“Proust n’a aime que deux personnes, sa mere et Celeste.” – Prince Antoine Bibesco

What better way to “celebrate” a year of sheltering in place than a closer look at France’s most famous social distancer? This week, I’m looking at the curious relationship between the eccentric, reclusive writer, Marcel Proust, and his beloved housekeeper-confidant, Céleste Albaret. Together, the two hunkered down into a mostly nocturnal life of writing, collaborating, and remembering while the world outside became incomprehensible. It’s the ultimate experiment in working from home – if your Uber Eats came from the Hotel Ritz, that is! Here’s the conclusion of our two part history of Marcel & Céleste. (Listen to part one here: 66. Marcel & Celeste, Part I.)

Episode 67: “Marcel & Celeste, Part II”

Transcript

In 1916, Marcel received a surprising letter: a sixteen year old soldier who had snuck his way to the front line wrote him from the trenches to admire his work. Entering into a discussion of friendship, Proust confessed, “I am myself only when alone, and I profit from others only to the extent that they enable me to make discoveries within myself, either by making me suffer…or by their absurdities, which..help me to understand human character.” While Proust continued making sorties outside his apartment, it’s unclear whether they were out of genuine loneliness or a colder, more ambitious sort of reconnaissance. In his all-encompassing dedication to In Search of Lost Time, Marcel’s own life seemed less and less important – in many ways, it seemed, his life was already over. His real life – that of dazzling society soirees and elegant salons, was an anachronism, murdered by the war. He now existed for reconnaissance work: categorizing the beauty and elegance he had known, trying to capture its essence in full. One night, he knocked on the door of a quartet leader, asking to hear a particular work of music as soon as possible. The two of them shared a cab around Paris, picking up the other musicians, and ferrying them back to 102 boulevard Haussman at one in the morning. Another time, he interviewed his housekeeper Celeste’s young niece to accurately capture the writing of a high school girl. He spent his money recklessly – what use was money if not in service of his work, and what use was money if he was going to die young? Of this he was convinced, the only question was whether he would finish his great work first. “I am a very old man, Celeste,” he once told his beloved housekeeper and friend. “I shan’t live long…and that is why I am so anxious to finish.”

 

In 1917, as World War One ground up a generation of Europeans, Marcel Proust began attending regular dinners at the Hotel Ritz. There, he dined with other refugees of the old world: princesses on the run from empires which no longer existed, sophisticated artists and intellectuals, aging dandies and more. Relying on his personal charm and the gossip of the Ritz staff, Proust learned everything he’d ever wanted to know about the ruling classes of the aristocracy. Spending the dwindling reserves of his fortune on lobster and champagne while the war approached its climax, Proust was an eyewitness to the changing of the guard. On July 27th, 1917, attending a dinner party in the Ritz hotel room of a Greek princess, Proust heard the air raid siren go off. Standing on the balcony, Proust replayed that fateful night from three years earlier, “watching this wonderful Apocalypse in which the airplanes climbing and swooping seemed to complement and eclipse the constellations.” A few months later, Proust stepped out onto the sidewalk and encountered two soldiers: Americans.