In this episode, Gem Fletcher talks to Sophie Hackett, the photography curator at the Art Gallery of Ontario in Toronto about the power of vernacular photography. We discuss her recent book and exhibition on Casa Susana - The Story of the First Trans Network in the United States 1959-1968. These incredibly inspiring photographs trace an underground network of transgender women and cross-dressing men who found refuge in a house in the Catskills region of New York. The house, known as Casa Susanna, provided a safe place to express their true selves and live for a few days as they had always dreamed - dressed as and living as women without fear of being incarcerated or institutionalised for their self-expression. This book opens up that now-lost world with a multifaceted collection of vernacular photographs - mostly discovered by chance in a New York flea market in 2004. 

During Sophie Hackett’s tenure at the Art Gallery of Ontario she has curated numerous exhibitions and collection reinstallation's, written and contributed to countless publications, participated on international juries and maintained an active academic profile. She is currently a faculty member in Toronto Metropolitan University’s Master’s degree program in Film + Photography, and was a 2017 Fellow with the Center for Curatorial Leadership. Hackett’s area of specialty is 19th and 20th century vernacular photography.

Follow Sophie @hackettse & Gem @gemfletcher on Instagram. If you've enjoyed this episode, PLEASE leave us your feedback in the Apple Podcast store. Thank you for listening to The Messy Truth. We will be back very soon. For all requests, please email [email protected]

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In this episode, Gem Fletcher talks to Photographer Jesse Glazzard renowned for making striking and intimate portraits anchored in his everyday life and wider community. Alongside his commercial and editorial work, Jesse’s passion projects immerse us in marginal, lesser-known worlds, such as a Trans boxing gyms, Queer camping and underground club nights. His photographs are informed by care and compassion and the impetus of his practice is on the importance of documentation, without necessarily showing the work right away. There is a sense of preserving his community, in a particular moment of history. 

Jesse Glazzard Is a Photographer from West Yorkshire, based in London. He has worked with clients including YSL, SSENSE, Calvin Klien, Adidas, Coach, Facebook, Death Jam, Sony Music as well publications including British Vogue, Interview magazine, GQ, Altered States, Perfect Magazine, Cultured Mag and The Face.

Mentioned in the episode:

• Diamond Coating on a Blade - Jesse Glazzard for The Face
• Winter on Fire documentary

Follow Jesse @jesse_glazzard & Gem @gemfletcher on Instagram. If you've enjoyed this episode, PLEASE leave us your feedback in the Apple Podcast store. Thank you for listening to The Messy Truth. We will be back very soon. For all requests, please email [email protected]

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In this episode, Gem Fletcher chats to designer and educator Brian Paul Lamotte about  reimagining the possibilities of form, production and distribution in art and photobooks. In a deep dive into the book making process we open up a conversation about the changing scope of publishing, the transformative experience of being entangled with an artist and their intentions and ultimately design as a form of collaboration. 

Brian Paul Lamotte (b. 1984, San Francisco, USA) is an independent graphic designer & publisher specializing in art and photography books. Educated in graphic design at London’s Central St. Martins, he established his creative practice in New York and is currently based between Milano and Zürich. His design approach utilizes extensive visual and production research paired with image-led solutions and minimal typography. His publishing practice is driven by exploration and experimentation with the book form, production methods and models of distribution. He has designed and produced various books and projects for select publishers and clients including Aperture Foundation, Dashwood Books, Edition Patrick Frey, Fondation Louis Vuitton, GOST Books, Hauser & Wirth Publishers, Images Vevey, Ithaca Image Text Press, Jiazazhi, MAST Foundation, Meta/Books, MoMA, Pro Helvetia, Rizzoli,SPBH Editions and Twin Palms Publishers.

Follow Brian on Instagram @brianpaullamotte Follow Gem @gemfletcher on Instagram. If you've enjoyed this episode, PLEASE leave us your feedback and maybe five stars if we're worthy in the Apple Podcast store. Thank you for listening to The Messy Truth. We will be back very soon. For all requests, please email [email protected]

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Nathaniel Tonelli, known by their monika Female Pentimento, has cultivated a vast audience on social media in awe of their celestial images which both advocate for climate awareness while traversing the space between heaven and earth, life and death, spirituality and science fiction. While Nathaniel’s work feels provocative and exciting, it’s their approach to designing a practice that prioritizes care, independence and anonymity that I wanted to dig into with them during this episode. Together we talk about crafting a creative practice, affirmations, independence and the importance of finding a methodology that works for the individual. 

You can order Nathaniel’s photobook Inner Nature here published by Broccoli Press.

Nathaniel Tonelli is an artist and art director whose work bridges photography with speculative storytelling, exploring themes of mysticism, deep ecology, and humanity’s imprint on nature. Through these lenses, Nathaniel considers the interwoven futures of our ecosystems and spiritual lives. Rooted in vibrant experimentation, their work is guided by gratitude, reverence, and mindfulness.

Follow Nathaniel on Instagram @Female Pentimento Follow Gem @gemfletcher on Instagram. If you've enjoyed this episode, PLEASE rate and review on Apple Podcast store. Thank you for listening to The Messy Truth. We will be back very soon. For all requests, please email [email protected]

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In this episode, Gem Fletcher welcomes back Charlie Engman to talk about Cursed, his new book of AI Images. Cursed stands as a testament to Charlie’s visionary role in the rapidly evolving and highly contentious field of AI, offering an immersive exploration of uncharted artistic territories and proposing a new paradigm for the future and possibilities of photography. During their roving conversation, AI Images act as a way to not just reflect upon Charlie’s work but also to interrogate the discourse around value, provenance, creativity and economics as well as other pressing issues which get very little attention. 

Charlie Engman is a Brooklyn-based photographer, director, and art director whose work pushes the limits of traditional image making, simultaneously principled and irreverent — imbued with both the weird and wonderful. He has exhibited work globally and made four books. His work has been featured across AnOther Magazine, Dazed, Garage, POP, and T: The New York Times Style Magazine, among other publications. His commercial clients include Prada, Marni, Adidas, Hermès, Kenzo, Nike, Vivienne Westwood, and Stella McCartney. Charlie has also worked as Art Director at Collina Strada since 2019 — continuously pushing the creative & conceptual boundaries of the contemporary, sustainable brand.

You can order Cursed  and Hello Chaos, a love story over at Mack. 

Follow Charlie on Instagram @charlieengman Follow Gem @gemfletcher on Instagram. If you've enjoyed this episode, PLEASE rate and review on Apple Podcast store. Thank you for listening to The Messy Truth. We will be back very soon. For all requests, please email [email protected]

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In this episode, Gem Fletcher talks to curator Alona Pardo about her rich practice rooted in multiplicity. Alona is one of those curators who knows how to truly capture the imagination of the audience, planting ideas in our minds that reverberate long after we have left her exhibitions. During the conversation, Alona talks about her process, interests and how her curatorial practice has evolved over time. 

Alona Pardo is Head of Programmes at the Arts Council Collection, UK, and was until recently a curator at Barbican Art Gallery in London for 15 years. With a focus on photography and film, she has curated numerous exhibitions including most recently RE/SISTERS: A Lens on Gender and Ecology (2023); Noemie Goudal: Phoenix (2022) as part of Les Rencontres de la Photographie, Arles; Masculinities: Liberation through Photography (2020); Trevor Paglen: From Apple to Anomaly (2019); Dorothea Lange: Politics of Seeing (2018); Vanessa Winship: And Time Folds (2018); Another Kind of Life: Photography on the Margins (2018); Richard Mosse: Incoming (2017) and Strange and Familiar: Britain as seen by International Photographers (with Martin Parr; 2016). She has a particular interest in work that operates at the intersection of gender, social and environmental justice.

Follow Alona on Instagram @alona_pardo Follow Gem @gemfletcher on Instagram. If you've enjoyed this episode, PLEASE rate and review on Apple Podcast store. Thank you for listening to The Messy Truth. We will be back very soon. For all requests, please email [email protected]

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In this episode, Gem Fletcher delves into the unique approach of London-based photographic artist, Laura Pannack. Her practice, which is a blend of experimentation and research, is a deep exploration of the intricate relationship between subject and photographer. The work is rooted in intimate collaborations with individuals and communities, and it constantly pushes the boundaries of what photography can be.

Laura Pannack, a London-based photographic artist, has made a significant impact in the field of portraiture and social documentary. Her work has been widely exhibited in prestigious institutions, including The National Portrait Gallery, Somerset House, The Houses of Parliament and the Royal Festival Hall. Her numerous awards, including the World Press Photo Award and the Julia Cameron Award, are a testament to the profound influence of her work. Last year, she published 'Youth Without Age and Life Without Death, with Guest Editions, a response to her need to escape and find adventure in the face of the relentless passage of time.

Her artwork has received much acclaim and won numerous awards, including the John Kobal Award, Vic Odden Prize, World Photo Press Awards, Juliet Margaret Cameron Award, and the HSBC Prix de la Photographie prize.

Follow Laura on Instagram @laurapannack. Follow Gem @gemfletcher on Instagram. If you've enjoyed this episode, PLEASE rate and review it on the Apple Podcast store. Thank you for listening to The Messy Truth. We will be back very soon. For all requests, please email [email protected]

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In this episode, Gem Fletcher talks to Jermaine Francis about his multifaceted practice. Jermaine’s work is both deeply personal while also speaking to the intersection of politics and culture in the UK, inviting us to explore the physical and psychological aspects of our space, unpacking themes of history, power, class and race in photography. 

Jermaine Francis is a London lens Based Artist, his practice works within, Documentary & Portraiture, archive in the format of personal driven Photo projects & Editorials, exploring the issues that arise from our interaction in the everyday environment. He has published two books, Something that seems so Familiar in 2020 & 2021 Rhythms from the Metroplex, & is currently working on a new book with publishers Here Press. The International Centre of Photography NYC, The National Portrait Gallery, Galeriepcp Paris, Hetton Lawn Haus Wien, Vienna Austria 2021,Pembroke JCR galley Oxford, Saatchi Gallery, Centre of British Photography, a nominee for the 2024 Paul Huf foam Award, Awarded the Lightworks /Autograph 2024 Residency, and Cora Oxford Brookes 2024 Residency.

Follow Jermaine on Instagram @jermainefrancisstudio Follow Gem @gemfletcher on Instagram. If you've enjoyed this episode, PLEASE rate and review on Apple Podcast store. Thank you for listening to The Messy Truth. We will be back very soon. For all requests, please email [email protected]

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Welcome to one of five special episodes recorded live at Peckham 24. In this episode, I speak to Eleonora Agostini about her series, A Study On Waitressing, in which she assembles and re-presents photographs, archival imagery and footage, collage and text as a research method to analyse the theatricality of the everyday and the function of the body as a conduit between observer and observed. 

Peckham 24 exists to support the photographic community by providing artists with opportunities to exhibit, share and discuss new work - shining a spotlight on cutting-edge contemporary photography.

The theme for the 8th edition of the festival was Back to the future, bringing together artists who take moments from the past as inspiration to re-stage, re-imagine or re-think existing narratives. 

Eleonora is an Italian artist based in London. Her practice shifts between photography, moving image, performance and sculpture, exploring and analysing the difficulties of how human experience is constructed.Her research is strongly connected with the experience of our surroundings and she is interested in finding a possible fracture within our socially constructed rules and the spaces we inhabit. Eleonora refers to the every-day as a space full of potential and possibilities for quests, incorporating ordinary objects and activities within her images to express and navigate its different layers and meanings.

Follow Eleonora @eleonoraagostini and  Peckham 24 @peckham24photo and Gem @gemfletcher on Instagram. If you've enjoyed this episode, PLEASE leave us your feedback in the Apple Podcast store. Thank you for listening to The Messy Truth. We will be back very soon. For all requests, please email [email protected] 

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Welcome to one of five special episodes recorded live at Peckham 24. In this episode, I talk to Bindi Vora about the two projects she presented at Peckham 24, Mountain of Salt and Unravelling which both employ the use of found or archival images. During our conversation we talk about how the absence of images shapes our lives, what it means to work with archival material, the artist as detective, deciphering traces and threads and connecting stories together. How collage can offer something important that language can't reach and the importance of imagining new language to talk about art making. 

Peckham 24 exists to support the photographic community by providing artists with opportunities to exhibit, share and discuss new work - shining a spotlight on cutting-edge contemporary photography.

The theme for the 8th edition of the festival was Back to the future, bringing together artists who take moments from the past as inspiration to re-stage, re-imagine or re-think existing narratives. 

Bindi Vora is an interdisciplinary artist of Kenyan-Indian heritage, associate lecturer at LCC and senior curator at Autograph, London. She is interested in how ideas of resistance and resilience are shaped by our surroundings, histories and lived experiences. Her practice often combines linguistics and an archive of personal and found photographs procured over the last decade to draw on the intersections between language, culture and their inherent power dynamics.

Follow Bindi @bindi_vora & Peckham 24 @peckham24photo & Gem @gemfletcher on Instagram. If you've enjoyed this episode, PLEASE leave us your feedback in the Apple Podcast store. Thank you for listening to The Messy Truth. We will be back very soon. For all requests, please email [email protected]

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