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By Ben Smith
4.8
158158 ratings
The podcast currently has 294 episodes available.
The most played episodes among Podcast App listeners.

Richard Sharum is an editorial and documentary photographer based in upstate New York. Mainly focusing on socio-economic or social justice dilemmas concerning the human condition, his work has been regarded as in-depth, up-close and personal. Selected exhibitions have occurred in Kyoto, Japan, Sao Paulo, Brazil, Reggio Emilia, Italy, New York City, Boston, Chicago and Dallas, and his work has been added to the permanent collection of the Jordan Schnitzer Museum of Art and The Wittliff Collection, as well as others. Richard's commissions include those by The Meadows Foundation, Centers for Community Cooperation, Harvard Law School, Student Conservation Association, Children's Medical Center (Oncology), Children's Cancer Fund. His publications include those by LFI (Leica International), British Journal of Photography, LensCulture, The Atlantic, Texas Monthly, Publico (Portugal), El Pais (Spain), Observer (UK), The Wall Street Journal, B+W Photo Magazine, Huck Magazine, Glasstire, PATRON, Creative Review, among others. Richard has published two photobooks, Campesina Cuba and Spina Americana, both with GOST. His third, American Homicide, will be released early in 2027, also by GOST. The last two of these titles will be joined in 2028 by American Avenue, to form a trilogy of books entitled Of Thee I Sing. He is represented by The Hulett Collection, Tulsa, Oklahoma. On episode 290, Richard discusses, among other things:His goal of reaching a wider audience among the general public.Team window vs. team mirrorHis new book American HomocideThe fascination for true crime among the publicHow murder affects all the groups involvedGetting access to the detective squad he embedded withThe portrayal of violence on screenHis obsession with timeThe need to be empathetic and openThe impact of being exposed so many murder victimsThe murder detectives he got to know and photographCorresponding with the perpetratorsPart three of his planned trilogy, American AvenueThe state of the photobook industry and the unfairness of the current systemReferenced:W Eugene SmithSebastião SalgadoJames NachtweyLarry TowellLeonard FreedSusan MeiselasGordon ParksWebsite | Instagram | Lecture at Columbia Become a A Small Voice podcast member here to access exclusive additional subscriber-only content and the full archive of 200+ previous episodes for £4 per month. Need a website? EXCLUSIVE LISTENER OFFER: 15% off when booked by Christmas 2026! Go here. Subscribe to my weekly newsletter here for everything A Small Voice related and much more besides. Follow me on Instagram here. Need a new website? I will build you one with Squarespace. Details here.

Clémentine Schneidermann is a French photographer living and working between Paris and South Wales. She recently completed a practice-based PhD at the University of South Wales, Cardiff entitled Photographing Children in a Social Context: Narratives and Strategies (2021). Clémentine works on long term projects & commissions and is interested in new creative practices in social documentary photography. Her approach is collaborative and playful, with an interest in communities and childhood, as well as our relationship to identity and culture. She is a co-founder of Bleak Fabulous with Charlotte James, a photography-based creative studio working across different disciplines with an emphasis on communities and collaboration. On episode 289, Clémentine discusses, among other things: How having a camera made it acceptable to stare at people Studying in Switzerland… and then Newport, Wales Falling in love with Wales immediately Her book project, I Call Her Lisa Marie Her project Ffasiwn Collaborating with kids… and Charlotte James Getting involved with Alexander MacQueen Her forthcoming book marking ten year of Ffasiwn Bleak Fabulous - trying to create stable income Winning the Taylor Wessing Portrait Prize Work she has done in Greenland Her other collaboration: The Emmas Referenced: Mary Ellen Mark Sebastian Bruno Bruce Davidson David Barnes Ken Grant Paul Reas Lina Hashim Jacob Aue Sobol Website | Instagram Become a A Small Voice podcast member here to access exclusive additional subscriber-only content and the full archive of 200+ previous episodes for £4 per month. Need a website? EXCLUSIVE LISTENER OFFER: 15% off when booked by Christmas 2026! Go here. Subscribe to my weekly newsletter here for everything A Small Voice related and much more besides. Follow me on Instagram here. Need a new website? I will build you one with Squarespace. Details here.

Aria Shahrokhshahi (b. 1996) is a British-Iranian multi-disciplinary artist, whose practice has been shaped by a deep fascination with the intricate dynamics of diverse communities and the complexities of the human condition. With a focus on social structures and the human experience, Shahrokhshahi's work serves as a critical exploration of the relationships and power dynamics that inform everyday life. Aria’s debut photobook, Wet Ground, featuring images from Ukraine shot over a period of several years both before and after the Russian invasion in Feburary 2022, was published in April 2026 by Loose Joints. He is currently putting the finishing touches to a feature documentary film entitled While We Heal, which also focusses on the war in Ukraine and explores the themes of healing, loss, and resilience. On episode 288, Aria discusses, among other things: Formative experiences (11 different schools!) growing up in Nottingham How walking around the city with a camera was the start of his photography journey Negative feedback Facebook group / YouTube channel Early education at the Photo Parlour lab (later named Sequence) from Dan Wheelan Using large format and why the decision to shoot B&W came out of the cost of film Falling in love with Ukraine It not being enough to just take pictures Why ‘Ukraine, I guess?’ was an informal category of picture during editing Having nothing to say about war but being interested in what happens around it The way in which war rearranges the social hierarchy Poem by Charlotte Shevchenko-Knight How the title ‘Wet Ground’, and the book itself, came about The importance of collaboration The feature length doc he is making in Ukraine The importance of having a commercial practice Referenced: Lee Friedlander Laytoya Ruby Frazer Don McCullin Tim Hetherington (Which Way Is The Front Line From Here) Shelby Lee Adams Minor White Alec Soth Gregory Halpern Nigel Shafran Alessandra Sanguinetti Myriam Boulos Sohrab Hura Lightwork Website | Instagram Become a A Small Voice podcast member here to access exclusive additional subscriber-only content and the full archive of 200+ previous episodes for £4 per month. Need a website? EXCLUSIVE LISTENER OFFER: 15% off when booked by Christmas 2026! Go here. Subscribe to my weekly newsletter here for everything A Small Voice related and much more besides. Follow me on Instagram here. Need a new website? I will build you one with Squarespace. Details here.

Lorenzo Meloni is an Italian photographer. He has documented some of the defining conflicts of the 21st century across the Middle East, North Africa and Asia. For more than a decade, he has worked in territories marked by wars, revolutions and profound political and social transformations, developing a visual practice that views conflict not merely as an event, but as a historical, material and cultural process. In recent years, his work has expanded beyond the battlefield. Revelation, an ongoing project, explores how science and technology are changing our relationship to the material world. In 2022, he published the monograph We Don’t Say Goodbye, a fragmented narrative on the rise, dominance and fall of the Islamic State as a territorial entity. TIME named it one of the 20 Best Photobooks of 2022. On episode 287, Lorenzo discusses, among other things: How he has changed his way of working 'Starting as a revolutionary and becoming a deserter' How his photography journey began in Yemen How the power of photography is metaphorical not descriptive His interest in borders and history His book, We Don’t Say Goodbye. The theme of repetition. And why the cover is orange The caliphate and Islamic State His now project, Revelation Focussing on one thing at a time Dealing with the instability of a freelance life and keeping some freedom Become a A Small Voice podcast member here to access exclusive additional subscriber-only content and the full archive of 200+ previous episodes for £4 per month. Need a website? EXCLUSIVE LISTENER OFFER: 15% off when booked by Christmas 2026! Go here. Subscribe to my weekly newsletter here for everything A Small Voice related and much more besides. Follow me on Instagram here. Need a new website? I will build you one with Squarespace. Details here.

Sam Faulkner is a London-based photographer and the founder of Print Swap, an iOS app. where photographers and visual artists exchange gallery-quality physical prints directly. No buying, no selling, no follower counts. Sam came to photography the hard way, travelling into Afghanistan in 1994 with a battered Canon, a few rolls of film and very little plan. His work has since moved between reportage, portraiture and long-form photographic projects, including Unseen Waterloo, his battlefield portrait series exhibited at Somerset House. Print Swap began with a gap Sam’s own wall and a long-held habit among photographers: trading prints of each other's work. In a world of endless images and thin attention, it is built on a simple belief: a print on the wall changes the relationship. In episode 285, Sam discusses, among other things: How his new app., Print Swap, came to fruition. How he got into reportage photography in search of adventure. Kashmir and Afghanistan - talkng your way in and talking your way out. Coming back with the six rolls of film that won him the Ian Parry Award. The influence of Nick Danziger’s book Danziger’s Adventures. Changes in the industry. His global story about ‘the war on drugs’. Lessons learned from shooting Mario Testino. The threat of AI and the issue of trusted brands within the news media. His decision to step back from photojournalism. His new working life directing commercials. His Unseen Waterloo project. Referenced: David Hurn Jonas Bendiksen Ian Teh Omar Ashtawy Neil Burgess Nick Danziger Aidan Sullivan Mario Testino Stephen Dupont Website | Instagram Become a A Small Voice podcast member here to access exclusive additional subscriber-only content and the full archive of 200+ previous episodes for £4 per month. Need a website? EXCLUSIVE LISTENER OFFER: 15% off when booked by Christmas 2026! Go here. Subscribe to my weekly newsletter here for everything A Small Voice related and much more besides. Follow me on Instagram here. Need a new website? I will build you one with Squarespace. Details here.
The podcast currently has 294 episodes available.

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