Cindy Adams critiques the modern media's obsession with the deceased, lamenting that contemporary magazines prioritize historical icons like Martha Graham over living figures. She transitions from personal anecdotes about receiving unwanted relics of the past to a series of provocative celebrity quotes regarding onscreen romances, illustrating a shift in cultural focus toward sensationalism. The narrative then pivots to a detailed summary of an exposé on the British Royal Family, specifically highlighting allegations of financial misconduct and scandalous associations involving Sarah Ferguson.
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