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Zachary Balber is a photo artist who has been a frequent presence in the Miami contemporary art circuit exhibition since he got his BFA in Creative Photography at the University of Florida, New World School of the Arts, in 2009. His work has also been included in several American private and institutional collections.
Intimate Stranger is a photographic series produced in Miami by Zachary Balber between 2013 and 2020. Zachary has
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Intro/Outro: "Balls" by Sparks
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Discussed:
“Photography: The Middle Class Medium”
Family Propaganda Portraits
Photo-Marxism
Bruce Weber
Susan Sontag
Cindy Sherman
Walker Evans
Loriel Beltran
Marvin
Jose
“Avedon
Brene Brown
Weegee
Alfred Dupont Building,
Allappattah
--
“Navigating through the excuses became part of the performance.”
“The image is more important than the reality it captures.”
“You are poking at people who can squish you.”
“Is taking a picture a crime?”
“I erase myself into these interiors.”
“I left with all the conceptual goodies I could fathom.”
“Interior decorating choices like a bad mixtape…With all of the
“Buildings will eventually be like a Mr. Potato Head, with interchangeable parts.”
“Documenting architecture and fine art, I can map the gentrification that has happened in the last few years.”
5
66 ratings
Zachary Balber is a photo artist who has been a frequent presence in the Miami contemporary art circuit exhibition since he got his BFA in Creative Photography at the University of Florida, New World School of the Arts, in 2009. His work has also been included in several American private and institutional collections.
Intimate Stranger is a photographic series produced in Miami by Zachary Balber between 2013 and 2020. Zachary has
--
Intro/Outro: "Balls" by Sparks
--
Discussed:
“Photography: The Middle Class Medium”
Family Propaganda Portraits
Photo-Marxism
Bruce Weber
Susan Sontag
Cindy Sherman
Walker Evans
Loriel Beltran
Marvin
Jose
“Avedon
Brene Brown
Weegee
Alfred Dupont Building,
Allappattah
--
“Navigating through the excuses became part of the performance.”
“The image is more important than the reality it captures.”
“You are poking at people who can squish you.”
“Is taking a picture a crime?”
“I erase myself into these interiors.”
“I left with all the conceptual goodies I could fathom.”
“Interior decorating choices like a bad mixtape…With all of the
“Buildings will eventually be like a Mr. Potato Head, with interchangeable parts.”
“Documenting architecture and fine art, I can map the gentrification that has happened in the last few years.”
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