragile ecosystems.

In addition to photography Jon is also actively involved in conservation and social good organizations. He is a member of The Explorer’s Club, a founding board member of Sealegacy, co-founder of his non-profit in Kenya, The Kilgoris Project and a fellow of the Royal Geographical Society.

Alongside his creative work, Jon has a day job as a tech nerd. He is Vice President of Camera & Photos Software Engineering at Apple in California, leading the software team responsible for the iPhone camera.

His new photobook entitiled Patterns: Art Of The Natural World, is published by Damiani and 100% of the proceeds will be donated to Vital Impacts, the non-profit founded in 2021 by photographer Ami Vitale and visual journalist Eileen Mignoni to advance conservation through visual storytelling, community partnership, and strategic investment in local solutions.

On episode 280, Jon discusses, among other things:

Referenced:

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