On the surface, Sammy Harkham’s Blood of the Virgin is about an editor of b-movies in 1970s L.A. who has greater artistic aspirations, but it’s also rich with unexpected explorations of character and narrative approaches, themes about the creative process, responsibility, and being an immigrant, and Harkham’s best art and writing to date. Over a … Continue reading #811 “Blood of the Virgin”: About much more than filmmaking