Wait, so that Ozzie-Osborne-like-bad guy from G.I. Joe who could change the color of his skin made a prequel of that totally problematic Heath Ledger movie from the early 2000s? Well, not quite. Actually, you know what, that's pretty much exactly what happened. Join us as we discuss Zoltan Korda's remake of a remake of a remake that was eventually remade, remade, remade, and remade again. We are joined by our good friend Max to contemplate Victorian imperialism, sun blindness, and the real color of pineapple.

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If you'd like to watch ahead for next week's film, we will be discussing and reviewing Jacques Tati's Monseiur Hulot's Holiday (1939).