9Natree

Book Formatting for Self-Publishers, a Comprehensive How to Guide (Jennette Green)

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- Interesting Topics:
- A Microsoft Word workflow designed for independent book production
- Trim size, margins, and pagination as the foundation of a credible print interior
- Styles and formatting marks replace manual fixes with document-wide consistency
- Image handling recognizes the limits of a word processor in print preparation
- Separate print and ebook preparation for retailer-oriented submission

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Book Formatting for Self-Publishers, a Comprehensive How to Guide is a practical technical manual by Jennette Green for authors preparing books on a Windows PC. Published in its 2020 edition, it concentrates on using Microsoft Word to create publishable files for print and electronic editions rather than relying on professional page-layout software. Its purpose is not to teach writing, editing, cover design, or marketing. Instead, it addresses the production stage between a completed manuscript and submission to retailers and print services. Green explains the Word-based tasks that determine whether a book looks orderly, reads comfortably, and meets platform expectations: document setup, trim dimensions, margins, paragraph and style consistency, pagination, images, and file preparation. The guide addresses workflows associated with Kindle, NOOK, KDP, IngramSpark, Barnes and Noble Press, and related outlets. Accompanying illustrations support the procedural approach. The book is specifically for PC users and does not cover Adobe InDesign, making it most relevant to independent authors who want a detailed Word-centered route to formatting their own novels or nonfiction books.

InDesign CS5 For Dummies (Galen Gruman)

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- Interesting Topics:
- Document Setup Connects Page Structure to Publishing Intent
- Frames, Shapes, and Object Controls Form the Layout Vocabulary
- Text Formatting and Styles Turn Raw Copy into Consistent Editorial Content
- Color and Imported Graphics Require Both Visual and Technical Control
- Export Options Complete the Workflow for Print, Web, and Reusable Deliverables

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InDesign CS5 For Dummies by Galen Gruman is a beginner-oriented technical guide to Adobe InDesign CS5, the desktop publishing application used to build professional print and digital layouts. Published in 2010, it belongs to the practical reference tradition of the For Dummies series, using an accessible approach for people with little publishing experience and for users moving from another layout program. The book addresses the core workflow behind brochures, newsletters, magazines, books, and similar documents: setting up files, managing pages and layers, placing and arranging objects, formatting text, handling color, importing graphics, and preparing output. Its purpose is not to teach visual taste as an abstract design theory course would, but to make the software usable through its major tools and production concepts. Gruman draws on professional editorial and publication-production experience, which helps position InDesign as a structured publishing environment rather than merely a drawing tool. The result is a broad foundation for understanding how document components, reusable formatting, and export choices work together.

Non-Adhesive Binding: 1 (Keith A. Smith)

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- Interesting Topics:
- Binding as an Integral Part of the Book Statement
- Adhesive-Free Construction Expands Workshop Access
- Preparation Skills Establish the Accuracy of Every Sewing Structure
- Thirty-Three Structures Create a Progression from Pamphlets to Coptic Sewing
- Detailed Diagrams Make Process and Sequence Legible

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Non-Adhesive Binding: 1, also known as Books Without Paste or Glue, is a revised and expanded instructional book by book artist Keith A. Smith. It addresses hand-built book structures that rely on folding, piercing, sewing, lacing, and mechanical attachment rather than adhesive, presses, or heavy equipment. The volume combines a practical manual with a distinct view of artist books: a binding is not merely a protective finish applied after pages are made, but part of how a work functions, looks, and communicates. Its first section establishes preparation skills, including paper selection and behavior, folding, measuring, marking, and making sewing stations. The second moves through a broad sequence of bindings, from accessible pamphlet and stab forms to more involved long-stitch and Coptic structures. Detailed line drawings carry much of the teaching burden, showing thread paths and construction order. The book is therefore both a technical reference and a framework for making structural choices responsive to content, page movement, and visual design.

Truthful Art, The: Data, Charts, and Maps for Communication (Alberto Cairo)

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- Interesting Topics:
- Truthfulness Is a Continuum of Evidence, Not a Simple Label
- Five Qualities Link Ethical Accuracy to Useful Visual Communication
- Exploration and Explanation Require Different Visual Structures
- Chart Choice Should Follow the Analytical Question and Data Structure
- Critical Self Evaluation Protects Against Bias and Misleading Design

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The Truthful Art: Data, Charts, and Maps for Communication is a nonfiction guide to data visualization by Alberto Cairo, a journalist, designer, and educator in visual communication. Published as a follow-up to The Functional Art, it shifts attention from visual design alone to the reasoning that must precede and guide design. Cairo treats charts, maps, and infographics as instruments for investigating evidence and communicating it responsibly, rather than as decorative summaries of numerical claims. The book combines foundations of scientific reasoning, practical guidance on common chart forms, and frameworks for judging whether a visualization informs or misleads. Its central concern is the disciplined interpretation of data under uncertainty: readers are asked to examine sources, assumptions, comparisons, and possible alternative explanations before presenting a conclusion. Cairo also distinguishes visuals built for open-ended exploration from explanatory infographics structured around a selected message. With examples from journalism and professional visualization, the book addresses the growing number of people whose work requires them to evaluate or communicate data clearly.

The Thames and Hudson Manual of Book Binding ) (Arthur Johnson)

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- Interesting Topics:
- The binding process is presented as a sequence of interdependent structural decisions
- Tools and materials are explained as active parts of workmanship rather than accessories
- Sewing, spine shaping, and board work establish how a finished book performs in use
- Endpapers, edges, and covering show that functional protection can also carry visual order
- The manual preserves a traditional technical vocabulary while demanding deliberate study

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Arthur W. Johnson's The Thames and Hudson Manual of Book Binding is an illustrated technical guide to traditional Western bookbinding. First published in the Thames and Hudson manual series and issued in editions including the 1981 paperback, it addresses binding as both a durable structure and a visual craft. Johnson, a British designer-bookbinder, organizes the subject around the practical sequence by which loose printed sections become a finished volume. The book covers the workshop foundation of equipment, hand tools, adhesives, thread, covering materials, and papers, then moves through preparation, sewing, shaping the spine, attaching boards, covering, edge treatment, and decorative finishing. Its illustrations serve an instructional purpose by identifying tools and clarifying processes, while examples of historic and modern bindings place technical decisions within a wider craft tradition. This is not a project book centered on quick contemporary formats. It is a sustained reference for understanding the methods, vocabulary, workmanship, and aesthetic standards of conventional hand binding.

The Non-Designer's Design Book (Robin Williams)

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- Interesting Topics:
- The Four Principles Turn Design Judgment into a Repeatable Method
- Proximity Organizes Meaning Before a Reader Begins to Read
- Alignment Replaces Random Placement with an Invisible Structural Grid
- Repetition and Contrast Build Identity While Directing Attention
- Typography Is Taught as Visual Hierarchy Rather Than Font Collecting

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The Non-Designers Design Book is an introductory guide to visual layout and typography by Robin Williams, written for people who must create documents, promotional materials, newsletters, presentations, or simple publications without formal design training. Rather than treating design as an inaccessible artistic talent or a matter of software expertise, the book presents it as a set of visible decisions that can be learned and evaluated. Its central framework is built around four principles: proximity, alignment, repetition, and contrast. Williams explains how these principles organize information, establish hierarchy, and make pages easier to read. The book also introduces basic typographic categories and methods for combining typefaces with purpose. Examples, comparisons, exercises, and quizzes make its instruction practical rather than purely theoretical. First published in earlier editions for the desktop publishing era and revised over time, the book remains notable for teaching enduring visual principles that apply across changing tools. Its purpose is to help visual novices recognize weak layouts, understand why they fail, and revise them systematically.

LaTeX: A Document Preparation System (Leslie Lamport)

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- Interesting Topics:
- Logical markup separates an author’s meaning from visual presentation
- Document classes and environments provide a reusable structural framework
- Automatic numbering and labels make technical cross-references dependable
- Mathematical typesetting is integrated with the surrounding document
- Bibliographies, citations, and diagnostic compilation support scholarly production

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LaTeX: A Document Preparation System is Leslie Lamport’s user guide and reference manual for LaTeX, the macro-based document preparation system built on Donald Knuth’s TeX. The 1994 second edition, associated with LaTeX2e, explains how an author writes a plain-text source file whose commands identify the logical parts of a document and whose compilation produces professionally typeset output. It is both instructional and technical: early material establishes the basic workflow for ordinary documents, while later reference-oriented material addresses document classes, mathematical material, tables, figures, bibliographies, and more specialized facilities. Its central purpose is not to teach visual page design through direct manipulation. Instead, it teaches authors to express structure, then let a consistent typesetting system apply conventions. That orientation made the book particularly important for scientific and technical writing, where equations, citations, cross-references, and long-document consistency are recurrent concerns. Although it reflects the tools and practices of its period, it remains a foundational account of the LaTeX model and of the reasoning behind markup-based document preparation.

The Mac is Not a Typewriter (Robin Williams)

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- Interesting Topics:
- Replacing Typewriter Habits with Typographic Conventions
- Punctuation Marks Carry Visual and Editorial Meaning
- Tabs and Indents Create Structure Without Manual Spacing
- White Space and Line Spacing Determine Reading Comfort
- Microtypography Separates a Finished Page from a Default Document

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The Mac is Not a Typewriter is a concise typography and document-production manual by Robin Williams, first published for Macintosh users who had powerful page-layout tools but little formal training in typesetting. Its central premise is that a computer should not merely reproduce typewriter habits. Digital tools make it possible to apply conventions developed by professional compositors, and doing so improves readability, visual order, and perceived credibility. Rather than offering a broad history of design or a software reference, the book concentrates on recurring details in everyday documents: quotation marks, dashes, spacing, indents, tabs, line spacing, kerning, margins, and punctuation. Williams explains these choices as practical rules with visible consequences, making the guide accessible to writers, office workers, newsletter producers, and beginning designers. Although its Macintosh-specific instructions reflect its era, its typographic standards remain broadly applicable. The book is best understood as a bridge between ordinary word processing and the disciplined preparation of professional-looking text.

Art Nouveau Typographic Ornaments (Dan X. Solo)

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- Interesting Topics:
- A Primary-Source Archive of Printing Ornament
- Art Nouveau Rendered Through Floral Lines and Organic Motifs
- Ornaments as Functional Tools for Page Hierarchy
- Mirror Images and Reusable Components Expand Design Options
- A Resource for Period-Appropriate Rather Than Generic Vintage Design

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Art Nouveau Typographic Ornaments is a visual reference volume compiled by type historian Dan X. Solo and published in the Dover Pictorial Archive series. Rather than a narrative history or a design manual with step by step instruction, it assembles more than 800 decorative printing elements drawn from late nineteenth and early twentieth century type specimen catalogs. The material documents a period in which printers treated ornaments as active components of page design, not merely filler around text. Its black and white plates present floral and botanical motifs, curving scrollwork, borders, wreaths, symbols, animals, human figures, and other display devices associated with Art Nouveau and the broader Arts and Crafts revival. The book has a practical as well as archival purpose: the reproduced images are identified as copyright-free and can be adapted for print, illustration, craft, or digital design. By preserving working materials from historical foundries and printers, Solo offers designers direct visual evidence of how period ornament extended typography into a unified decorative language.

Talk to the Elephant: Design Learning for Behavior Change (Julie Dirksen)

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- Interesting Topics:
- The knowing doing gap reframes training as only one possible intervention
- The Elephant and Rider lens accounts for rational intentions and automatic reactions
- COM B helps diagnose capability motivation and opportunity barriers
- Motivation design draws on autonomy competence and relatedness
- Behavior selection testing and feedback make interventions more accountable

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Talk to the Elephant: Design Learning for Behavior Change is a professional guide to workplace learning design by Julie Dirksen, an instructional designer and author of Design for How People Learn. Rather than treating training as the automatic answer to a performance problem, the book examines the persistent gap between knowing a desired action and carrying it out in daily work. Its central concern is behavior change: why employees may understand a policy, procedure, or skill yet continue with established habits. Dirksen brings behavioral science into the practice of learning and development, combining ideas from cognitive psychology, behavioral economics, neuroscience, user experience, and instructional design. The title uses the Elephant and Rider metaphor to distinguish reflective reasoning from emotional, automatic, and situational forces. The book is aimed primarily at professionals who design adult learning interventions, including instructional designers, learning leaders, and performance consultants. Its purpose is to help them diagnose barriers accurately, select proportionate interventions, and test whether designs change real behavior rather than merely produce completed courses.