Tara Rubin is a casting director with her own casting company since 2001. Before that, she was a casting director at Johnson-Liff Associates. During those years she worked on productions of Les Miserables, Phantom of the Opera, Cats, Sunset Boulevard, Jerry Zaks' revival of Guys and Dolls and Miss Saigon. At Tara Rubin Casting, she and her colleagues cast the musicals School of Rock, Mamma Mia!, Jersey Boys, Les Miserables, Phantom of the Opera, Aladdin, Mary Poppins, Spamalot, The Producers, Young Frankenstein for Broadway as well as The Country Girl, The Heiress, The Farnsworth Invention and A Time To Kill. They have worked with many regional theaters including La Jolla Playhouse, The Williamstown Theater Festival, Dallas Theater Center, Arena Stage, and The Westport Country Playhouse. She serves on the board of the Casting Society of America.

It takes quite a diplomat, and there aren’t many better than our guest this week, Tara Rubin of Tara Rubin Casting. Just in the past few months Tara has been casting Cats, Miss Saigon, Dear Evan Hansen, and all those kids in School of Rock. Talk about a diverse bunch of actors . . . and creative teams!

That’s why I cast Tara in this week’s podcast. So listen in and hear Tara talk about . . .

The most important thing she learned when she worked for a Producer.

How casting has changed in the past 20 years, and how that helps newcomers.

Whether agents have more or less power now than they did before.

The biggest mistake Actors make when walking into the room (and the mistake they make when marketing themselves).

How are we doing on diversity . . . and what else we should be doing.

Keep up with me: @KenDavenportBway

www.theproducersperspective.com 

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