One of the largest streamers in the world, lookmaxxer extraordinaire, Clavicular, has built an audience by pushing the limits of what people will watch. Now he faces allegations and charges relating to SA and drugging a minor. Earlier controversies brought arrests, dropped charges, and more attention. In the age of livestreaming, even a scandal can become the next episode. But a celebrity surviving scandal is nothing new. Aerosmith frontman Steven Tyler is currently heading back into the courtroom for decades of allegations about his relationship with a teenage girl. Karl Malone became a basketball legend despite fathering a child with a 13-year-old. Don Henley’s arrest after a 16-year-old overdosed at his home became part of the story behind his hit “Dirty Laundry.” And Stevie Nicks has said she believes Fleetwood Mac would have been “done” if she had not gotten away with a planned killing. What are audiences willing to overlook when they love someone’s music, admire their talent, or can’t stop watching their stream? And what happens when a culture doesn’t just excuse a person’s choices, but helps turn those choices into part of their fame?

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Hollywood’s War on God

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Zack Snyder has directed some of the biggest films of the last two decades, from 300 to Watchmen, Man of Steel, and Batman v Superman—movies that have influenced millions. But what is it that has influenced him? In a recent interview, Snyder tried to distance himself from right-leaning allegations by calling his movie 300: "one of the gayest movies ever made," argued that movies need more eroticism, and then revealed something even more important: the spirituality behind his filmmaking. Snyder says that his worldview is an, quote, "alchemy of Christian Science and Joseph Campbell," describing Jesus as essentially, quote, "a dude who figured it out" and saying, "We are all Superman, and we are all gods on Earth." This matters because ideas don't stay inside books and philosophy. They influence filmmakers, filmmakers influence movies, and movies influence us.

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Brad Pitt grew up Southern Baptist—church, Sunday school, prayer, and the Bible were all part of his upbringing. But somewhere along the way, Pitt walked away from that faith, eventually identifying as an atheist before embracing a much more ambiguous spirituality. Recently, Pitt opened up about ending his seven-year period of sobriety, while also speaking candidly about depression, mental health struggles, and some of the darkest moments of his life. However, Pitt is far from alone. Miley Cyrus, Katy Perry, Hugh Jackman, the Jonas Brothers, and countless other celebrities were raised in Christian homes or churches, only to later distance themselves from the faith they grew up with. So what happened? What causes someone surrounded by Christianity to eventually reject it? And when celebrities explain why they walked away, are they rejecting biblical Christianity or something entirely different? Most importantly, what can Christians do to call them back to the faith in which they were raised?

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🎥 Hollywood’s War on God

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Skillet is celebrating 20 years of Comatose—the album that helped turn them into arguably the biggest Christian rock band in the world. But the celebration is already surrounded by controversy. Bad Wolves were announced as support for the anniversary tour, only to be removed from the lineup after Skillet fans began raising serious concerns about the band’s new lead singer, Sara “KILLBOY” Skinner—including her sexually explicit public persona and reported OnlyFans activity. Skinner says Skillet’s fans did the research that management apparently didn’t, and shortly afterward, Bad Wolves were off the tour. But that raises another question: If those concerns were serious enough to separate from Bad Wolves, why is Skillet still celebrating Comatose alongside secular rock band Escape the Fate? And maybe the bigger question isn’t simply, “Should Christian bands ever play with secular bands?” But rather... "Where is the line between reaching the culture and allowing the culture to influence you?"

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Seth Gruber’s new film brings together prominent evangelical voices like Allie Beth Stuckey and Pastor Jack Hibbs, while also featuring Catholic commentator Michael Knowles—and it raises a much bigger question. For years, Protestants and evangelicals have joined forces with figures like Lila Rose in the fight against abortion, often under the banner of “co-belligerence.” More recently, Joel Webbon announced Alex Jones as a speaker at his “Christ Is King” event. And Doug Wilson has openly articulated the reasoning behind these kinds of alliances: we may fundamentally disagree, but we can still fight together against a common enemy. But is that actually a biblical position? When does working alongside someone become joining together in a cause? And when eternal souls are at stake, can Christians separate the battle from the gospel? Today, we’re examining co-belligerence and putting it to the test of Scripture.

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Catholicism Examined: Are Catholics Christians?

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There is something deeply disturbing about the story of Hayden Panettiere, and it goes far beyond the circumstances surrounding her tragic death. At just 36 years old, Hayden entered Hollywood as a child. She was supposed to have parents who protected her, who put her well-being ahead of a paycheck, a contract, or a career. Yet, according to Hayden's own words, her relationship with her mother became deeply strained, and she eventually cut professional ties with her own mom, saying that what she wanted for her mother was simply for her to be her mother. And that raises a much bigger question: What happens when the people that God gave a child to protect become the very people helping to turn the child into a product? This story isn't unique to Hollywood or the music industry. We've seen versions of this with Michael Jackson and Joe Jackson, Macaulay Culkin, Drew Barrymore, Miley Cyrus, Jennette McCurdy, and others. Different families, different circumstances, but a recurring pattern: A child becomes famous, the money starts coming in, and protecting the child can become secondary to protecting their career. But children are not investments. They're not vehicles for our dreams, nor opportunities to live vicariously through their success. And when Hollywood wants access to your child, the question shouldn't be, "How famous can we make them?" It should be, "How do we protect them?"

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Stop me if you've heard this before. A formerly self-proclaimed Christian band starts performing alongside a band with openly blasphemous music. And when you take a closer look at the band's current theological positions, you begin to see something else: a gradual drift away from a distinctly biblical worldview. Sound familiar? We've seen this story before with artists like Amy Grant, Jon Steingard, formerly of Hawk Nelson, Kevin Max, formerly of DC Talk, and others within the Christian music industry. The latest to engage in this apparent Christian music pastime is the formerly professing Christian metal band Fit for a King, who are now touring with an openly blasphemous band, Motionless in White, whose song titles include “Dead as F***,” “Immaculate Misconception,” “Thoughts and Prayers,” and no this is not in a positive light. And upon further research, it does seem like the theological drift was the precursor for them singing next to scoffers and mockers while claiming to still have a relationship with Christ, which we will examine today.

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The brand new Minions movie is out, this one titled Minions and Monsters, as the Minions conjure up a little guy named Goomi. But before the yellow Minions ever made audiences laugh with jokes about séances, magic, and the occult, Hollywood had already spent nearly a century weaving witchcraft, paganism, ghosts, sorcery, and the supernatural into family entertainment. From Disney's first animated feature, Snow White and the Seven Dwarfs, and its spell casting queen and enchanted potions to Lonesome Ghosts, Fantasia, The Sword in the Stone, The Black Cauldron, The Little Mermaid, Moana, and now the latest Minions movie, the occult has often been presented as humorous, harmless, or even heroic. How did witchcraft and occult themes become so normalized in children's entertainment? Is it simply innocent fantasy, or has generation after generation been conditioned to laugh at, celebrate, and embrace ideas that Scripture repeatedly warns believers to avoid? We'll trace the fascinating history from the earliest days of animation to today's biggest family blockbusters, looking at the recurring themes of magic, mediums, séances, pagan gods, ghosts, spells, and supernatural power, and we'll examine how these themes have not only evolved, but why filmmakers continue returning to them, and what the Bible says about distinguishing fantasy from reality.

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Can we really share the gospel by starting with Jesus loves you? Pastor Jeff Durbin said that walking up and telling people that “Jesus loves you” is not what the Apostles taught and so naturally it isn’t something that we should be doing when we share the gospel. We contrast that with a recent interaction with ESPN star Pat Mcafee and a street evangelist starting off his conversation with Jesus loves you. Who is correct and how we should we as Christians evangelize Jesus Christ to those around us?

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What if the same substance that one celebrity calls the greatest healing experience of their life is the very thing another says took them into what felt like hell for eternity? Why are so many celebrities—from Jake Paul and Theo Von to Aaron Rodgers and Megan Fox—encouraging millions of people to seek out this ancient psychedelic brew, increasingly calling it “medicine,” “Mother Ayahuasca,” or even “the grandmother vine,” while a growing number of former practitioners are now warning people to stay away? We want to examine the striking similarities in these experiences—both the euphoric and the terrifying—by looking at the tragic story of fitness influencer Connor Murphy, whose life took a dramatic turn after embracing psychedelics and New Age spirituality before his untimely death, alongside insights from former ayahuasca practitioners who say they were deceived and are warning others before it’s too late. Are these merely powerful chemical hallucinations, psychological breakthroughs, and encounters with the subconscious, or are people opening themselves to something far more real than they realize?

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