Fresh Air

A new film adaptation of the Pulitzer Prize-winning August Wilson play The Piano Lesson is now on Netflix. It's about a brother and sister battling over what to do with a family heirloom piano. Denzel Washington and his daughter Katia served as producers, and his sons John David and Malcolm starred in and directed it. The brothers talk about bringing the play to the screen.

Also, we hear from Selena Gomez about the Spanish-language musical Emilia Pérez. Gomez plays the wife of a brutal drug cartel leader who decides to undergo gender-affirmation surgery.

Film critic Justin Chang reviews blockbusters Wicked and Gladiator II.

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The animated film Piece By Piece traces Pharrell Williams' early life as a boy growing up in Virginia Beach and follows his trajectory to a Grammy-winning songwriter, performer and producer. He spoke with Tonya Mosley about his synesthesia, the song Prince rejected, and disliking his own voice.

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About 25 years ago, the acclaimed cellist asked a high school student to help him name his instrument. Yo-Yo Ma brings his cello — aka "Petunia" — to his conversation with Terry Gross. He talks about being a child prodigy, his rebel years, and straddling three cultures: American, French, and Chinese.

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Ira Gershwin wrote the lyrics for some of the most enduring songs in the Great American Songbook, including "I Got Rhythm," "S'Wonderful," "Embraceable You," "Love is Here to Stay," and "Let's Call the Whole Thing Off." Biographer Michael Owen talks about Ira's collaboration with his brother George, his writing process, and the line he added to "Somewhere Over the Rainbow."

Later, jazz historian Kevin Whitehead remembers drummer Roy Haynes.

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August Wilson's Pulitzer Prize-winning play The Piano Lesson is about a conflict in a Black family over whether to keep an exquisite heirloom piano — or to sell it to buy the land their family was enslaved on. Denzel Washington's son Malcolm directed the new film adaptation for Netflix, and his brother John David stars as Boy Willie. Tonya Mosley talks with the brothers about collaborating as a family on the project.

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During her years as a military linguist, Bailey Williams pushed her body to extremes. She later learned that eating disorders are more prevalent in the Marine Corps than in any other military branch. Her memoir is Hollow.

John Powers reviews the Paramount+ series Landman.

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Michael Schur wrote for the The Office, and created The Good Place, and co-created Parks and Recreation and Brooklyn Nine-Nine. His new show for Netflix, A Man on the Inside, features Ted Danson as a widowed retiree who goes undercover in a retirement community. He spoke with Terry Gross about the series.

Later, comic and Silicon Valley actor Jimmy O. Yang talks about his new Hulu series, Interior Chinatown. He plays a waiter who inadvertently becomes central to a crime story.

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Author Scott Eyman explains how silent film actor Charlie Chaplin was smeared in the press, scandalized for his affairs with young women, condemned for his alleged communist ties and banned from returning to the U.S. "At one time or another he was the target of the entire security apparatus of the United States of America," Eyman says. His book is Charlie Chaplin vs. America.

Also, Justin Chang reviews two highly-anticipated blockbusters, Wicked and Gladiator II.

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Michael Schur wrote for the The Office, and created The Good Place, and co-created Parks and Recreation and Brooklyn Nine-Nine. His new show for Netflix, A Man on the Inside, features Ted Danson as a widowed retiree who goes undercover in a retirement community. He spoke with Terry Gross about the series, making fun of NPR (lovingly) on Parks, and being a life-long rule-follower.

Also, our TV critic David Bianculli reviews the new series and says it's the sweetest show since Ted Lasso.

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Trump has called the press the "enemy of the people" and threatened retribution, including jailing reporters, investigating NBC for treason, and suggesting CBS's broadcast license be taken away. Terry Gross talks with David Remnick, editor of The New Yorker, and Marty Baron, former executive editor of The Washington Post, about the media landscape as we head into a second Trump administration.

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