Lesson 4. Making a livelier drawing, where the line and tone have an energy because they have been applied at speed with a brush.  Creative Commons Attribution-Non-Commercial-Share Alike 2.0 UK: England & Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/

Lesson 4. Making a livelier drawing, where the line and tone have an energy because they have been applied at speed with a brush. Creative Commons Attribution-Non-Commercial-Share Alike 2.0 UK: England & Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/

Lesson 4. Making a livelier drawing, where the line and tone have an energy because they have been applied at speed with a brush.  Creative Commons Attribution-Non-Commercial-Share Alike 2.0 UK: England &amp; Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/

5. Making a Livelier Drawing

Stephen Farthing R.A. presents eight practical drawing classes using John Ruskinâ€™s teaching collections to explain the basic principles of drawing. This series accompanies 'The Elements of Drawing', a searchable and browsable online version of the teaching collection and catalogues assembled by John Ruskin for his Oxford drawing schools. For further information please visit http://ruskin.ashmolean.org/

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5. Making a Livelier Drawing

5. Making a Livelier Drawing

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