Kon Ichikawa sumptuous remake of an Edo-period revenge tale is magnified by lush camerawork, stirring performances, a jazzy soundtrack, and a fascinatingly unexpected exploration of gender, sexuality, and identity.  The Kabuki actor Yukinojo performs and lives as a woman, breaks the hearts of all around him (men and women alike), and deftly schemes to enact vengeance on the men who destroyed her family.

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If you’d like to watch ahead for next week’s film, we will be discussing and reviewing Danny Boyle’s Trainspotting (1996).