Bergman takes us on a journey into the past, to revisit youthful summer love.  But don’t worry: this is all seen through the memory of an emotionally detached beauty left unable to find meaningful emotional attachments following a pointless tragedy.  But, maybe it does all of this in an uplifting way?

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If you’d like to watch ahead for next week’s film, we will be discussing and reviewing Jennie Livingston’s Paris Is Burning (1990).