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We probably have the irrepressible playwright, music critic, and ardent socialist George Bernard Shaw to thank for this music — the Symphony No. 3 of Edward Elgar.
Shaw had been trying to persuade him to write a Symphony No. 3, and, early in 1932, had written: “Why don’t you make the BBC order a new symphony. It can afford it!” A few months later, Shaw dashed off a postcard with a detailed, albeit tongue-in-cheek program for the new work: “Why not a Financial Symphony? Allegro: Impending Disaster; Lento mesto: Stone Broke; Scherzo: Light Heart and Empty Pocket; Allegro con brio: Clouds Clearing.”
Well, there was a worldwide depression in 1932, but the depression that had prevented Elgar from tacking a new symphony was more personal: the death of his beloved wife in 1920. Despite describing himself as “a broken man,” unable to tackle any major projects, when Elgar died in 1934, he left behind substantial sketches for a Symphony No. 3, commissioned, in fact, by the BBC.
Fast forward 64 years, to February 15, 1998, when the BBC Symphony gave the premiere performance of Elgar’s Symphony No. 3 at Royal Festival Hall in London, in a performing version, or “elaboration” of his surviving sketches, prepared by contemporary British composer Anthony Payne. It was a tremendous success, and, we would like to think, somewhere in the hall the crusty spirit of George Bernard Shaw was heard to mutter: “Well — about time!”
Edward Elgar (1857-1934): Symphony No. 3 (elaborated by Anthony Payne); BBC Symphony; Andrew Davis, conductor; NMC 053
By American Public Media4.7
176176 ratings
We probably have the irrepressible playwright, music critic, and ardent socialist George Bernard Shaw to thank for this music — the Symphony No. 3 of Edward Elgar.
Shaw had been trying to persuade him to write a Symphony No. 3, and, early in 1932, had written: “Why don’t you make the BBC order a new symphony. It can afford it!” A few months later, Shaw dashed off a postcard with a detailed, albeit tongue-in-cheek program for the new work: “Why not a Financial Symphony? Allegro: Impending Disaster; Lento mesto: Stone Broke; Scherzo: Light Heart and Empty Pocket; Allegro con brio: Clouds Clearing.”
Well, there was a worldwide depression in 1932, but the depression that had prevented Elgar from tacking a new symphony was more personal: the death of his beloved wife in 1920. Despite describing himself as “a broken man,” unable to tackle any major projects, when Elgar died in 1934, he left behind substantial sketches for a Symphony No. 3, commissioned, in fact, by the BBC.
Fast forward 64 years, to February 15, 1998, when the BBC Symphony gave the premiere performance of Elgar’s Symphony No. 3 at Royal Festival Hall in London, in a performing version, or “elaboration” of his surviving sketches, prepared by contemporary British composer Anthony Payne. It was a tremendous success, and, we would like to think, somewhere in the hall the crusty spirit of George Bernard Shaw was heard to mutter: “Well — about time!”
Edward Elgar (1857-1934): Symphony No. 3 (elaborated by Anthony Payne); BBC Symphony; Andrew Davis, conductor; NMC 053

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